Sony A7sII official press text: “Out of darkness cometh light”.
New A7sII preorder links:
HOT! The new Sony A7sII can be preordered at Adorama now (Click here). And also the new FS5 camcorder (Click here).
A7sII at BHphoto (Click here).
Full Press Release:
Out of darkness cometh light
- Ultra-high sensitivity up to 409600i with low noise across the whole range
- Wide dynamic range across entire ISO range delivering smooth tonal gradation from dark to bright conditions
- In-camera 5-axis optical image stabilisation for expanded shooting possibilities
- Internal 4K movie recording featuring full pixel readout without pixel binning in full-frame format
- Wide range of professional movie functionality including S-Gamut3.Cine/S-Log3, new Gamma Assist Display, enhanced Zebra Function, Full HD 120fps recording and 4x/5x slow motion recording and full pixel readout without pixel binning in full-frame format
- High-speed AF with enhanced accuracy in wide ranging scenes and advanced shooting functions
Sony today announced the latest addition to its award winning series of compact, full-frame α7 cameras with the introduction of the α7S II. Offering ultra-high sensitivity and wide dynamic range across the entire ISO range and 5-axis image stabilisation for greater shooting control, the α7S II delivers stunning image quality for photographers who shoot in the most challenging light conditions. Be it the brightest of mornings or darkest of nights, the α7S II enables new levels of photographic expression at whatever shutter speed you wish to deploy. The α7SII also incorporates a host of pro-style movie functions including the ability to shoot 4K video with full pixel readout and no pixel binning in full-frame format, making it an extremely appealing proposition for photographers and videographers alike.
The α7S II delivers an awe-inspiring sensitivity range of ISO 50-409600[i], thanks to the combination of its 35mm full-frame 12.2 megapixel[ii] image sensor and BIONZ X image processing engine. The sensor optimises the dynamic range across the entire ISO range and broadens the range of tonal gradation in bright environments and minimises noise in dark scenes meaning that it delivers impressive results even in the most extreme conditions. The upgraded image processing algorithm of BIONZ X maximises the sensor’s capabilities and improves depiction throughout the full sensitivity range with particular emphasis on the mid-to-high range. This means that the resulting stills and movies demonstrate extra-fine detail with minimal noise.
Video Master
The α7S II can record 4K[iii] movies internally in the XAVC S format[iv] meaning that content is wonderfully detailed. Because information from all pixels is utilised without line skipping or pixel binning, the camera can maximise the expanded power of the full-frame image sensor and produce 4K movies with higher image clarity and negligible moiré. Full pixel readout without pixel binning is also employed when shooting Full HD[v] movies which means that it collects information from approximately five times as many pixels that are required to generate Full HD[vi] and condenses the information to produce extremely high quality movies.
In a first for the α7 series, the α7S IIcan record 120fps at 100Mbps[vii] with full pixel readout without pixel binning in full frame format which can be edited into wonderful 4x/5x slow motion footage[viii] in Full HD. The α7S II also has the ability to shoot 4x/5x slow motion footage internally which can be immediately reviewed on the camera screen.
Video functionality has been further enhanced with new profiles; S-Gamut3.Cine/S-Log3 and S-Gamut3/S-Log3. These new profiles deliver wide dynamic range and colour correction is easier to perform. The α7S ll even offers impressive 14-stop latitude in the S-Log3 gamma setting. The camera also supports S-Gamut/S-Log2 which is very popular among cinematographers and videographers. Gamma Display Assist is a new function that allows users to monitor images or check focus when recording S-Log movies and the Zebra function has been improved for even greater control.
5-Axis Image Stabilisation
The new α7S II is equipped with the innovative 5-axis image stabilisation system that is proving extremely popular in the α7 II and α7R II cameras. The system corrects camera shake along five axes during shooting, including angular shake (pitch and yaw) which has the greatest impact on image quality and tends to occur with a telephoto lens, shift shake (X and Y axes) which becomes noticeable as magnification increases, and rotational shake (roll) that often affects night shooting or video recording.
