This is a first: Brand new Sony patent discloses an “electric zoom lens” design

Share

electric-lens

It’s the first time I see such an “electric lens” patent from Sony. It describes a zoom lens having normal optical elements and in the center two liquid crystal lenses. The liquid crystal lenses can change the “refractive index” with the use of electric signal. Sony writes:

To achieve miniaturization of the optical system, it is conceivable to use what is called a liquid crystal lens, in which liquid crystal is disposed between two planar lens substrates. This is because by applying an electrical signal to the liquid crystal to vary the refractive index of the liquid crystal, it becomes possible to vary the focal length of the lens without moving the lens itself.

In theory by using liquid crystal elements you can make smaller and superfast autofocus lenses. Because you no longer need to move around lenses on a great distance to focus or zoom in and out. The major drawback of that technology is that it usually brings a drop in resolution. But within the patent Sony claims to have solved that issue. This is the design of the zoom lens:

zoom-electric7

There are two liquid crystal elements (marked with number 10) for zooming and focusing. All other optical elements are fixed (except for the in lens stabilization part).

As usual with patents we don’t know how long it will take to see such a design on a real mass production ready lens. But for sure this would be a killer feature for the FE system. Having fast focusing and fast aperture lenses in a very compact size would really give you one more reason to join the Sony FE system. As for now Sony FE cameras are indeed smaller than DSLR but the lenses are usually almost or equally big as DSLR lenses.

Additional note: Liquids can change shape and direction via electric or sound impulse. An example can be seen here:

This patent has been found and reported first by SonyAlphaRumors. Please credit us if you reproduce the news. Thanks!

via Freepatentsonline.

Share

Moody’s says Sony is no more a “junk” company

Share

alphalogo

Asian Review reports this:

The Japanese electronics maker’s credit rating was upgraded to Baa3, up one notch from the “junk” status of Ba1. Moody’s has also changed the ratings outlook to stable from positive.

They also expect to hear more good news from Sony as it is “setting aside one-off factors — such as [the] Kumamoto earthquake“.

2016 was a relatively “slow” camera year. 2017 should be different from that point of view with at least 2 FF cameras to be announced.

Share

Sony Tidbits…

Share


Quick Tip: How to get X5 more time than the Sony camera battery

Zeiss Loxia 85mm f/2.4 Sample Images (Photographyblog).
The Business of Business on the Internet (Thenimblephotographer).
Techart Pro adapter review by John Leathwick
Does the Sigma 18-35mm f1.8 hold focus when zoomed? And could your lens adapter be part of the problem or solution? (Newsshooter).
Zeiss Milvus 135mm Short review by Jorge Torralba.
Sony Recognized as a Leader in Water Resource Management in the CDP Global Water Report 2016 (Sony.net).

To write a guest post on SAR follow the instruction on that page.

David: New Sony RX100 V book available at laserfairepress.com for Alpha users who also have the RX100 V.

Share

Sony A6500 review at Dpreview: “most powerful and usable Sony APS-C camera to date”

Share

a6500

Dpreview published the full A6500 test and the conclusion is:

For the money, you get a light-weight, weather-sealed body with excellent still image quality, excellent 4K video quality, a degree of in-body stabilization and the ability to photograph high speed action with ease. And if you take the time to fully customize the camera, you can really make it sing. Simply put, as an all-arounder, its pretty hard to beat what the a6500 offers, but as an engaging artistic tool, the a6500 may still leave some wanting more. 

A6500 at BHphoto, Amazon, Adorama, Focuscamera. In EU at Amazon.de, Fotomundus, Calumet.de. WexUK. PCHstore.

And this is their PROS and CONS list:

Pros:

  • Excellent stills image quality in both JPEG and Raw
  • Impressive buffer depth with buffer countdown
  • In-body image stablization averages 2.5 stops of added stability
  • One of the best APS-C cameras at high ISO
  • Flexible Raw files with plenty of dynamic range
  • Impressive autofocus performance and frame coverage
  • Superb video quality
  • Extensive video support features
  • Solid construction
  • Good degree of customization
  • USB charging is convenient
  • 14-bit Raw in most shooting modes
  • 3rd party lens support for phase-detect AF
  • New menus are less cluttered than previous generations’
  • New highlight-weighted metering mode
  • Eye sensor disengages when the screen is pulled out, EVF won’t switch on
  • Redesigned eyecup slides on and locks in place, no longer prone to falling off

Cons:

  • Touchscreen operation is laggy, feels unrefined
  • Still no “My Menu” option for clustering most-used menu options
  • Only one top plate control dial
  • Rolling shutter when shooting 4K in both 24/30p
  • No Lock-on AF area modes when shooting video
  • Lock-on AF can be erratic (failing to distinguish chosen target)
  • ‘Live View’ in 8 fps mode shows only static image between captures
  • No in-camera Raw conversion option
  • Lack of headphone socket for audio monitoring
  • Drops to 12-bit mode in various modes inc. continuous shooting and silent shutter
  • Risk of overheating limits use for extended recording periods
  • Screen automatically dims when shooting 4K video
  • Lack of included charger makes it hard to keep a spare battery charged
  • Lossy compression of Raw risks occasional artifacts
Share