24 hours left to join the 24-105mm FE lens giveaway

You now have 24 hours left to join the 24-105mm FE lens giveaway.

Here are the rules:

Dates: January 11th, 2018 – February 15th, 2018

How to Enter:

1.) Follow @andrea_pizzini_photographer on Instagram.
2.) Like my IG Giveaway Post below (Found below or via my IG Profile)
3.) Tag a friend in the comments on my Instagram Giveaway Post. 1 Tag = 1 entry. Tag as many people as you want to enter multiple times

Note: This is a worldwide contest (see exceptions list below). If the winner lives outside the USA he has to cover the tax and shipment costs of the lens that will be shipped by BHphoto.

Finally it’s here! Our very first Giveaway for a brand new Sony 24-105mm FE lens ($1,300 value). This is the must have lens for travel photographers and the most versatile zoom of the FE lens range. Special thanks to @colbybrownphotography and @bhphoto for helping me organizing this. – To Enter follow these rules: 1. Like this Post 2. Follow me @andrea_pizzini_photographer 3. Tag a friend in the comments below. Each tag is an entry. Enter as many times as you wish. – Optionally you can also can “Turn On Post Notifications” for my IG Profile, so that you can learn of additional chances to win. – The Winner will be chosen at random on February 15th, 2018 This giveaway is not sponsored by Instagram or Sony. No Purchase Necessary. Void where prohibited. All Giveaway/Sweepstakes Terms & Conditions can be found in the link in my IG Bio. – #sony #sonyalpha #sonyimages #sonygear

Ein Beitrag geteilt von Andrea Photographer-Explorer (@andrea_pizzini_photographer) am

Sponsored by Amonsul Ltd. (“Sponsor”). No purchase or obligation necessary.

Giveaway/Sweepstakes Details

Amonsul LTD (SonyAlpharumors.com) Sony 24-105mm Instagram Giveaway (the “Sweepstakes”)

Entry deadline: February 15th, 2018 at 11:59pm EST

How to participate: Follow Andrea Pizzini Photography on Instagram (@andrea_pizzini_photographer), Like my Instagram Post about the Giveaway, and tag as many friends in that post as you wish (each tag is an entry) between January 11th, 2018 at 11:00am EST and February 15th, 2018 at 11:59 pm EST.

Sweepstakes rules: Entrants must complete all steps above to be eligible to win. All entries must be received by February 15th, 2018 by 11:59 pm EST. Winners will be notified by Instagram direct message. There is no limit on the number of online entries per entrant during the entry period. You will receive one entry per individual you Tag on the Giveaway post via @andrea_pizzini_photographer, assuming you have completed the other necessary steps. This promotion isn’t sponsored, endorsed or administered by, or associated with Instagram or Sony.

Prizes and odds: Total value of all prizes to be awarded is $1300. The odds of winning depend on the total number of eligible entries received.

Eligibility: The Sweepstakes is open Worldwide as well as to legal residents of the U.S. for those that are age 18 or older. The Sweepstakes is however prohibited in Canada, France, Sweden, Taiwan and any other country that bans the practice of a “Sweepstakes”. Employees of Sponsor and their respective parent companies, affiliates, subsidiaries, advertising, promotion, and fulfillment agencies, their immediate family members and persons living in their same household, are not eligible to participate in the Sweepstakes. Participation in the Contest constitutes entrant’s full and unconditional agreement to and acceptance of these Official Rules.

Prize selection: All Contest name entries meeting the requirements of these Official Rules will be entered into a spreadsheet at the Amonsul Ltd. offices in Antwerpen (Belgium). The winner will be selected at random by Sponsor using the website www.random.org. Winners are solely responsible for any and all federal, state, provincial and local taxes that apply to prizes. No cash or other substitution of prizes is permitted. Prizes won by minors will be awarded to the parents or legal guardians, who must sign all required affidavits and releases. Sponsor will not replace any lost or stolen prizes.

Additional Conditions: Except where prohibited by law, by accepting any prize, Winner consents to the use of his/her name, photo and/or likeness, biographical information, and statements attributed to winner (if true) for advertising and promotional purposes without additional compensation. Allow 6-8 weeks for delivery of prizes.

For a list of winners contact:

Amonsul Ltd.
sonyalpharumors@gmail.com

Press text: The New ZEISS Loxia 2.4/25 – Flexibility for Photography On-the-Go

Preorders at BHphoto and Adorama.

The New ZEISS Loxia 2.4/25 – Flexibility for Photography On-the-Go

With this compact wide-angle lens, ZEISS is adding a new focal length of modest proportions to its ZEISS Loxia lens family.

OBERKOCHEN/Germany, 2018-02-14.