Autofocus accuracy
The autofocus system on the α7S II has been upgraded and now offers 169 AF points for fast, precise focusing with greater accuracy.[ix] The power of the image sensor means that the absence of noise in images generated, enables the Fast Intelligent AF to detect contrast more easily and react speedily even in low-light situations (as low as EV-4), when it’s even tough to check with the naked eye. When shooting video, the AF performance is twice as fast as the predecessor model.[x]
Electronic Viewfinder
The XGA OLED Tru-Finder in the α7S II has been upgraded and offers the world’s highest viewfinder magnification[xi] of 0.78x (roughly 38.5 degrees in diagonal field of view) and shows clear images across the entire display area. The use of ZEISS T* Coating ensures sharp reduction of reflections on the viewfinder and unlike an optical viewfinder, the OLED Tru-Finder can be used to instantly show how exposure compensation, white balance and other selected settings are affecting the displayed image.
User upgrades
A number of enhancements have been made to the look and feel of the α7S II to make it more user friendly, reliable and intuitive. Its magnesium-alloy body is both light and highly robust and the grip and shutter buttons have been re-designed so that the camera feels more natural in the hand. For situations when you just want to blend into the background, silent shooting mode can be activated for 5fps continuous shooting[xii] and reliability has been enhanced with reduced-vibration shutter movement.[xiii] The lens mount has been further reinforced to ensure greater resilience, particularly when attaching third party lenses and users can now charge the camera via a USB power supply whilst the camera is in operation, thus extending battery life. For greater comfort and safety, Sony is also launching the LCS-EBF; a new premium leather body case for the α7S II which is also compatible with the α7R II and α7 II.
The α7S II is also Wi-Fi® and NFC compatible and fully functional with Sony’s PlayMemories Mobile application available for Android™ and iOS™ platforms, as well as Sony’s growing range of PlayMemories Camera Apps, which add a range of fun creative capabilities to the camera. Learn more at www.sony.net/pmca.
The new α7S II full-frame interchangeable lens digital camera from Sony will be available in Europe in November 2015, priced at approximately €3,400.
[i]Standard ISO 100 – 102400, Expandable to ISO 50-409600
[ii] Approximate effective megapixels
[iii] QFHD: 3840 x 2160. Internal recording and HDMI output, both at 4K resolution, are available in full-frame
[iv]SDXC memory card higher than Class 10 is required for movie recording in XAVC S format
[v]In 24p/30p
[vi] 1920 x 1080
[vii] UHS Class 3 memory card is required for recording at 100Mbps
[viii] 30p (25p) or 24p
[ix] Compared to α7S
[x]Compared to the α7S, when shooting Full HD movies.
[xi]Amongst digital cameras. The viewfinder magnification is approx. 0.78x (with 50mm lens at infinity, -1m-1). As of date of press release, based on Sony research.
[xii]Speed Priority Continuous mode. Focus and exposure settings fixed at first shot.
[xiii] 500,000-cycle durability. According to Sony internal testing, with the electronic front curtain shutter activated.
Full Sony A7sII specs!
Basic Specifications
New A7sII preorder links:
HOT! The new Sony A7sII can be preordered at Adorama now (Click here). And also the new FS5 camcorder (Click here).
A7sII at BHphoto (Click here).
Size & Weight
Dimensions (W x H x D)*
Approx. 126.9 x 95.7 x 60.3 mm (5 x 3 7/8 x 2 3/8 in)
*Excluding protrusions
Weight
Approx. 627g (approx. 1 lb 6.1 oz) (With battery and Memory Stick PRO Duo) Approx. 584g (approx. 1 lb 4.6 oz) (Body only)
Convenience Features(details)
| General | Camera type | Interchangeable-lens digital camera |
|---|---|---|
| Lens mount | E-mount | |
| Image sensor | Type | 35 mm full frame (35.6 x 23.8 mm), Exmor CMOS sensor |
