Something very new from Fuji worth to be seen: Modular medium format camera concept!

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A couple of months ago Sony stated that they have no interest yet in going medium format. But the day they decide to do it I hope they will do something very similar to what Fuj is planning to do. Fujirumors spotted these prototype images showing a sort of Sony RX0 box camera that can be extended with grip and EVF.

I think Fuji should go a step further and also make a removable digital back that would allow to attach different sensors. You could add cheaper Full Frame backs or use a Black and White medium format sensor and so forth.  Just like a regular Phase One or Hasselblad digital medium format camera.

I think Sony should do this using their larger 55×44 medium format sensors. But I know this is going to be a very expensive camera :(

 

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Press text: Sony VENICE High Frame Rate will come up to 4K 120fps

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Sony VENICE High Frame Rate will come up to 4K 120fps

Firmware Version 4.0 Introduces New Optional HFR License Speeds up to 120fps at 4K 2.39:1, and 60fps at 6K 3:2, Advanced Remote-control Functionalities, and Cooke/i3 and Zeiss Extended Metadata Support

January 31, 2019:Sony will be upgrading the capabilities of its next-generation motion picture camera system, VENICE, by introducing High Frame Rate (HFR) shooting, advanced remote-control functionalities and Cooke/i3 and Zeiss extended metadata support, as part of its latest firmware update. Following the recent release of VENICE’s firmware Version 3.0 and the upcoming launch of its Extension System (CBK-3610XS), which was developed in collaboration with James Cameron’s Lightstorm Entertainment and is currently being used to shoot the AVATAR sequels, the latest upgrade will offer filmmakers even greater creative freedom, flexibility and choice.

The new optional High Frame Rate license allows VENICE to shoot at speeds of up to 120fps at 4K 2.39:1, and 60fps at 6K 3:2 as well as up to 110fps at 4K 17:9 and 75fps at 4K 4:3 with anamorphic lenses. The new additional frame rates are particularly well-suited for drama, movie and commercial productions in 4K and 6K, as well as productions at 50/60p in 6K and VR productions using large viewing angle of 6K 3:2 in 60p.

All High Frame Rates support X-OCN recording including X-OCN XT* implemented from Ver.3.0 and High Frame Rate up to 60fps support XAVC 4K and ProRes recording.

“At Sony, we pride ourselves on working closely with our customers and partners to create solutions that enable modern filmmakers to bring their vision to reality just the way they intend to. In fact, High Frame Rate shooting was a feature that was frequently requested by our customers. We listened to their feedback and are excited to now offer this feature to all new and existing VENICE users,” explained Theresa Alesso, Vice President and Head of CineAlta for Sony Electronics. “Last year at Cine Gear Expo, we announced that Version 4.0 will include 120fps in 2K. However, we are excited to announce today that, as a result of the hard work of our engineering team, Version 4.0 will now include 120fps in 4K. With firmware Version 4.0, our state-of-the-art VENICE will become even more powerful, fortifying its position as the go-to solution for cinematographers who want to create stunning imagery and capture emotion in every frame.”

Additionally, Version 4.0 of the VENICE firmware will introduce:

  • 700 Protocol– A control protocol developed by Sony to connect VENICE to a remote-control unit (RM-B750orRM-B170) and anRCP-1500series remote control panel, giving filmmakers greater flexibility in bringing their visions to life. Further expanding on the camera’sexisting remote-control capabilities, the VENICE now offers paint control, iris control, recording start/stop, clip control, and more. The upgraded remote-control function also adds new workflows to extend VENICE’s use in multi-camera and live production settings, such as live concerts and fashion shows.
  • Support for Cooke’s /i third generation metadata Technology, /i3 and ZEISS eXtended Data technology (based on Cooke /i Technology) – Extendedlens metadata can now be embedded straight into a RAW/X-OCN/XAVC file and HD-SDI output without the need for additional metadata equipment. The new function allows distortion and shading caused by supported lenses to be easily rectified, significantly reducing post-production costs.

Further features include an extended Mask+Line setting in the Frame line set-up, selectable functions for the assignable buttons of the DVF-EL200 viewfinder and pure Progressive HD-SDI output in 25p and 29p.

Both the free upgrade to firmware Version 4.0 and the optional HFR license will be available in June 2019.

To learn more about VENICE, please join Sony at BSC Expo 2019 in Battersea Evolution, Battersea, London at stand 545 or visit pro.sony/products/digital-cinema-cameras/venice.

*Excluding 6K 3:2 50p/60p 

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$200 off on the Zeiss 35mm f/2.8 FE lens at Massdrop

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You get the Zeiss 35mm f/2.8 FE for $599 only on Massdrop (Click here). That’s $200 lower than the next best price at BHphoto.

And you save $100 on the Sigma 35mm f/1.4 FE kit sold by BHphoto (Click here) when using the code “BHDOF19” at checkout.

 

Cameras: Cameras Include Free:  Sony 128GB M Series UHS-II SD Memory Card, 2-Pack Rechargeable Battery and Dual Charger, Sony Soft Carrying Case, Corel Deluxe Photo Software Kit

Lenses: Lenses Include Free: Sony External SSD with USB Type-C (240GB), Sony Soft Carrying Case, Corel Deluxe Photo Software Kit

Camcorders: Camcorders Include Free: Sony 128GB M Series UHS-II SD Memory Card, Sony Soft Carrying Case, Corel Deluxe Photo Software Kit

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Sony Tidbits…

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Viltrox 20mm F1.8 ASPH Sony FE: First Look | 4K

Working with Tilt/Shift lenses on Sony (Phillip Reeve)
Rhino Makes Camera Movement Easy with the RŌV Pro Slider (Explora).
Canon CEO thinks the digital camera market will shrink further the next two years until we finally hit the bottom (MirrorlessRumors).
How to Clean a Really Dirty Camera Lens (Mathieu Stern)
The Sony a6400 Needed These Things (Nick Sparks).
The 7Artisan’s 28mm 1.4 Leica M-Mount. Is it BETTER than the LEICA version? (gxAce).

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

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