Tokina published two more images showing the new lenses. As you know they plan to release those five lenses in 2020:
Tokina and Viltrox seem to be working together on this. We know Tokina 85mm f/1.8 FE and Viltrox 85mm f/1.8 FE share the same optical design (article here).
Sony ViewFinder and Monitor Settings
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Irix 45mm T1.5 Cine Lens Review (Lensvid).
Sony 20 mm f1.8 G: prueba de campo (Photolari).
Objectif Sony FE 20mm F1.8 G : tout simplement excellent ! (Lesnumeriques).
Fujifilm X-T4 vs Sony A6600 (ApoTelyt).
How Coronavirus will Impact Sony, Canon, Nikon, Fuji & Others (MirrorlessRumors).
Outdoor Gear for the Urban Photographer (Explora).
Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.
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I am laying out the case why Sony should make the A7000. I a doing this because at the moment I have a hard time recommending anyone who wants to buy into a new APS-C system to buy a Sony APS-C camera:
The reasons AGAINST a Sony APS-C camera purchase are:
– Fuji makes much more useable APS-C cameras
– Also Nikon has shown with their Z50 that they can make serious APS-C cameras too
– Fuji offers a broader variety of APS-C cameras including a proper high end camera like the brand new X-T4
– Sony has a limited “native” APS-C lens range. Sony’s argument that you can buy FE lenses is flawed because those lenses are bigger and more expensive than native APS-C lens equivalents
The reasons FOR a Sony APS-C camera purchase are:
– You absolutely need the best AF on the market. But be aware, competitions is really good too and may close the gap soon!
– You are already heavily invested in FE lenses
– You want to have the choice to eventually upgrade to Full Frame and still keep using the already purchased lenses (In that case Fuji is a no go while some might consider the Nikon Z system).
This is why Sony has to make the A7000:
– You have the tech and resources to make the A7000 at relatively low cost. Use the A7 body style and a new 30+ MP sensor!
– The A7000 would justify the existence and further development of high quality lenses like the recently announced 16-55mm f/2.8. Why make such great glass without having a really great camera?
– Another reason is marketing: At the moment Fuji is winning the “image” game: It means they are perceived as innovative, flexible and non conservative. With the A7000 you can show everyone who is the king in the animal kingdom :)
After years of relatively conservative approach it’s time for Sony to “wow” people again with completely “new” gear! I know this year we will get a “solid” A7IV and an expensive and long expected A7sIII (or A7sIV). But why stop here Sony when you can kick the ass with a new A7000, a low entry A5 Full Frame and other new gear we all would love to get?
Sigma 24-70mm FE review by Chris Brockhurst
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15 Recommended Stylish Cameras (Explora).
Why I Switched From Canon to Sony (Dan Carr).
Sony A7R IV | Underwater Video Test Footage (Backscatter).
Sony Honored as One of “World’s Most Ethical Companies” in 2020 for the 2nd Consecutive Year
A9II review at ThePhoBlographer.
Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.
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Alex Phan
Lizard & Egret
A9M2 + 600GM + 2x TC + 2x TC = 2400mm
iso: 400, 1/1000, f/16
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Samyang AF 18mm F2.8 Thorough Review
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Macro Lens Buying Guide (Explora).
Camera Conspiracies: Guaranteed Camera and Lens Predictions For 2020 (MirrorlessRumors).
Sigma 24-70mm f/2.8 FE review at Mobile01.
Mirrorless 24-70mm Shootout: Which Lens Wins in Sharpness vs Expense? (PetaPixel).
65mm f/2.8 Macro 2X test at Fengniao.
Tamron 20mm FE test at Mobile01.
Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.
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