Sigma plans to may launch a new 28-200mm f/3.4-5.6 FE lens:

Specs:
Zoom ratio: 7.14
Focal length: 27.99 71.70 199.93 mm
F number: 3.37 4.67 5.60
Angle of view: 78.26 32.06 11.77
Image height: 21.63 21.63 21.63 mm
Lens length: 144.99 161.09 220.98 mm

via Hi Lows Note

Shoten released this new Contax G to Sony E-mount autofocus adapter

Manufacturer’s suggested price ¥ 45,000 (excluding tax)

[Feature]

• Achieves faster AF than conventional products by extending the entire lens
• Compatible with continuous AF (AF-C)
• Supports “face detection” and “eye AF”
• Compatible with camera shake correction mechanism
• Equipped with “focus dial”! It shortens the original shortest shooting distance of the lens.
• Accurately record 6 types of lens names in Exif data (lens data switching setting required)
• Equipped with a function button that enables switching between AF / MF / MF (close-up)
• Firmware can be updated by USB connection with a PC terminal

Sony Imaging Edge Mobile Tutorial Using A7C and iPad

Tamron 70-180mm images at Tamronmag.
Sony FX9 Sensor Scan Modes Explained (CineD).
Syrp Unveils the Genie Micro, a $160 Smart Controller for Your Camera (Petapixel).
BOKEH explained in intense detail (Northrup).
Year in Review 2020: Sony Lenses (Explora).
Sigma 35 & 65mm f/2 for Sony w/ Photo Samples (Jason Vong).
Gear of the year 2020: Dan’s choice – Tamron 70-180mm F2.8 Di III VXD (Dpreview).

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

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Un post condiviso da The Sony Alpha community. (@sonyalphagallery)

by eastbanger⁠
◦ L I G H T S⁠
All you have to do is to choose the right angle. Composition isn’t nice here but I like these little reflections.⁠
Sony A7Riii⁠
Sigma 85mm 1.4 DG DN⁠
ISO 600 / ƒ/1.4 / 1/80sec.⁠

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This camera angle is insane 🤯🤯

📺: #SEAvsWAS on FOX pic.twitter.com/j6PWGjd8JJ

— Seattle Seahawks (@Seahawks) December 20, 2020

Sony A7R IV Used to Film NFL Football Game. Sportsvideo writes:

The camera, run by veteran camera operator Mike Smole, was outfitted with a Sony FE 24-70mm f/2.8 GM lens, which — while shooting in HD and using in-camera autofocus — delivered the shallow depth of field that differentiated the image in such a unique way from the other broadcast cameras on the show. From the rig, the video signal was shipped to the truck via a 1080p wireless transmitter provided by CP Communications.
“The future of this camera is pretty wide,” he says, noting the significant cost saving (the rig in total amounts to approximately $10,000) and the relatively simple learning/training curve. “The ethos at Fox encourages this type of innovation on the ground. It doesn’t matter where an idea comes from. We’ll take it. I’m just really proud of this crew, and it’ll only get better from here.”