Sony a7II, Sony a7sII and Sony a7rII – Firmware Update Request (by Photochirp)

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A7rII_Gariz_alcantara

The following is a Guest Post from Photochirp. To write a guest post on SAR follow the instruction on that page.

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The Sony a7rII is a great camera and I am mostly satisfied with it. There are a few things I would like to be implemented or changed but most of those things exist within a software update and not necessarily a hardware update (of course, I would like dual card slots). I’m not sure how to get the communities support on this, but please let me know what you think of these ideas.

Sony a7rII Specific Firmware Improvements For The Sony a7rII 3.30 Firmware Update

  • The battery drains after a while even if the camera is not in use or switched on
  • Crop mode should be easier to access, perhaps as part of the quick menu so that it can be quickly enabled for videos
  • Video mode crop mode should be separate from photography crop mode, therefore videographers don’t have to continuously change this when taking photographs or making videos ~ This is an extremely important feature for the Sony a7rII
  • Lossless compressed raw should be an additional option for the RAW file format ~ Lossy compressed is lossy and uncompressed creates incredibly large files

Sony a7II, Sony a7sII and Sony a7rII General Firmware Improvements

  • Better manual focus options ~ manual focus should have the option to go straight to full zoom when you rotate the lens, and there should also be the option to only magnify a portion of the frame e.g. a small, 10x square around the selected focus point or focus area. This would allow you to compose the shot while focusing ~ I believe this is important and would improve the manual focus experience with the Sony a7II, Sony a7sII and the Sony a7rII considerably
  • Spot meter should be able to meter the focus point instead of just a point in the centre of the frame, in other words, interlock the focus point with spot focus
  • A customizable video menu should allow duplicates of what’s in the stills menu, this would allow people to create their own menu system in an order that did not irritate them
  • Facial recognition software should be put to better use for manual focusing, for example, it could automatically move the focus point to the subjects face and when you turn the focus ring, it magnifies around that area ~ This feature is fairly unimportant
  • The option to disable electronic first curtain shutter automatically with speeds above 1/1000 of a second. This would help to avoid situations where banding can potentially exist ~ This feature is important as if is annyoing having to disable EFCS (electronic first curtain shutter) with the Sony a7II, Sony a7sII and the Sony a7rII
  • Live histogram and zebra stripes should relate to the raw file and not the JPG settings
  • Live histogram should be adjustable so that it can display red, green or blue, and not just luminance
  • Maximum exposure length should be customizeable like auto ISO, for example, you should be able to have a maximum of 1 minute instead of 30 seconds
  • Save settings from the “gear” menu to the custom function settings i.e. “C1” should remember setting-effect has been set to “off” while “C2” remembers setting-effect has been set to “on”
  • Customizeable PASM dial, so “P” can become “C3” or whatever you want it to be

Sony a7II, Sony a7sII and Sony a7rII Wi-Fi Firmware Improvements and App Requests

  • Send to phone using a network connection already available i.e. connecting to a router, instead of having to create a new network and disconnecting the old network
  • An FTP, dropbox and an instagram app, and they should not require you to type in a password each time you use them
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This week SAR readers photos selection

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Stan Moniz
Evening colors. Shot with Sony Alpha a6300 | AquaTech ATB – 6300 water housing | Tokina USA 11-20mm f2.8

1) Submit your picture with a message and picture here: facebook.com/sonyalpharumors or on the SonyAlphaForum image section.
2) Like and comment the pictures from other readers here: facebook.com/sonyalpharumors/photos_stream?tab=photos and on SonyAlphaForum.
3) A selection of most liked pictures by the community and by me SAR admin will be posted weekly on SAR.

Note: When sending a pic feel free to also add a link to your site to promote yourself!

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The new Rokinon 14mm f/2.8 FE autofocus lens is on preorder at Amazon

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Rokinon

You can now preorder the new 14mm f/2.8 autofocus FE lens at Amazon (Click here) and BHphoto (Click here).

And don’t forget to check out those great Sony Open Box savings from BestBuy:
$200 off on the Sony A7II kit
$240 off on the Sony A7 kit
RX100 for $299
$325 off on the Zeiss 24-70mm FE
$300 off on the Sony FE 70-200mm lens
$300 off on the Sony Vario-Tessar T FE 16-35mm
$160 off on the Sony A6300 with kit lens
$300 off on the FE 70-300mm
$200 off on the 55mm Zeiss
$300 off on the Zeiss 16-70mm
$130 off on the 90mm FE macro
$220 off on the FE 24-240mm
$50 off on the FE 50mm

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A cheap solution for Long Time Exposures with Sony NEX and Alpha cameras beyond 30 seconds (Dierk Topp)

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This is a guest post from Dierk Topp:

Cheap solution for Long Time Exposures with Sony NEX and Alpha cameras beyond 30 seconds

A few weeks ago I noticed a very special phenomena. When I left our house for a few minutes of fresh air at about 11 PM I noticed incredible flashes in the clouds, no noise or thunder but flashes every few seconds or even faster.

