January 22, 2017
Posted in news

Sony Alpha live view support for the Timelapse+ VIEW Intervalometer

Share

The folowing is a guest post from Isaac:

Timelapse+ had a really interesting KickStarter last year for their VIEW Intervalometer and it looks like they now have live-view support for the Alpha!

The VIEW is a powerful little device with some neat features like automatic bulb ramping, live time lapse preview — watched either on the VIEW or a smartphone — and touch-free gesture controls.

Since the end of the KickStarter campaign, Timelapse+ has been actively adding new features and working with other vendors to include third-party integrations to the VIEW.

Timelapse+ creator, Elijah Parker posted on the company’s blog:

Anyway, back to the good news — live view is working!  This is nice because you can stream live view over the app and more conveniently setup motion keyframes or just setup the shot from somewhere else altogether via app.view.tl over the internet.

I had previously believed live view wasn’t possible over USB with Sony since there didn’t seem to be any hidden commands in the protocol for this and Sony’s software doesn’t support it.  Sony’s USB protocol is quite limited and in my opinion, terribly designed.  For example, to change ISO, you can only tell it to go up or down, then read what it is.  To find the range of options, you need to move it up until it doesn’t change anymore, then run it all the way down, one step at a time, until it again stops changing.  Compare this with Nikon, where you can request the list of valid ISOs, choose one, then set it to be anything.  No stepping blindly through a list.  Canon is slightly more cumbersome — the lists of everything are sent all at once when it first connects, then again if they change.  They can’t just be requested at anytime, but it still works just fine.

This is just a blurb from his post but you should read the whole blog post. It’s fairly technical but interesting.

You can read more about VIEW on the company’s website: timelapseplus.com/view

Share
January 22, 2017
Posted in news

This week SAR readers photos selection

Share


Björn Khalad Thundal‎
Cold fog after sunset outside Köping, Sweden. A7RII with Carl Zeiss 55/1,8

1) Submit your picture with a message and picture here: facebook.com/sonyalpharumors or on the SonyAlphaForum image section.
2) Like and comment the pictures from other readers here: facebook.com/sonyalpharumors/photos_stream?tab=photos and on SonyAlphaForum.
3) A selection of most liked pictures by the community and by me SAR admin will be posted weekly on SAR.

Note: When sending a pic feel free to also add a link to your site to promote yourself!

Read the rest of this entry →

Share
January 21, 2017
Posted in deals

Gold Box deal on the Samyang 50mm f/1.4 FE autofocus lens at Amazon

Share

There is now a Gold Box deal on the Samyang 50mm f/1.4 FE autofocus lens at Amazon US (Click here).

Reminder:
You save $250 on the Rokinon FE autofocus lens kit sold at BHphoto.
$200 off on the A77II sold by Bhphoto, Amazon and Adorama.
Full list of deals at BHphoto (Click here).
$200 gift card on the Sony A7rII by Adorama.
$200 gift card on the Sony A7sII by Adorama.
$100 gift card on the Sony A6300 by Adorama and BHphoto.

Share

Guest Post: How big should a Sony E-mount camera be?

Share

The following is a guest post from Jiri:

Why

Since the introduction of the E-mount (formerly NEX) system Sony has struggled to offer a maximum power from a minimal body. There is no doubt that they succeeded pretty well in this respect.

I have bought my first E-mount camera (NEX7) five years ago and coming from DSLRs I had to learn how to cope with the petite size of the body. Still now, some forty thousand pictures later, I am fighting with what I feel as an insufficient size of my E-mount bodies. I kept adding various L-plates and grips to them in order to increase their height and to solve the insufficient battery capacity as well. As a glass wearer I also fought heavily with the small eyepieces on the EVFs. The well-known overheating problem has never been an issue to me as I am not a video guy, but it should be mentioned too.

The question for me was: could an increase in the size of the body help to solve at least partly these problems? How big should such camera be?

How

I am fully aware that a camera design is a complex task requiring lots of information and experience that I simply don´t have. My approach has been to start with an existing product and to modify it to meet my requirements. As the A7ii series body has a size large enough to accommodate a full frame sensor with an IBIS system I took it as a basis for my effort, but my design could have been based on the A6500 with the APSC sensor as well. In guessing the size of the A7ii internal parts I relied on what I found in the camera teardown documented in the very instructive text and pictures posted at Lens Rentals.com by Roger Cicala.

My proposal is based on a design of a square body with two more or less equally sized and shaped grips. Not an assembly of two separate parts, but one solid monocoque piece. This alone is nothing new. The really big professional cameras like Canon 1Dii or Nikon D5 use the same logic. Such body still remains distinctively smaller compared to these cameras, not exceeding the horizontal dimensions of an A7ii body. Its height is about the same as its width. This basic decision allows many further changes in the camera layout.

The larger body can not only provide enough space for the IBIS system, but given a magnesium construction it should also support heat dissipation and help to solve the overheating problem. Larger surface of the back and both sides of the camera offers enough space for an increased number of dials, buttons, card slots, ports and jacks.

Front

Compared to a standard body the lens the lens mount is moved down to an equal distance from both grips. This shift gives the same distance between the lens axis and the grip in both shooting orientations and leaves in the upper part of the body space for a built-in EVF. I personally prefer this arrangement to the viewfinder hump of the standard A7 series.

Back

The viewfinder is integrated into the left upper corner of the body. The standard LCD is placed in the middle of the body, allowing for the use of large eyecups on the viewfinder and avoiding collisions of a tilted LCD with a tripod. Eventually a larger LCD could be used too.

