German Sony A7sIII press text leaked: Price is 4200 Euro!

Preorders:
Sony A7sIII in USA at Adorama ($200 off with lens), BHphoto, Amazon.
Sony A7sIII in EU at Fotokoch. Calumet DE. WexUK.

Nokishita leaked the full German press text. Here is the google translated text:

Almost five years after the Alpha 7S II, Sony launched the successor: The Alpha 7S III has an improved 12-megapixel sensor, records 4K at 120p and is said to achieve exceptional results in low-light photography thanks to large pixels. As with the Alpha 7S II, the sensor of the Alpha 7S III has a resolution of 12 megapixels, but is now exposed on the back.

At the heart of the new Alpha is a 12 megapixel full-frame sensor that has been improved compared to the Alpha 7S II. Sony is now opting for a construction with back exposure (BSI), with which more light can be captured and which enables better results with low light shots. The maximum sensitivity is still ISO 409.600 (expandable down to up to ISO 40). The sensor is supported by the new BIONZ-XR processor, which is said to have eight times as much computing power as the previous image processor. Sony is also breaking new ground in operation: For the first time in the Alpha 7 series, a fully moveable monitor (3.0 inches, 1.44 million points) was installed, which now also allows touch operation of the menus. The structure of the menus has also been completely revised; among other things, only the relevant entries are available in photo and video mode for better clarity. The OLED viewfinder achieves a record resolution of 9.44 million points and a magnification of 0.9x. Even glasses wearers have the entire picture in view, the size of the picture can also be reduced.

4K with 120p
One focus of the camera is video recording. Unlike Canon with the EOS R5, Sony does not use 8K for video, but continues to use 4K, which is said to achieve the best results so far with an alpha camera. The sensor’s 12 MP resolution enables a full-pixel readout without pixel binning and without crop up to 4K / 60p. In this setting, the recording limit should be one hour without overheating – the EOS R5 only manages 30 minutes at 4K / 60p. The video recording of the Alpha 7S III in 4K / 120p mode is limited to this length – by the way, a slight crop is used (1.1x).SonyAlphaRumors.

The monitor can be swiveled, and the handle and controls have become larger, as with other cameras of the third Alpha generation.

With Full HD, the Alpha 7S III even records at up to 240p. For time-lapse recordings, lower frame rates up to 1p can also be selected in S&Q mode. It is recorded internally with a color subsampling of 4: 2: 2 and a color depth of 10 bits. New codecs are available: XAVC-S-I records single images (All-I) with a data rate of up to 500 Mbits / s, XAVC-HS reduces the amount of data in image group compression to 200 Mbit / s thanks to H.265 compression. With HDMI 2.1, the camera can even output 4K / 60p as 16-bit raw files (ProRes Raw) to an Atomos recorder. Of course there is also a logarithmic gamma profile available (S-Log 2/3), which should enable a dynamic range of over 15 f-stops; the sensitivity starts here at ISO 640 (extended: ISO 160). According to Sony, the rolling shutter effect has been significantly minimized. The Alpha 7S III is equipped with a 5-axis image stabilizer in the housing, which, measured according to the CIPA standard, achieves an effectiveness of 5.5 f-stops; In video mode, digital stabilization (active mode) is also used, which also uses a gyro sensor. The information from this gyro sensor can also be stored in the metadata of the videos so that it can be used in post-processing for digital stabilization.

Fast autofocus and 10 frames/s
The hybrid autofocus covers 92% of the image sensor and uses 759 phase detection points and 425 with contrast AF. In addition to human, the AF algorithms now also recognize animal eyes – according to Sony, also at a greater distance than before. The AF sensitivity goes down to -6 EV series, the camera shoots at up to 10 frames / s. The mechanical shutter is designed for 1/8000 s.
Sony is using two memory card drives in the Alpha 7S III for the first time, which can use both SD cards (UHS-II) and the new CFexpress type A cards. They are smaller than Type B cards and faster than SD cards. For most video modes, SD cards of video classes V60 and V90 are sufficient; CFexpress is only required in S&Q mode with 4: 2: 2 color subsampling and 10 bit color depth. The series mode also benefits from the faster cards; 1000 uncompressed raws in a row should be possible here. Sony plans to launch two CFexpress Type A cards on the market in September, which have a write speed of 700 MB / s and a read speed of 800 MB / s: The 80 GB version is said to be 230 euros, the 160 GB version 440 Cost euros and supplies electricity for 600 photos or 95 minutes of video.

A Z battery is used for the power supply,
which can be charged via USB-C and power for
600 photos or 95 minutes of video. Continuous power supply via USB is also possible.
The Sony Alpha 7S III should be available in September for around 4200 euros.

This week SAR readers photos selection

 

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Un post condiviso da The Sony Alpha community. (@sonyalphagallery) in data:


by daftscience⁠
Texas
Sony 24-70gm
33-10s exposures stacked. Iso 1600 and 70mm.