| Number of pixels (effective) | Approx. 12.2 megapixels | |
| Number of pixels (total) | Approx. 12.4 megapixels | |
| Image sensor aspect ratio | 3:2 | |
| Anti-dust system | Charge protection coating on optical filter and image sensor shift mechanism | |
| Recording system (still images) | Recording format | JPEG (DCF Ver. 2.0, Exif Ver. 2.3, MPF baseline compliant), RAW (Sony ARW 2.3 format) |
| Image size (pixels) | [3:2 aspect ratio] 35 mm full frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416 (3.0M) APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920 (1.3M) |
|
| [16:9 aspect ratio] 35mm full frame L: 4240 x 2384 (10M), M: 2768 x 1560 (4.3M), S: 2128 x 1200 (2.6M) APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M) |
||
| [Sweep Panorama] Wide: Horizontal 12416 x 1856 (23M), vertical 5536 x 2160 (12M), Standard: Horizontal 8192 x 1856 (15M), vertical 3872 x 2160 (8.4M) | ||
| Image quality modes | RAW, RAW & JPEG, JPEG Extra fine, JPEG Fine, JPEG Standard | |
| RAW output | 14 bit | |
| Picture Effect | 13 modes: Posterization (Color, B/W), Pop Color, Retro Photo, Partial Color (R, G, B, Y), High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-tone Monochrome, Miniature, Watercolor, Illustration | |
| Creative Style | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia (Contrast -3 to +3 steps, Saturation -3 to +3 steps, Sharpness -3 to +3 steps) (Style Box 1-6 also provided) | |
| Dynamic range functions | Off, Dynamic Range Optimizer (Auto/Level (1–5)), Auto High Dynamic Range: Auto Exposure Difference, Exposure Difference Level (1.0-6.0 EV, 1.0 EV step) | |
| Color space | sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS™ Color | |
| Recording system (movies) | Recording format | XAVC S / AVCHD format Ver. 2.0 compliant / MP4 |
| Video compression | XAVC S: MPEG-4 AVC/H.264 AVCHD: MPEG-4 AVC/H.264 MP4: MPEG-4 AVC/H.264 |
|
| Audio recording format | XAVC S: LPCM, 2ch AVCHD: Dolby Digital (AC-3), 2ch, Dolby Digital Stereo Creator MP4: MPEG-4 AAC-LC, 2ch |
|
| Image size (pixels) | [NTSC] XAVC S 4K: 3840 x 2160 (30p/100Mbps, 30p/60Mbps, 24p/100Mbps, 24p/60Mbps) XAVC S HD: 1920 x 1080 (60p/50Mbps, 30p/50Mbps, 24p/50Mbps, 120p/100Mbps, 120p/60Mbps) AVCHD: 1920 x 1080 (60p/28Mbps/PS, 60i/24Mbps/FX, 60i/17Mbps/FH, 24p/24Mbps/FX, 24p/17Mbps/FH) MP4: 1920 x 1080 (60p/28Mbps, 30p/16Mbps), 1280 x 720 (30p/6Mbps) |
|
| [PAL] XAVC S 4K: 3840 x 2160 (25p/100Mbps, 25p/60Mbps) XAVC S HD: 1920 x 1080 (50p/50Mbps, 25p/50Mbps, 100p/100Mbps, 100p/60Mbps) AVCHD: 1920 x 1080 (50p/28Mbps/PS, 50i/24Mbps/FX, 50i/17Mbps/FH, 25p/24Mbps/FX, 25p/17Mbps/FH) MP4: 1920 x 1080 (50p/28Mbps, 25p/16Mbps), 1280 x 720 (25p/6Mbps) |
||
| High Frame Rate Recording | [NTSC] 1920 x 1080 (24p/12Mbps, 30p/16Mbps) | |
| [PAL] 1920 x 1080 (25p/16Mbps) | ||
| Picture Profile | Yes (Off / PP1-PP9) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3), Black Gamma, Knee, Color Mode (Movie, Still, Cinema, Pro, ITU709 Matrix, White&Black, S-Gamut, S-Gamut3.Cine, S-Gamut3), Saturation, Color Phase, Color Depth, Detail, Copy, Reset | |
| Movie functions | Audio Level Display, Audio Rec Level, Auto Slow Shutter, HDMI info. Display (On/Off selectable), Time Code/User Bit, Picture Profile, Creative Style, Picture Effect, Rec Control, Dual Video Rec, Marker Setting, PAL/NTSC Selector, Gamma Display Assist | |
| Color space | xvYCC standard (x.v.Color when connected via HDMI cable) compatible with TRILUMINOS™ Color | |
| Clean HDMI output | [NTSC] 3840 x 2160 (30p/24p) / 1920 x 1080 (60p/24p) / 1920 x 1080 (60i), YCbCr 4:2:2 8bit/ RGB 8bit | |
| [PAL] 3840 x 2160 (25p) / 1920 x 1080 (50p) / 1920 x 1080 (50i), YCbCr 4:2:2 8bit/ RGB 8bit | ||
| Media | Media | Memory Stick PRO Duo,Memory Stick PRO-HG Duo,Memory Stick Micro (M2),SD memory card, SDHC memory card (UHS-I compliant), SDXC memory card (UHS-I compliant), microSD memory card, microSDHC memory card, microSDXC memory card |
| Slot | Multi slot for Memory Stick Duo/ SD memory card | |
