Reviews of Samyang XP 85mm f/1.2 and comparison with Canon FD 85mm f/1.2 S.S.C. Aspherical

The following article is a guest post from Langstrum:

I live in South Korea and got a chance to have the new Samyang XP 85mm f/1.2 quite soon so I decided to make a user review and compare it to the [shoplink 54844 ebay]Canon FD 85mm f/1.2 S.S.C. Aspherical[/shoplink] as I have this lens for several years now. This review is based on the quality of a new copy of Samyang XP 85mm f/1.2 and a pristine copy of the FD lens (which is extremely hard to find now).

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Sony Alpha live view support for the Timelapse+ VIEW Intervalometer

The following is a guest post from Isaac:

Timelapse+ had a really interesting KickStarter last year for their VIEW Intervalometer and it looks like they now have live-view support for the Alpha!

The VIEW is a powerful little device with some neat features like automatic bulb ramping, live time lapse preview — watched either on the VIEW or a smartphone — and touch-free gesture controls.

Since the end of the KickStarter campaign, Timelapse+ has been actively adding new features and working with other vendors to include third-party integrations to the VIEW.

Timelapse+ creator, Elijah Parker posted on the company’s blog:

Anyway, back to the good news — live view is working!  This is nice because you can stream live view over the app and more conveniently setup motion keyframes or just setup the shot from somewhere else altogether via app.view.tl over the internet.

I had previously believed live view wasn’t possible over USB with Sony since there didn’t seem to be any hidden commands in the protocol for this and Sony’s software doesn’t support it.  Sony’s USB protocol is quite limited and in my opinion, terribly designed.  For example, to change ISO, you can only tell it to go up or down, then read what it is.  To find the range of options, you need to move it up until it doesn’t change anymore, then run it all the way down, one step at a time, until it again stops changing.  Compare this with Nikon, where you can request the list of valid ISOs, choose one, then set it to be anything.  No stepping blindly through a list.  Canon is slightly more cumbersome — the lists of everything are sent all at once when it first connects, then again if they change.  They can’t just be requested at anytime, but it still works just fine.

This is just a blurb from his post but you should read the whole blog post. It’s fairly technical but interesting.

You can read more about VIEW on the company’s website: timelapseplus.com/view

Renderings of an amazing APS-C E-mount lens range from Narek Avetisyan

Narek Avetisyan shared this image on our SonyAlphaForum (don’t forget to join us). I know these are crazy specs. But for sure those APS-C E-mount lenses would make jump of the chair the entire photography community. I know Sony love us to WOW us with their features and products…so maybe they will take note of SAR readers reaction on this :)

P.S.: I would personally travel to Tokyo to say Thank You to Sony if they make me a 30mm f/1.0 and a 16-50mm f/2.0 OSS…

Laowa 12mm for E-mount unboxing video by José Ramos

José Ramos sent me that video and message:

I used to think that unboxing videos were useless, but then I realized I often watch them to get a better notion of the actual physical item, and that’s why I decided to do this video.
By the way, even though I mentioned an “adapter” for E-mount, there is no physical adapter, the lens is one piece-only.
Sorry for the audio quality, but I used the GoPro built-in mic with the waterproof case and sorry for the video quality too, the GoPro doesn’t behave too well with less than bright light.
Cheers!
José Ramos
http://www.joseramos.com
http://www.facebook.com/joseramosphotography
http://www.instagram.com/joseramosphotography

The Laowa 12mm FE lens is available at BHphoto.

RED just dethroned the Sony A7rII at DxOmark

Two new RED cameras dethroned the Sony A7rII at the overall DxOmark sensor ranking:

The Helium 8K is an impressive achievement by RED. For those with the budget, its top-of-the-line image quality, high frame rate, and 16-bit RAW capture capability absolutely make it worth considering as a competitor to high-end DSLRs and medium-format cameras for still image capture.

Now let’s see if the next generation FE cameras can close that 10 points gap…

via MirrorlessRumors