1) You can submit one single picture per week only.
2) To submit your picture for the weekly readers roundup post you can choose one of the following three options:
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3) Like and comment the pictures from other readers here: instagram.com/sonyalphagallery, facebook.com/groups/sonyalphacamera and on SonyAlphaForum.
4) A selection of most liked pictures by the community and by me SAR admin will be posted weekly on SAR.

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Cinema5D makes it clear why the EOS-R5/6 are not made for professional video shooting

Before to move on with the post let me make an anti-troll statement:

The Canon EOS-R5 and R6 are great cameras with tremendous IBIS performance and nice 8K add-on (on the EOS-R5). Chapeau to Canon!

Now to the story:

What you see on the image above is the new Canon EOS-R6 covered with a bag of Ice cubes in a (failed!) attempt to cool down the camera. Cinemad5D made the first independent attempt to shoot a professional movie with the R6 and writes:

Recording time imitations is one thing but overheating shutdown in unexpected points of the filming day is truly an obstacle. Furthermore, the recovery time is long (or at least seems to be long when you are under pressure to resume filming as your talents are all waiting). As my frustration grew, I tried it all. Ice bag on the camera, strong fan pointing directly to the sensor glass (yes, at some point I did not care anymore about exposing the sensor to the strong wind as long as I can resume filming)… I also tried looking up at the sky and mumble a few words (if it doesn’t help, it won’t hurt for sure I thought). I even made promises to be a nicer person and a good friend. All for the sake of seeing the camera working again, BUT, no evil. The weather-sealed camera body did a “great job” by doing what it supposed to do, and not let anything enter it. Not even the fresh fan air…

Frustrated as hell, I had to apologize to Mari Fujii-san and Neal. Some of the best images I was supposed to capture that day were missed. Other actions had to be repeated and if it was not enough, at some point I had the “genius idea” of lowering the resolution to Full HD and continue shooting, just not to waste their time. This method worked to some extent, but not all the time. Some of the kitchen images you see in this video were upscaled from full HD to 4K in order to match the rest of the footage.

Bottom line, the Canon EOS R6 controlled my filming day instead of me controlling it in order to tell a visual story.

This is just to say that the EOS-R5/6 and the Sony A7sIII are two different kind of tools. The Canon’s are probably better suited for stills photography than video and they compete against the A7RIV and A7III. For professional video work the Sony A7sIII is definitely the way to go.

Here is Cinema5D video report:

Topaz releases new Sharpen AI update: Auto masking can now detect 20 different types of subjects (and $30 discount using our code)

Topaz released a new update on Sharpen AI. And for a limited time you save $30 (or Euro) when using our checkout code “RUMOR”. You can also try it for free for a month if you like to see if it works.

What’s new?

One of the new features will be the auto-detect masking tool to generate base masks. It can detect 20 different types of subjects, including people, cars, planes, and various animals. This feature can be accessed by clicking the “Masking” brush icon near the top of the screen by the view options and then clicking “Auto-Detect” in the bottom righthand corner.

Also we’ve added an “auto-detect mode” capability which will allow Sharpen AI to select the best processing mode for your image (from the Focus, Stabilize, and Sharpen modes). Each of those three modes tackles image blur at its root cause, but now users can let Sharpen AI choose for them. This update will allow users to take full advantage of Sharpen AI’s technology by requiring less user input to generate great results.

Those are just a couple of the new updates. You’ll find several updates to the UI design as well, new product tour and tutorial, as well as new fixes and additions throughout the product for a better experience.

You can use our checkout code “RUMOR” to get an additional 15% discount on all TOPAZ products (Click here). And you have this massive savings on the full Topaz Utility bundle ($195 off using our code “RUMOR“)

Meike announced the new 50mm f/1.2 FE manual focus lens

Meike has announced this new 50mm f/1.2 manual focusing lens that will be available soon on Amazon:

  • Focal Length: 50mm
  • Lens Construction: 12 elements in 7 groups
  • Aperture Range: f/1.2-f/22
  • Diaphragm Blades: 10
  • Minimum Focus Distance: 0.6m
  • Filter Size: ø67
  • Product Size: ø73*98mm (E), ø73*96mm (RF), ø73*100mm (Z), ø73*72mm (EF)
  • FOV on FF Cameras: Diagonal 47° Horizontal 39° Vertical 26°
  • FOV on APS-C Cameras: Diagonal 33° Horizontal 26° Vertical 17°
  • Weight: Approx. 620g
  • Fit mount: E / RF / Z / L / EF-mount

via ePhotozine

Sony Tidbits…


Xperia 1 II – Could be The Perfect Phone for Photographers

Sirui 50mm f1.8 1.33x Anamorphic Lens review (Chungda).
Sigma 100-400mm FE test at Fujiablog.
Sigma 100-400mm test at Mapcamera.
Leica Q2 vs Sony RX1R II (Matt Granger).
Voigtlander 40mm SE test at Fujiablog.
Point-and-Shoots for Pops: 8 Compact Cameras for Father’s Day (Explora).

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

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Sony A7III group and Sony A7III page
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