Megadap Releases The First Ever Automatic Adapter for Sony E lenses on both Full Frame and APS-C Nikon Z Cameras

You can preorder it now at BHphoto (Click here).

Here is the Press text:

Megadap Releases The First Ever Automatic Adapter for Sony E lenses on both Full Frame and APS-C Nikon Z Cameras

Hong Kong, 23rd August 2021 – Megadap, a new ambitious manufacturer who specialised in making camera lenses accessories, has just announced the launch of World’s first automatic Adapter ETZ11 for the full line-ups of Nikon Z mirrorless cameras (both Full frame and APS-C) to use Sony E lenses. Features like autofocus (AF-S / AF-C), aperture control and IBIS can now be retained. It can also work with MF lenses (with/without chips).

Much Higher Compatibility

Megadap ETZ11 supports a wide variety of third-party Sony E mount lenses adapted on Nikon Z cameras, in both automatic and manual mode shooting. ETZ11 allows E mount lenses from Zeiss, Sigma, Tamron, Voigtlander, and Samyang (Rokinon) to be used on Nikon Z cameras like native Z-mount lenses. It greatly improves the choices of lenses for Nikon Z users to use, especially Z50 and Zf-c owners.

Functions Upgrade

Megadap has spent countless of hours to optimize the firmware and ensured a much faster focusing speed for most of the compatible lenses when over similar adapters in the market. It is also first of its kind to be compatible with manual lenses without electronic chips. Camera IBIS is supported in AF- S/AF-C/MF modes. Auto aperture control and Aperture coupling (Aligned

aperture values showing on the lens’ body) are also supported (e.g. Sony GM lenses with aperture ring, Zeiss Loxia lenses, Voigtlander VE lenses etc.) Smooth real-time focus tracking is allowed with ETZ11.

Effortless Firmware Update

An USB update tool is included in the packing of ETZ11. The update can easily be done by connecting the clip-on electronic contact spots on the adapter and plugging the USB end into a computer. Simply drag the updated firmware downloaded from Megadap official website (www.megadap.net) into the pop up folder (like working with a flash drive) and the update is done.

Premium Built Quality

High Quality Plating is applied on the surface of Megadap ETZ11 Autofocus adapter. 2mm thickness made of aluminium alloy is thin but though. Ultra- protection of the circuit board has been designed to protect the circuit board from daily uses. New design of the release button has enable users to press the button down with ease for quick installation. The adapter itself is light and thin, making the use of other brands’ lenses feel original.

Wild Rumors roundup: Sony A9III, new compact FE primes and 20-50mm GM.

About those rumors: I have no idea who sent them and 90% of the times they turn out to be wrong. But, it happened in the past that a couple of those were right. So I will post them today, and we all together can eventually keep track of this. If one of the sources turns out to be right than we will know we can trust it a bit more!

Source 1:

Next new compact primes from Sony:
FE 18mm f3.5
FE 31mm f2.2

Source 2:

New GM Lenses: FE 105mm F1.4 GM, FE 24-70mm F2.8 GM, FE 70-200mm F2.8 GM, FE 20-50mm F2.8 GM. (FY’21,Q2 to FY’22,Q2).

Source 3:

Sony has prepared a sports beast camera for the 2022 Olympic Games:

New 20.22-megapixel full-frame stacked Exmor RS™ CMOS image sensor in combination with an upgraded BIONZ XR™ imaging processing engine

Silent, vibration-free electronic-only shutter with anti-flicker shooting
Electronic shutter flash sync up to 1/500 sec. even faster than the world’s fastest mechanical shutter flash sync *(of the Alpha 1)

Blackout-free continuous shooting at up to 60 frames per second
Fast sensor readout enables up to 120 AF/AE calculations per second including 60fps continuous shooting

5-axis optical in-body image stabilization for a 6.5-step shutter speed advantage

Professional workflow support with the industry’s fastest built-in Wi-Fi, SuperSpeed USB 10Gbps, 1000BASE-T Ethernet and more