With the ZEISS Loxia 2.4/25 compact wide-angle lens, ZEISS is adding a new focal length to its lens family that will benefit both landscape and architectural photographers: “High resolution across the entire image as well as low distortion ensure the perfect result,” says Product Manager Christophe Casenave. “The compact lens delivers great images thanks to the new optical design.” The ZEISS Loxia 2.4/25 also features high-quality mechanical parts, and the durable metal housing makes this a reliable lens for photographers on the road.

The right companion for years to come

Small, robust and versatile: the lenses in the ZEISS Loxia family for mirrorless cameras in the Sony Alpha series are particularly well-suited for street and travel photographers who love being inconspicuous as they capture special moments in cities and in nature without carrying around a lot of equipment. The compact design of the ZEISS Loxia lenses has been specially developed for the mirrorless full-frame Sony E-mount cameras. Used in tandem, the lens and camera enable filmmakers and photographers to achieve a high-quality result, while the equipment’s modest dimensions ensure users always have whatever they need with them. “This is a significant advantage for anyone who wants to blend into the background and is also on the road a lot,” says Product Manager Casenave. The all-round talent from the ZEISS Loxia family is also great for filming.

Bringing creativity to life through precise, manual focusing

Traditional photography and cutting-edge technology all in one: with the ZEISS Loxia 2.4/25, photographers can let their artistic creativity run free. “A steady hand and the manual focusing means users achieve impressive results,” says Casenave. The electronic interface for the ZEISS Loxia 2.4/25 transfers both lens data and focus movements to the Sony camera and then activates the focus peaking or the zoom function. Demanding photographers can achieve a wide range of creative possibilities thanks to precise, manual focusing, including a retro look and feel.

Precise and sophisticated – the ZEISS Loxia lens family featuring five focal lengths between 21 and 85 millimeters gives users a large number of creative possibilities when taking photographs or filming because of its technical refinement, linking traditional photography with modern technology.

A strong all-rounder for taking photographs and filming

The ZEISS Loxia family comprises five lenses with focal lengths between 21 and 85 millimeters. The lenses with manual focusing are all compact, durable and do not draw too much attention. With these lightweight companions, photographers and filmmakers have the necessary equipment and flexibility they need while on the road. The ZEISS Loxia lenses along with all the accessories have the same diameter and enable users to quickly and easily switch between different focal lengths during a shoot. The lenses offer the optimum foundation for capturing photographs and filming, both individually and as a set. These strong all-round talents excel at a wide range of uses.

Price and availability

The ZEISS Loxia 2.4/25 will be available at the ZEISS Webshop and at dealers from March 2018. The price of the new ZEISS Loxia 2.4/25 is €1,299 (incl. German VAT) or $1,299 US (excl. local taxes). The lens hood is included. Filmmakers can look forward to a special offer on a set comprising all five ZEISS Loxia focal lengths ranging from 21 to 85 millimeters.

For more information, please visit www.zeiss.com/photo/loxia2425

Product photos and sample images captured using the ZEISS Loxia 2.4/25 can be downloaded here: Product photos sample images

Technical Data

The new ZEISS Loxia 2.4/25 for full-format Sony E-mount cameras

 Bild-Download

ZEISS Loxia 2.4/25: A strong all-rounder for taking photographs on the road

 Bild-Download

Lightroom Classic 7.2 with better performance is released

Adobe finally seems to have fixed the slow performance of Lightroom. They released the new Lightroom Classic 7.2 (press text here):

In the past, many users have reported that Lightroom becomes slower after a prolonged usage. This issue should have been fixed with this version. Also, resource-intensive activities, such as export, import, preview generation, and HD/panorama merge should be faster if your machine has 12 GM or more RAM.
We, specifically, have implemented changes related to Threading Building Blocks (TBB). This should be effective on machines with 12 GB or more RAM.

If you like me prefer to have a proper standalone version with no subscription check this: We can now offer a 10% discount on Capture One 11 (Click here) and Capture One 11 for Sony (Click here). Use the coupon code “AMBSAR“.

 

Sony announces out of focus repair program for the 24-105mm FE lens

Sony reports:

In certain shooting conditions an out of focus issue may occur with some 24-105mm F4 Full-frame E-mount G (SEL24105G) lenses. These symptoms may occur under certain shooting conditions:

  • The lens may not focus when using autofocus with close aperture
  • The lens may be out of focus when changing the aperture after using manual focus

To address this issue, subject to the terms and conditions in the Limited Warranty that accompanied the Affected Lens, we will repair your Affected Lens, free of charge, through March 31, 2020.

To see if your lens is affected type your serial number on this page: esupport.sony.com/US/p/compatibility.pl?comp_project_id=18


Thanks Tamas and Pascal!

Press text: Sony Develops a Back-Illuminated CMOS Image Sensor with Global Shutter

Sony announced the successful production of a new Global Shutter sensor. In the press text they describe a 1,46 Megapixel sensor. But I am sure this tech can be scaled up to bigger sensors. Global Shutter gets rid of rolling shutter artifacts. Huge deal for future A7s cameras for example.