I hurried to get a camera. I decided to use the A7RII and the FE 24-70 f/4 zoom to be flexible with the angle of view. And I took a tripod and the IR remote shutter release. For the long exposure time I set the camera to B (bulb) and used the IR remote release. I was pressing the release for about 20 seconds and noticed, that the shutter stayed open after I finished pressing and then the shutter closed after I pressed it again! ?

I don’t know if this was described earlier but for me it was new. I know an undocumented trick like this for the Leica M9 (by using B in combination with the self timer).

If you know old cameras or large format cameras you will know, that you have a shutter speed of ‘B’ that keeps the shutter open as long as you press the shutter release, just like on the Sony and other cameras. And you have a shutter speed ‘T’ that opens the shutter when you press the release and stays open until you press it again. But on these older cameras you can use a cable release that is  not possible on the Sony cameras, that I know (without any additional hardware) .

What can you do for longer exposures without shaking and blurring the image by holding the shutter release all the time? With the little trick described here you even get a ‘T’ exposure like with the old cameras and get any desired exposure time.
When do you may need very long exposures?

  • as in this example for pictures of flashes
  • or if you want to use high density ND filters for interesting long time shots of water and/or clouds
  • and several other situations where 30 sec. exposure on ‘A’ or ‘B’ is not long enough

How to find the right exposure time?

To find the right exposure time you take a test shot with high ISO and/or open aperture in order to stay below the 30 sec. limit and calculate the exposure time for the desired low ISO and aperture.

Here again how it works:

  • set the shutter speed to B
  • use a remote IR controller (mine is a cheap one from ebay)
  • press the controller once for starting the exposure
  • press the controller again to finish the exposure

It works with my A6000, A7R and A7RII and it may work with many other Sony NEX and Alpha cameras as well.
There are other solutions like APPs and or for example intervalometer, but if you have a cheap remote IR release this is by far the easiest solution and does not eat the battery of your smart phone.

If you don’t want or need the Long Exposure Noise Reduction (LENR) and wait the same time till the camera is ready for the next shot you can deactivate it in the menu.

Have fun to test it.

Here is an example with 67 seconds exposure time.

28171163701_82ba790ca8_h[1]

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Sony 85mm G master vs the new 105mm Nikon vs Canon 135mm L Bokeh comparison by Johnny Perkka

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Bokehking
[shoplink 50835]Sony 85mm GM[/shoplink] vs [shoplink 50836]Nikon 105mm[/shoplink] vs [shoplink 50837]Canon 135mm[/shoplink] (via CameraSize and PCH)

The following article is a Guest Post from Johnny Perkka. To write a guest post on SAR follow the instruction on that page.

Additional Editor’s note: This isn’t a fair comparison because you should compare lenses with the exact same focal length and aperture. But theses are the three lenses Johnny had in his hands so take it easy :)
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Sony 85mm G master vs the new 105mm Nikon vs Canon 135mm L Bokeh comparison by Johnny Perkka

Yesterday we here at fotomonza.com received two copies of the eagerly waited [shoplink 50836]Nikon 105mm f/1.4 AF[/shoplink]. Naturally we wanted to put it throught it’s paces and did some quick tests. The bokeh was highly hyped as the ”[shoplink 50837]Canon 135mm f/2 L killer[/shoplink]”. Since I happen to have the fabled Canon lens with the Sigma adapter on my A7rII and am a happy owner of the [shoplink 50835]Sony 85mm G master[/shoplink], renowned for it’s bokeh performance,  I thought it was high time for a bokeh shootout. We threw in the latest Tamron 85mm f/1.8 Di USD in for a good measure and a reference point of what you get on a budget.
Now mind you this is far from a scientific test, and we obviously know that bokeh is also determined by the relative distance of the background to the subject. But the point is, that when you are going for a particular framing of the subject, which weapon you choose for the shot to get the best OOF effect is not determined with a ruler in hand but with a artistic vision. So precise measurements are out, we are going for the look and feel in real world. Of course we assessed the sharpness while we were at it, but someone with a more golden eye can probably prove us wrong, and it’s all good, I ain’t mad. This is just what we did and our conclusions.