| Noise reduction | Noise reduction | Long exposure NR: On/Off, available at shutter speeds longer than 1 sec., High ISO NR: Normal/Low/Off selectable |
| Multi Frame NR | Auto/ISO 100 to 409600 | |
| White balance | Modes | Auto WB/Daylight/Shade/Cloudy/Incandescent/Fluorescent (Warm White/Cool White/Day White/Daylight)/Flash/Color Temperature (2500 to 9900K) & Color Filter (G7 to M7: 57 steps, A7 to B7: 29 steps)/Custom/Underwater |
| AWB micro adjustment | G7 to M7 (57 steps), A7 to B7 (29 steps) | |
| Bracketing | 3 frames, H/L selectable | |
| Focus system | Type | Contrast-detection AF |
| Focus point | 169 points (contrast-detection AF) | |
| Sensitivity range | EV -4 to EV 20 (at ISO 100 equivalent with F2.0 lens attached) | |
| AF modes | Single-shot AF (AF-S), Continuous AF (AF-C), Direct Manual Focus (DMF), Manual Focus | |
| Focus area | Wide (169 points for contrast-detection AF) / Center / Flexible Spot (S/M/L) / Zone / Expand Flexible Spot / Lock-on AF (Wide / Zone / Center / Flexible Spot (S/M/L) / Expand Flexible Spot) | |
| Other features | Lock-on AF, Eye AF, Focus lock; Eye-Start AF and AF micro adjustment (both only available with optional LA-EA2 or LA-EA4 attached), AF illuminator (built-in, LED type, range: Approx. 0.30-3m), AF ON | |
| Exposure control | Metering type | 1200-zone evaluative metering |
| Metering sensor | Exmor CMOS sensor | |
| Metering sensitivity | EV -3 to EV 20 (at ISO 100 equivalent with F2.0 lens attached) | |
| Metering modes | Multi-segment, Center-weighted, Spot | |
| Exposure modes | AUTO (iAUTO, Superior Auto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Scene Selection, Sweep Panorama, Movie / High Frame Rate (Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S) / Manual (M) ) | |
| Scene Selection | Portrait, Landscape, Macro, Sports Action, Sunset, Night Portrait, Night Scene, Hand-held Twilight, Anti Motion Blur | |
| Exposure compensation | +/-5.0 EV (in 1/3 EV or 1/2 EV steps), with exposure compensation dial: +/-3.0 EV (in 1/3 EV steps) | |
| AE bracketing | Bracket: Single/Bracket: Cont., 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0 or 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3 or 1.0 EV increments. | |
| AE lock | Available with AE lock button. Locked when shutter button is pressed halfway. Can be disabled from the Menu. | |
| ISO sensitivity (Recommended Exposure Index) | Still images: ISO 100-102400 (expandable to ISO 50-409600), AUTO (ISO 100-12800, selectable lower limit and upper limit), Movies: ISO 100-102400 equivalent (expandable to ISO 100-409600), AUTO (ISO 100-12800 equivalent, selectable lower limit and upper limit) | |
| Viewfinder | Type | XGA OLED, 1.3 cm (0.5 type) electronic viewfinder (color) |
| Total number of dots | 2,359,296 dots | |
| Brightness control | Auto/Manual (5 steps between -2 and +2) | |
| Color temperature control | Manual (5 steps) | |
| Field coverage | 100% | |
| Magnification | Approx. 0.78x (with 50 mm lens at infinity, -1 m-1) | |
| Diopter adjustment | -4.0 to +3.0 m-1 | |
| Eye point | Approx. 23mm from the eyepiece lens, 18.5mm from the eyepiece frame at -1m-1(CIPA standard) | |
| Display | Graphic Display / Display All Info. / No Disp. Info. / Histogram / Digital Level Gauge | |
| Real-time image-adjustment display | On/Off | |
| LCD screen | Type | 7.5 cm (3.0 type) TFT drive |
| Total number of dots | 1,228,800 dots | |
| Brightness control | Manual (5 steps between -2 and +2), Sunny Weather mode | |
| Adjustable Angle | Up approx. 107 degrees, down approx. 41 degrees | |
| Display selector (Finder/LCD) | Auto/Manual | |
| Display | Graphic Display / Display All Info. / No Disp. Info. / Histogram / Digital Level Gauge / Shooting information for viewfinder mode | |
| Real-time image-adjustment display | On/Off | |
| Focus magnifier | 35 mm full frame: 4.2x, 8.3x, APS-C: 2.7x, 5.4x | |
| Zebra | Yes (selectable level + range or lower limit as custom setting) | |