Press text:

Sony Develops a Back-Illuminated CMOS Image Sensor with Pixel-Parallel A/D Converter That Enables Global Shutter Function*1

Tokyo, Japan—Sony Corporation today announced that it has developed a 1.46 effective megapixel back-illuminated CMOS image sensor equipped with a Global Shutter function*1. The newly developed pixel-parallel analog-to-digital converters provide the function to instantly convert the analog signal from all pixels, simultaneously exposed, to a digital signal in parallel. This new technology was announced at the International Solid-State Circuits Conference (ISSCC) on February 11, 2018 in San Francisco in the United States.

CMOS image sensors using the conventional column A/D conversion method*2 read out the photoelectrically converted analog signals from pixels row by row, which results in image distortion (focal plane distortion) caused by the time shift due to the row-by-row readout.

The new Sony sensor comes with newly developed low-current, compact A/D converters positioned beneath each pixel. These A/D converters instantly convert the analog signal from all the simultaneously exposed pixels in parallel to a digital signal to temporarily store it in digital memory. This architecture eliminates focal plane distortion due to readout time shift, making it possible to provide a Global Shutter function*1, an industry-first for a high-sensitivity back-illuminated CMOS sensor with pixel-parallel A/D Converter with more than one megapixel*3.

The inclusion of nearly 1,000 times as many A/D converters compared to the traditional column A/D conversion method*2 means an increased demand for current. Sony addressed this issue by developing a compact 14-bit A/D converter which boasts the industry’s best performance*4 in low-current operation.

Both the A/D converter and digital memory spaces are secured in a stacked configuration with these elements integrated into the bottom chip. The connection between each pixel on the top chip uses Cu-Cu (copper-copper) connection*5, a technology that Sony put into mass production as a world-first in January 2016.

In addition, a newly developed data transfer mechanism is implemented into the sensor to enable the high-speed massively parallel readout data required for the A/D conversion process.

*1: A function that alleviates the image distortion (focal plane distortion) specific to CMOS image sensors that read pixel signals row by row.
*2: Method where the A/D converter is provided for each vertical row of pixels in a parallel configuration.
*3: As of announcement on February 13, 2018.
*4: As of announcement on February 13, 2018. FoM (Figure of Merit): 0.24e-・nJ/step. (power consumption x noise) / {no. of pixels x frame speed x 2^(ADC resolution)}.
*5: Technology that provides electrical continuity via connected Cu (copper) pads when stacking the back-illuminated CMOS image sensor section (top chip) and logic circuits (bottom chip). Compared with through-silicon via (TSV) wiring, where the connection is achieved by penetrating electrodes around the circumference of the pixel area, this method gives more freedom in design, improves productivity, allows for a more compact size, and increases performance. Sony announced this technology in December 2016 at the International Electron Devices Meeting (IEDM) in San Francisco.
Main Features
Global Shutter function*1 achieved in a high-sensitivity back-illuminated CMOS image sensor by using the following key technologies:
Low-current, compact pixel-parallel A/D converter
In order to curtail power consumption, the new converter uses comparators that operate with subthreshold currents, resulting in the industry’s best-performing*4, low current, compact 14-bit A/D converter. This overcomes the issue of the increased demand for current due to the inclusion of nearly 1,000 times as many A/D converters in comparison with the traditional column A/D conversion method*2.
Cu-Cu (copper-copper) connection*5
To achieve the parallel A/D conversion for all pixels, Sony has developed a technology which makes it possible to include approximately three million Cu-Cu (copper-copper) connections*5 in one sensor. The Cu-Cu connection provides electrical continuity between the pixel and logic substrate, while securing space for implementing as many as 1.46 million A/D converters, the same number as the effective megapixels, as well as the digital memory.
High-speed data transfer construction
Sony has developed a new readout circuit to support the massively parallel digital signal transfer required in the A/D conversion process using 1.46 million A/D converters, making it possible to read and write all the pixel signals at high speed.

Sony Tidbits…


Why to stay with Sony instead of switching to Canon

Sony 24-105mm FE review at Enthusiastphotoblog
2 Venus Optics lenses being awarded the “Gold Medal” in Digital Camera Grand-Prix (DGP)
Sony RX10 IV Review | If I Can Only Use ONE Camera, This Is It For Me (Mike Mu).
Carbon Fiber Comes to Manfrotto’s New Element Traveler Tripod Line (Explora).
Insta360 Light Field Camera (Personal View).
Sony Cyber-shot DSC-RX0 Review (ePhotozine)

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

Chung:Sony A5100 with Sigma 18-35mm f1.8 + MC11 adapter surpisingly gets fast autofocus in video.
https://www.youtube.com/watch?v=KnFY-altRvY