So first crops are SOOC with lightroom edits to get the lighting and white balance relatively close on all images. Sharpness was turned to zero, because the G master WAS TOO SHARP if lightroom sharpness was applied. The point was to compare the bokeh in a normal situation. The lenses are top left: Nikon D750 with the Tamron top right the new Nikon 105, bottom left the Canon 135mm L f/2 and lastly on bottom right, the Sony G Master.

bokeh_001

To me the Canon is still the bokeh king, but it would be surprising if it wasn’t given the focal length difference. But the real surprise is that bokeh-wise it is very difficult to say which one is better of the 105mm vs the G master. To me the G master is a bit smoother but not much. The Tamron is obviously the loser here, but with a price only one third of the Nikon and Sony, it is understandable.

The next set is a bit closer look, same order of the lenses. The older design of the Canon was evident with visible chromatic aberration on the hands.

bokeh_002

Last set is a sharpness crop. Amazingly the Nikon was very sharp wide open, but the G master was sharper still. Like I said, almost too sharp. The feel of the canon is nice, and also very sharp, but not as razory as the G master. The Tamron was on a different league obviosuly, and it was somewhat hard to get to focus properly in the first place.

bokeh_003

So the conclusion is, Sony owners are lucky to have such fantastic lens at their disposal and congratz to Nikon guys for getting an awesome lens. Not too bad at all.

Johnny Perkka / fotomonza.com

Sony 85mm GM store links: [shopcountry 50835]

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Sony Tidbits…

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Ofer (video on top):Recently I’ve finished working on a new stop-motion USA travel video which I thought you might like (it went a bit viral): https://youtu.be/6FEuUf0YOoI
A few months ago my wife and I honeymooned the West Coast of the US.
Over the period of 35 days and 3500 miles I’ve shot 16.5K stills (=400GB), which I later edited to this 2:45 min stop-motion video. Hope you’ll enjoy it!
Stats: 7 US states, 27 motels, 5 rental cars, 1 car crash, 0 injuries, 7 flights, countless relocating thoughts.
Movie Poster: https://s4.postimg.org/6a1rubagt/poster1920.jpg
Route: Vancouver – Seattle – Portland – Yosemite Park – San Francisco – Monterey – Los Angeles – Zion Park – Bryce Park – Las Vegas – Hoover Dam – Williams – Grand Canyon – Antelope Canyon – Flagstaff – Sedona – Albuquerque – Santa Fe
Equipment: Sony RX1, no tripod.
Music: “Road To Hell” by Sleigh Bells (https://itunes.apple.com/us/album/reign-of-terror/id490170428)
Showreel: www.rozenmanofer.com

Sony RX10II upgrade a winner (USA Today).
Sony 50mm 1.4 – My First Images (SonyAlphaForum)
Recommended Video Tripods (Explora).
Laowa 105mm FE lens review (ThePhoBlographer).
Laowa 12mm E-mount Kickstarter campaign is about to end soon!
Ewa-Marine U-BXP100: Affordable Underwater Housing for Surf Photography (Adorama Learning Center)
To write a guest post on SAR follow the instruction on that page.

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24 hours deals on Manfrotto, Think Thank, LoewePro and Zeiss items!

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24hdeals

There is a long list of new 24 hour deals at Bhphoto (Click here) and Amazon (Click here). Just to mention a few:

BHphoto:
$105.00 off Think Tank Photo CityWalker 30 Messenger Bags at BHphoto (Click here).
$20 off on the Lowepro StreamLine Sling Bag at BHphoto (Click here).
$60 off on the Manfrotto BeFree Compact Travel Carbon Fiber Tripod at BHphoto (Click here).

Amazon Gold Box:
Premium Cleaning Cloths for Sony cameras at Amazon (Click here).
Caltar Photography Photo Video Continuous Lighting Kit at Amazon (Click here).
Camera Tripod, Kzon F560 Light Weight Portable Aluminium Travel Tripod With 360 Degree Ball Head at Amazon (Click here).
Carl Zeiss Optical Inc Lens Spray Cleaner at Amazon (Click here).
ePhotoinc RL01 DSLR Rig Movie Kit at Amazon (Click here).

And don’t forget to check out those great Sony Open Box savings from BestBuy:
Sony A7II for $1,659 ($200 off)
$240 off on the Sony A7 kit (Click here)
RX100 for $299 (Click here)
$325 off on the Zeiss 24-70mm FE (Click here)
$300 off on the Sony FE 70-200mm lens (Click here)
$300 off on the Sony Vario-Tessar T FE 16-35mm (Click here)
$160 off on the Sony A6300 with kit lens (Click here)
$300 off on the FE 70-300mm (Click here)
$200 off on the 55mm Zeiss (Click here)
$300 off on the Zeiss 16-70mm (Click here)
$130 off on the 90mm FE macro (Click here)
$220 off on the FE 24-240mm (Click here)
$50 off on the FE 50mm (Click here)

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