| Peaking MF | Yes (Level setting: High/Mid/Low/Off, Color: White/Red/Yellow) | |
| Other features | Face detection | On / On (Regist. Faces) / Off, Face registration, Face selection (Max. number of detectable faces: 8) |
| Auto Object Framing | Yes | |
| Clear Image Zoom | [Still Image/Movie] Approx. 2x | |
| Digital zoom | Smart zoom (still images) M: Approx. 1.5x, S: Approx. 2.0x Digital zoom (still images) Approx. 4x Digital zoom (movies) Approx. 4x |
|
| PlayMemories Camera Apps | Yes | |
| Lens compensation | Peripheral shading, chromatic aberration, distortion | |
| Zoom Ring Rotate | Yes | |
| Shutter | Type | Electronically controlled, vertical-traverse, focal-plane type |
| Shutter speed | Still images: 1/8000 to 30 sec., Bulb Movies: 1/8000 to 1/4 (1/3 step) NTSC: Up to 1/60 in AUTO mode (up to 1/30 in Auto Slow Shutter mode) PAL: Up to 1/50 in AUTO mode (up to 1/25 in Auto Slow Shutter mode) |
|
| Flash sync. speed | 1/250 sec. | |
| Electronic front curtain shutter | Yes, On/Off | |
| Silent Shooting | Yes, On/Off | |
| SteadyShot INSIDE (image stabilization) | Type | Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications) |
| Compensation effect | 4.5 steps (Based on CIPA standard. Pitch/Yaw shake only. With Sonnar T* FE 55 mm F1.8 ZA lens mounted. Long exposure NR off) | |
| Flash Control (with optional external flash) | Control | Pre-flash TTL |
| Flash compensation | +/-3.0 EV (switchable between 1/3 and 1/2 EV stops) | |
| Flash bracketing | 3/5/9 frames selectable. With 3 or 5 frames, in 1/3, 1/2, 2/3, 1.0, 2.0, 3.0 EV increments, with 9 frames, in 1/3, 1/2, 2/3, 1.0 EV increments. | |
| Flash modes | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync*1, Wireless*1 | |
| External flash | Sony α System Flash compatible with Multi Interface Shoe. Attach the shoe adaptor for flash compatible with Auto-lock Accessory Shoe. | |
| FE level lock | Yes | |
| Drive | Drive modes | Single shooting, Continuous shooting, Speed Priority Continuous shooting, Self-timer, Self-timer (Cont.), Bracketing (Cont., Single, White Balance, DRO) |
| Self-timer | 10 sec. delay/5 sec. delay/2 sec. delay/Continuous self-timer (3 frames after 10 sec. delay/5 frames after 10 sec. delay/3 frames after 5 sec. delay/5 frames after 5 sec. delay/3 frames after 2 sec. delay/5 frames after 2 sec. delay)/Bracketing self-timer (Off/2 sec. delay/5 sec. delay/10 sec. delay) | |
| Speed (approx., max.)*2 | Speed Priority Continuous shooting: Max. 5fps, Continuous shooting: Max. 2.5fps | |
| No. of recordable frames*2 (approx.) | Speed Priority Continuous shooting: 64 frames (JPEG Extra Fine L), 200 frames (JPEG Fine L), 200 frames (JPEG Standard L), 31 frames (RAW), 26 frames (RAW & JPEG) Continuous shooting: 100 frames (JPEG Extra Fine L), 200 frames (JPEG Fine L), 200 frames (JPEG Standard L), 59 frames (RAW), 34 frames (RAW & JPEG) | |
| Playback | Modes | Single (with or without shooting information, Y RGB histogram & highlight/shadow warning), 9/25-frame index view, Enlarged display mode (Maximum magnification L: 13.3x, M: 8.7x, S: 6.7x), Auto Review (10/5/2 sec, off), Image orientation (Auto/Manual/Off selectable), Slideshow, Panorama scrolling, Folder selection (Still / Date / MP4 / AVCHD / XAVC S HD / XAVC S 4K), Forward/Rewind (Movie), Delete, Protect |
| Interface | PC interface | Mass-storage, MTP, PC remote |
| Multi/Micro USB Terminal | Yes*3 | |
| Wireless LAN (built-in) | Wi-Fi Compatible, IEEE802.11b/g/n (2.4GHz band)*4 Playback of still images and movies on smartphones, PCs and TVs | |
| NFC™ | Yes (NFC Forum Type 3 Tag compatible, One-touch remote, One-touch sharing) | |
| HD output | HDMI micro connector (Type-D), BRAVIA Sync (link menu), PhotoTV HD, 4K movie output, 4K still image playback | |
| Multi Interface Shoe | Yes | |
| Others | Auto-lock Accessory Shoe compatible with supplied shoe adaptor, Microphone terminal (3.5 mm Stereo minijack), Headphone terminal (3.5 mm Stereo minijack), Vertical Grip Connector | |