My proposal includes a rearrangement of the dials and buttons on the camera back. All basic ones are moved to the upper part of the body where they are easy to reach by the thumb of the right hand and protected against unintended use. The palm of the right hand can thus firmly grasp the camera. The larger surface of the body could easily accommodate even a larger number of buttons if necessary.

Top

The top of the body could be arranged in many ways. I have opted for a rather conservative set-up combining the present A7ii and A6xxx lines.

Sides

The right hand camera side can easily include two (or even more) card slots in the grip. The left hand side of the body is dedicated to doors covering USB, HDMI and other ports. There is also enough area for microphone and headphones jacks. The battery door is placed in the bottom of this side, covering a space for two standard NP-FW50 batteries or, still better, a new large double sized battery with an increased capacity. The battery is rotated 90 degrees compared to what we can find in the Sony VGC2EM grip. This arrangement frees the front parts of both grips of any internal functions so that they could be easily shaped to offer an ergonomic optimum. A tilting EVF is one of the possible options.

Bottom

The bottom of the camera body is flat and free of any openings and doors with the exception of a tripod socket hole. My suggestion is to integrate an Arca Swiss plate profile into the bottom grip.

Size, weight and price

As a rule of thumb I would say that the proposed body shouldn´t be heavier than a comparable standard body with an attached standard vertical grip. It is not larger either. The weight would depend on the internal structure of the body, materials and image technology used. Theoretically just by joining two pieces into one you should be able to save some material and weight. I would like to say the same about the price, but I am aware of the fact that this would be probably a small series product and hence the price would be higher. Even if a lot of the A7ii series standard parts could be used.

Advantages and problems

I believe that a reasonably larger body would help to solve many of the present shortcomings of the A7 line. To me the ergonomic factor is decisive and the improvement clear. My amateur attitude might have led to some mistakes and inaccuracies. I deeply apologize to the SONY professionals for my imperfections and hope they are not crucial. I tried to be as serious and cautious as possible.

Final word

The struggle for the smallest possible camera body is not as important as it seemed to be several years ago. Those who want a real minimum already use their smartphones. For those who need something more but still really small Sony offers the Cyber-Shots in the RX and HX series. None of the E-mount cameras (including the APSC line) with the new decent lenses are truly pocketable anymore. With those facts in mind I believe it could be about time to loosen the dictate of the minimal size paradigm and to look around for other options.

What I am presenting is just a sketch, not a serious design. I would like to believe that this shape of body could find its users. It is by no means intended to compete against the popular standard E-mount bodies or even to replace them. It could simply extend the scope of the E-mount line. Any name for it? May be A7L or A7C with the C standing for comfort would be appropriate.

Jiri

 

 

Share
January 21, 2017
Posted in news

Sony Tidbits…

Share


Sony a6000 Custom Settings Guide

Full list of todays Gold Box deals at Amazon, BHphoto, eBay, Amazon.de, Amazon.co.uk, Amazon.fr, Amazon.it, Amazon.es.
Sony semiconductor solutions showcases”LMX-001 Holographic waveguide display” at CES 2017 (Sony Semicron).
Software: PXW-FS7 : Binary Package V4.10 (Sony UK).
Behind the Scenes at Sony CES 2017 (Sony Youtube)
Monopod Shootout: Sony Alpha 6500 on Manfrotto MVMX Pro 500 vs Sirui P-224S / Pan (Slashcam Youtube)
Using the Sony 10-18mm f4 lens on full frame (Scatteredlightbox).
Sony FE 70-200mm f/4 G OSS Review (ePhotozine).
sony a7rii review – a superb farce of a camera (35mmc).

To write a guest post on SAR follow the instruction on that page.

Share

By continuing to use the site, you agree to the use of cookies. more information

The cookie settings on this website are set to "allow cookies" to give you the best browsing experience possible. If you continue to use this website without changing your cookie settings or you click "Accept" below then you are consenting to this.

What are Cookies?
A cookie is a small file of letters and numbers that is stored in a temporary location on your computer to allow our website to distinguish you from other users of the website. If you don't want to accept cookies, you'll still be able to browse the site and use it for research purposes. Most web browsers have cookies enabled, but at the bottom of this page you can see how to disable cookies. Please note that cookies can't harm your computer. We don't store personally identifiable information in the cookies, but we do use encrypted information gathered from them to help provide you with a good experience when you browse our website and also allow us to improve our site. You can watch a simple video from Google to find more information about cookies.

Cookies used by our Website
The Sonyalpharumors website, Sonyalpharumors.com, uses the following cookies for the collection of website usage statistics and to ensure that we can . These are anonymous and temporary. By using our website, you agree that we may place these types of cookies on your device.
Read how Google uses data when you use our partners' sites or apps: http://www.google.com/intl/en/policies/privacy/partners/
Google Analytics Cookie Usage on Websites: https://developers.google.com/analytics/devguides/collection/analyticsjs/cookie-usage?csw=1#cookiesSet Addthis cookies: http://www.addthis.com/privacy.
Disqus cookies: https://help.disqus.com/customer/portal/articles/466235-use-of-cookies.
Vimeo cookies: http://vimeo.com/privacy.
Youtube cookies: https://support.google.com/youtube/answer/171780?hl=en-GB

Disabling/Enabling Cookies
You have the ability to accept or decline cookies by modifying the settings in your browser. Please note however that by deleting our cookies or disabling future cookies you may not be able to access certain areas or features of our site. For information about how to disable cookies in your browser please visit the About Cookies website.

Close

×