Why speed matters and why Sony should make some crazy fast f/1.2 (or f/1.0) FE lenses

I do own the Zeiss 35mm f/2.8 FE lens. I love its size and it’s the lens I used most in the past three years. But just today I decided to test my old Voigtlander 35mm f/1.4 M-mount lens on the new A7rIII. And it was instant and deep love.
From a purely technical point of view this is a step backward: The Zeiss is sharper, has less Vignetting and no smearing in the corner. But there is a kind of “character” in the Voigtlander that I miss from most current modern lenses. I love the compact size (just marginally bigger than the Zeiss), I love the manual focusing ring, I love the looks of the lens and I love the speed it has that gives me so much more creative choice.

Yes, I now want speed…as much as I can get! I surfed on sites to check on all available options and I stumbled upon a great article from Thorsten Overgaard that explains in easy word why speed matters (he tested the insane Leica Noctilux 50mm f/0,95). He writes:

Photography has always been about photographing at the highest shutter speeds, at the fastest film speeds, with the fastest lenses and in as little light as possible.
For precision work that require straight lines, sharpness, ease of use and defined details, Noctilux is not the answer. Most Leica photographers will have other lenses that does that well and better. But when we need some witchcraft and fascination in our photography, som artistic bokeh, some challenge of our ability to focus we take out the Noctilux.

To “see” what he means with that check out that image he shot with the Noctilux:

Some will hate the fact that they can’t clearly determine where the focus is … and if it’s really sharp. That is not the point; look at the atmosphere and consider if there would be a photo if it had been with another lens.

I know there are plenty of fast lenses out there to be used with adapter. But I would prefer Sony (or Zeiss or Sigma) to give me some native options optimized for the use on Sony cameras.

I hope Sony will consider to make super fast lens range for the FE system. Voigtlander recently tried to do this with the 40mm f/1.2 FE lens. But the focal length is odd and I hope they will make an improved FE version of their 50mm f/1.1 M-mount lens soon.

Noctilux 50mm f/0,95 vs Zeiss 55mm f/1.8 FE vs Canon 50mm f/1.2 via CameraSize.

My personal opinion is that having manual focusing lenses would be better: To keep the size down (see Noctilux vs 55mm FE image above) and allow us a creative use via proper mechanical focus ring. But I bet Sony would go for big and autofocus lenses only: With the blogosphere and reviewers world being so focused on MTF, focus speed and tech specs there is little space for the “creative value” of a lens. Dear Sony engineers listen to me and not to your managers (LOL), gives us a WOW lens and make a Noctilux alike manual lens for half the price!

Now let’s put my idea under vote and see how many SAR readers consider my proposal as valuable:

Should Sony launch a series of f/1.2 (or faster) FE lenses for creative use?

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CamFi Limited launches the fastest wireless camera controlled, CamFi Pro.

The CamFI PRO project has been launched on Indiegogo. This is the press text:

CamFi will launch the fastest wireless camera controller in the world

GUANGDONG , China – November 30, 2017 – CamFi, maker of wireless controllers for digital cameras, today announced the launch of a crowdfunding campaign on Indiegogo for the fastest wireless camera controller, CamFi Pro. CamFi Pro uses the 802.11ac protocol to transfer the photo from the camera. It can offer Wi-Fi transfer speeds up to 866Mbps. Tests show it can reach speeds of 10M bytes per second in reality, two to three times faster than most built-in Wi-Fi cameras and 2.4G Hz wireless camera controllers.

CamFi Pro supports most of Canon, Nikon and Sony cameras. And it will be the only 5.8G wireless tether solution for Sony cameras in current market.

“Speed is a big problem for current Wi-Fi products. It limits the productivity of the professional photographers.” Said Mark Ma, CEO of CamFi. “CamFi Pro is going to use new technology to solve this challenge.”

CamFi Pro takes two to three seconds to transfer a raw photo with a size of 20 megabytes. It supports auto view mode, which enables the client device to receive the photos in real time when the photographer is taking the photo. Selective transfer is also supported. The photographer can send only JPEGs to the client device and keep the raw photos on SD card.

By using 5.8G band, the device effectively avoids Wi-Fi interference. This is suitable for professional photographers covering events and meetings. The live view works smoothly for high transfer speed, making it effective for recording the video as well.

CamFi Pro also supports timelapse, HDR, focus stacking and multiple camera control. The photographer can use one computer to control multiple cameras to shoot and transfer the photos back. It can be applied for bullet – time effect and 3D modelling.

It can be controlled from Android and iOS mobile devices as well as PCs and Apple computers. Backers of CamFi Pro will be the first to receive the product. Delivery is expected for February, 2018. More information, including a full list of compatible cameras, can be found on the Indiegogo crowdfunding site: https://www.indiegogo.com/projects/camfi-pro-the-fastest-wireless-camera-controller#/

via Dpreview

Sony Tidbits…


Sony AX700, Sony PXW-Z90 and HXR-NX80 camcorders

Video stabiliser review for a7/a9 (Marc Alhadeff).
Sony RX10m4 by Focus Numerique.
24-140mm FE lens review by Darren Soh.
One Camera, One Lens : Voigtlander Nokton 40mm f/1.2 and Sony a9 in Baja (Chad Wadsworth)
Avid Media Composer First Free Editor (Personal View).
Announcing the Bigger and Beefier Nitrotech: the Manfrotto Nitrotech N12 (Explora).

Join the new Sony Alpha Camera Facebook group.
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This week SAR readers photos selection


Ilya on SonyAlphaForum
Girl named Daniya. Friday night. McDonalds.
Leica Summilux-M 50mm f/1.4 ASPH
Sony a7rII

1) Submit your picture with a message and picture here: facebook.com/sonyalpharumors or on the SonyAlphaForum image section.
2) Like and comment the pictures from other readers here: facebook.com/sonyalpharumors/posts_to_page/ and on SonyAlphaForum.
3) A selection of most liked pictures by the community and by me SAR admin will be posted weekly on SAR.

Note: When sending a pic feel free to also add a link to your site to promote yourself!

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Sony Tidbits…


Why the Sony A6500 is the best bang for your buck…….

Sony α9 Unmatched At The U.S. Open (Alphauniverse).
AI-based upsampling tech creates high-res versions of low-res images (Dpreview).
Misty Waterhead, English Lake Disrtict, October 2017 (SonyAlphaForum).
C200 vs GH5 vs A6500 – Low Light – Autofocus – & 4K + 120 FPS Detail Comparison (Max Yuryev).
Resolve 14 NLE Video Editor (Personal View).
How to Assemble a Video Camera Shoulder Rig (Explora).

Join the new Sony Alpha Camera Facebook group.
To get news from our Forum subscribe that RSS feed.
I kindly invite you all to follow our RSS feed, follow us on Facebook and Twitter to not miss news and rumors

Sony Tidbits…


Crazy Clown Photoshoot – Sony a7rii + 70200 f2.8 GM & Godox AD600 + AD200

Editing Sony Raw Files in Lightroom and Photoshop (Jeff Remas)
Sony’s autonomous concept would make a great party bus (Engadget).
(Very) Difficult times ahead for Nikon … (PhotoDanielm).
Is This The Dream Setup For Wildlife? (Alphauniverse).
Roland V-1HD and V-1SDI Video Switchers (Personal View).
Infographic: Essential Tips for Cold-Weather Photography (Explora).

Join the new Sony Alpha Camera Facebook group.
To get news from our Forum subscribe that RSS feed.
I kindly invite you all to follow our RSS feed, follow us on Facebook and Twitter to not miss news and rumors