Bright and large 0.64-type 5.76 million-dot (approx.) OLED UXGA electronic viewfinder with the refresh rate of 240 fps

4K 60p 10-bit 4:2:2 movie shooting with full-sensor oversampling for extraordinary detail and resolution
Wide dynamic range of 15+ stops for stills and 15+ stops for video
S-Cinetone color matrix to deliver expressive cinematic look

This week SAR readers photos selection

 

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Un post condiviso da The Sony Alpha community. (@sonyalphagallery)


by o.w.photography⁠
// D C – T O W E R \\⁠
Sony A7rIII⁠
Bags @fstopgear⁠
Sony 14mm 1.8 Gm⁠
ƒ/2.0/ ISO500 / 1/100sec⁠

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Sony Tidbits…


Register Recall and Modify a Memory Setting on a Sony Alpha Camera

8 Essential Tools for Night Photographers (Explora).
Camera Basics: Understanding Shutter Speed (42West).
Sample gallery: The Tamron 35mm F2.8 Di III M1:2 goes to the fair and rodeo (Dpreview).
My Thoughts On The Sony A7SIII One Year Later…(Peter Lindgren)
SONY α7SIII | シャッター音 : Shutter Sound (Mapcamera).
Color-Minotar 35mm F2.8 mounted for digital cameras (MShobbies).

Personal photos and tests from SAR Admin Andrea on Instagram, Facebook, Flickr and 500px.

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Britain’s largest press agency is switching over to Sony gear

Here is the press text from Sony UK:

SONY BECOMES KEY CAMERA SUPPLIER FOR PA MEDIA GROUP
19 Aug, 2021

With over 90 staff photographers & video journalists working for PA, based in the UK and Ireland, the process for switching has begun and kit lists are made up of Sony’s full-frame mirrorless Alpha™ camera series, including the Cinema Line Camera FX3. These will be paired with a broad selection from Sony’s E-mount lenses including several G Master™ models – FE 24-70mm F2.8GM, FE 70-200mm F2.8 GM OSS, FE 135mm F1.8GM and the FE 400mm F2.8GM OSS. The PA team members have been receiving their kit personally along with a product setup support from the Sony UK Pro team.

Being the largest press agency in the UK and Ireland, the PA team provides images from key events throughout the year including major annual sporting events through to the biggest news stories and momentous official events and engagements.

With developments in the quality of still and video technology and specifically the introduction of Sony’s full frame silent shutter mode and remote capture it has meant that journalists and photographers have been able to adapt and shoot in situations not possible before – for example silently during broadcast – a key requirement for official engagements, where most recently the Sony Alpha 9 II has been used. Remote shooting is becoming a more common requirement, so being able to control cameras and send images quickly and efficiently to the newswire, is key for success. Along with a close working relationship with the Sony UK Pro team, it is for these reasons that Sony imaging kit was selected as the preferred choice.

Regular training and support will also be available for the PA team to ensure that this continues, and to keep them at the forefront of what Sony imaging technology can deliver.

“We are extremely honoured to announce this collaboration with PA Media, the largest press agency in the UK and Ireland. We are incredibly proud to be working alongside them to deliver best in class photography and videography for news and sports to their clients,” said Yasuo Baba, Director Pro Business, Sony Europe, “The partnership and on-going relationship will not only help us develop our camera system further but allow us to better serve their professional photographers and video journalists in future, giving them the opportunity to capture, transmit and deliver imagery in ways they never could before.”

Martin Keene, Group Picture Editor at PA Media Group, said: “Sony’s silent shutter, superb lenses and brilliant sensors, along with the relationship that we have built-up with them over the past few years made the switch an easy choice.

In addition, we have had first-class support from the Sony team in the UK to make the swap and ensure that our photographers can go out and use the kit the next day. Having both stills and video cameras from the same manufacturer simplifies the workflow and colour balance across both genres.

It’s a big investment, but the opportunity to have all of our team using the same brand new, state-of-the-art kit is both rare and really worthwhile, and will make a real difference to the quality of the pictures that our customers see.”

Source Sony UK. Via Amateur Photographer.