| Audio | Microphone | Built-in stereo microphone or ECM-XYST1M / XLR-K2M (sold separately) |
| Speaker | Built-in, monaural | |
| Compatible standards | Exif Print, Print Image Matching III, DPOF setting | |
| Custom function | Type | Custom key settings, Programmable setting |
| Memory function | Yes (2 sets) | |
| Power | Battery | Rechargeable battery pack NP-FW50 |
| Still images | Approx. 310 shots (viewfinder) / Approx. 370 shots (LCD screen) (CIPA standard) | |
| Movies | Actual*5*6: Approx. 55 min. (viewfinder) / Approx. 60 min. (LCD screen) (CIPA standard) Continuous*5*7: Approx. 95 min. (viewfinder) / Approx. 95 min. (LCD screen) (CIPA standard) |
|
| External power | AC Adaptor AC-PW20 (optional) | |
| Operating temperature | Range | 32–104°F/0–40°C |
Specifications and features are subject to change without notice.
- *1
- With compatible external flash.
- *2
- Approximate. May vary depending on shooting conditions and media.
- *3
- Supports Micro USB compatible device.
- *4
- Configuration method/Access method: WPS or manually/infrastructure mode. When connecting to smartphones, the camera can always work as a base without a wireless access point. (Security: WEP/WPA-PSK/WPA2-PSK)
- *5
- Continuous movie recording is possible for approximately 29 minutes (limited by product specifications).
- *6
- Indicated recording time is defined by repeating the following cycle: Power on, start recording, zoom, stand-by and power off.
- *7
- Indicated recording time is defined by repeating the following cycle: Pressing the MOVIE button. No other operations such as zoom are performed.
Sony announces the new 4K compact Super35 PXW-FS5 professional camcorder, enabling ultimate handheld shooting and complete creative control to a wider audience.
New A7sII preorder links:
A7sII at BHphoto (Click here).
Press release:
Enabling professionals to shoot in any style, at any angle, anywhere.
Amsterdam, September 11th 2015: Sony has today announced the PXW-FS5, the latest addition to its rugged range of professional camcorders with superior creative features and flexible shooting. The versatile “grab and shoot” style PXW-FS5 provides unsurpassed on-the-go shooting in the most demanding of conditions, with stunning image choices and creative features. Complementing the successful PXW-FS7, this compact camcorder delivers high quality imagery suitable for a range of professional applications from event videography to corporate and online video production.
The PXW-FS5 is ergonomically designed with the user in mind; the 0.8kg lightweight body has excellent weight balance ensuring reliability and all-day comfortable handheld shooting, for almost any location, even airborne mounted on a drone. Ease of use for a variety of shooting applications is possible with the one-touch rotatable grip; all of the key controls are at the user’s fingertips allowing for ultimate shooting flexibility and instant switch between low or high angle shooting. In response to users demand for more ergonomic flexibility, the 3.5-inch type LCD panel can be attached to different positions on the handle or the compact camera body, further supporting easy handheld operation and offering customisable shooting.
Superb creative expression is visible through the inclusion of 4K XAVC high-definition shooting, with the Super35 Exmor™ CMOS sensor incorporating 11.6 million pixels and 8.3 million effective pixels, capturing detail and image texture that even HD sensors cannot see. The high sensitivity and large size of the sensor delivers background defocus, increased low-light sensitivity and lower image noise coupled with stunning picture quality. High quality imagery is further ensured by High Frame Rate cache recording at 10bit 4:2:2 Full HD and an incredibly high frame rate of up to 240fps, in 8 second bursts, which makes 1/10 times Super Slow Motion possible without sacrificing bit depth or loss of image quality.
The PXW-FS5 is the world’s first* Super35mm camcorder to feature built-in electronic variable ND filters, further expanding the depth of field representation by the large-format sensor and enabling flexible exposure control, encouraging the user to reach their full creative potential. Professionals can push their work to the next level with a high-end cinematography feel to footage, coupled with the mobile feel of the camcorder. Get the exact shot needed for a project, even in difficult shooting locations; as the compact power zoom E lens PZ 18-105mm F4 G OSS( SELP18105G), provided in the PXW-FS5K kit model, enables zoom operation with one hand.
Integrating easily with other camera lenses, α Mount System offers unsurpassed compatibility with both Sony and third-party lenses. The PXW-FS5’s E-mount can take virtually any lenses, such as SLR lenses via an adaptor, as well as Sony’s E-mount and A-mount lenses; ensuring the camcorder adapts to multiple environments. Sony’s α Mount System and its enhanced interfaces include 3G-SDI, HDMI output and SD dual card slots. Also equipped with Wi-Fi and a Wired LAN terminal, the PXW-FS5 features enhanced network functions such as file transfer and streaming transmission. Furthermore, the future firmware update will provide RAW output.
“Last year we launched the PXW-FS7 at IBC, which changed the way broadcast programmes and documentaries were made. With that in mind and building on the success of the PXW-FS7, we’re introducing a lighter more compact camcorder, the PXW-FS5,” said Claus Pfeifer, Strategic Marketing Manager at Sony Professional Solutions Europe. “The PXW-FS5 presents unrivalled flexibility coupled with complete creative control, equipping professionals with all the tools needed to exceed any brief. It stands apart in the current market as a comfortable handheld, lightweight camera, which at the same time delivers high quality imagery for content creation spanning; cinematic wedding videography, corporate footage, online and event videography. Professionals have all the practical and creative functionality at their disposal, leaving them without any limits to realise their full potential.”
*As a Super35mm camcorder with integrated electronic variable ND filter, based on Sony research.
Key features of the PXW-FS5
• Flexible handheld shooting with a compact 0.8kg lightweight body
The lightweight body with excellent weight balance ensures comfortable handheld shooting as well as an easy fit with a drone or gimbal. The one-touch rotatable grip enables instant switching between low or high angle shooting. Shooting parameters can be changed with one hand even during recording thanks to the multi-functional grip. In the same way the zoom can be operated with a single hand. The detachable handle, one-touch rotatable grip and flexible LCD panel support various shooting styles.
• Creative expressive performance, including 4K shooting and 240fps high-speed shooting
The camcorder is equipped with an 11.6million pixel Super35 Exmor™ CMOS Sensor, enabling 4K XAVC long GoP high-definition video shooting. It is the world’s first Super35mm camcorder with a built-in electronic variable ND filter, supporting linear control from 1/4ND to 1/128ND and further expanding the depth of field representation. 1/10 times Super Slow Motion reproduction is possible thanks to the 10bit 4:2:2 full HD 240fps High Frame Rate, with no sensor cropping. Low light capabilities and background defocus are heightened by the high sensitivity and large sensor size. On top of this, the 14 stops of latitude in exposure deliver strong grayscale rendition without crushing shadows or blowing out light details.
• Variety of shooting applications and rich network functions
The camcorder is equipped with enhanced interfaces including 3G-SDI, 4K HDMI output, MI shoe, SD Dual card slots, Wi-Fi and wired LAN terminal, supporting various system configurations. The Clear Image Zoom allows users to zoom in at up to 2x, even with a fixed focal length lens.
Find out more about the PXW-FS5 here.
Follow live on SAR: Sony IBC Press Conference (Sony PXW-FS5 E-mount camcorder, lenses and maybe more).
At exactly 9am Berlin time hit the play button above to follow the Sony product announcement!
New A7sII preorder links:
A7sII at BHphoto (Click here).
Full September 11 announcement rumor recap:
SR5 (two trusted source confirmed this): New Sony PXW-FS5 E-mount camcorder. S35 sensors. 4K internally, but 8 bit XAVC-L (note the L) 100 Mbit max. No HFR as far as I can tell, 30fps max in 4K. Looks like a baby FS7. Price will be between old FS700 and current FS7, likely $5,000-6,500 USD. Differentiation on FS7 is much better CODEC, higher frame rates (incl 60p 4K), option for RAW and ProRes, bigger build.
SR4 (one trusted source heard this): Sony will announce 7 new lenses (some in development and some for real). Among them we have new FE telephoto lens(es), fast portrait prime, 24-70mm GM and maybe some “Updated” A-mount lenses.
SR4 (two trusted source heard about this): A60000 successor to be announced between now and PhotoPlus. Note: The rumor is not SR5 because it happened once that Sony delayed the announcement of that camera. Don’t want to bring bad luck again :)
SR3 (one anonymous source): New A6000 successor to be announced on September 11.
Today only: $190 off on the Zeiss FE 55mm lens and $60 off on the Zeiss FE 35mm.
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Those eBay deal of the Day run today only. It’s on grey imported Zeiss FE lenses but the savings are big and they come with full US seller warranty. The seller it self is Top Rated at eBay:
$190 off and 3 years US seller warranty on the Zeiss FE 55mm lens on [shoplink 40189 ebay]eBay US (Click here)[/shoplink].
$60 off and 1 years US seller warranty on the Zeiss FE 35mm lens on [shoplink 40190 ebay]eBay US (Click here)[/shoplink].
Also the regular A and E-mount lens deals will expire aftertomorrow!
A special full overview page can be seen at Adorama (Click here) and BHphoto (Click here).And those are the savings in detail and with direct link to three major US stores:
Full Frame E-mount lenses:
$100 off on the Zeiss 55mm f/1.8 lens at Amazon, Adorama and BHphoto.
$100 off on the Zeiss 16-35mm f/4.0 lens at Amazon, Adorama and BHphoto.
$100 off on the 70-200mm G lens at Amazon, Adorama and BHphoto.
$100 off on the Zeiss 24-70mm f/4.0 lens at Amazon, Adorama and BHphoto.
$100 off on the Zeiss 35mm f/2.8 lens at Amazon, Adorama and BHphoto.
$100 off on the 28-70mm lens at Amazon, Adorama and BHphoto.
$100 off on the 28-135mm PZ lens at Amazon, Adorama and BHphoto.
$25 off on the 24-240mm lens at Amazon, Adorama and BHphoto.
APS-C E-mount lenses:
$50 off on the 35mm f/1.8 lens at Amazon, Adorama and BHphoto.
$100 off on the Zeiss 16-70mm lens at Amazon, Adorama and BHphoto.
$50 off on the 18-105mm lens at Amazon, Adorama and BHphoto.
$100 off on the 10-18mm lens at Amazon, Adorama and BHphoto.
$25 off on the 16mm f/2.8 lens at Amazon, Adorama and BHphoto.
$25 off on the 20mm f/2.8 lens at Amazon, Adorama and BHphoto.
$100 off on the 18-200mm lens at Amazon, Adorama and BHphoto.
$25 off on the lens 30mm macro at Amazon, Adorama and BHphoto.
$100 off on the 50mm f/1.8 lens at Amazon, Adorama and BHphoto.
$100 off on the 18-200mm lens at Amazon, Adorama and BHphoto.
$25 off on the 18-55mm lens at Amazon, Adorama and BHphoto.
$200 off on the Zeiss 24mm f/1.8 lens at Amazon, Adorama and BHphoto.
$50 off on the 16-50mm lens at Amazon, Adorama and BHphoto.
$150 off on the 18-200mm PZ lens at Amazon, Adorama and BHphoto.
New bunch of Sony A7rII reviews and first superkit deal.
[shoplink 40133 ebay]
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We have the very first Sony A7rII superkit deal: You get 13(!) free items along the A7rII sold by [shoplink 40133 ebay]Cameta on eBay (read all the long free extra list here)[/shoplink].
DigitalCameraWorld writes:
For a compact and lightweight camera capable of producing excellent high resolution images in a range of conditions, the A7R II is pretty impressive but by no means perfect. It’s a good all-rounder despite it’s high price tag, which is a considerable amount more than the A7 II. This is just as well, as in direct competition it could seriously affect the A7 II’s future.
Sony a7R II Vs a7S Video Field Comparison by Lensrentals:
The Sony a7R II is seriously impressive. I still love the lean and light Sony a7S with an unreal low light capability, but it is clear that the Sony a7R II can go places the Sony a7S cannot. Shooting telephoto handheld and need it in 4k? You know what you’ll go for.
Sony A7r II – Focus Testing w/ Canon EF 24-105 f/4 L IS Lens (SonyAlphaLab on Youtube).
Test – Sony A7R II : présentation et caractéristiques (Focus Numerique).
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