Capture One 11.1 released: Now supports A7III RAW files and adds Capture Pilot 2.0 for Sony!

Today Phase One released a major software update for Capture One. It also adds two specific new Sony features:

  1. RAW files support for the A7III andnew lens profiles for the 24-105mm FF and 18-135mm E-mount lenses.
  2. Capture Pilot 2.0 adds camera control support for Sony, allowing users to change camera settings of the tethered camera directly from your iOS device.

Below you can find the full press text. Keep in mind you get a 10% discount on Capture One 11 (Click here) and Capture One 11 for Sony (Click here) by using our coupon code “AMBSAR“.

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Phase One Releases Capture One 11.1
Update Provides New Resource Hub, Expanded Camera Support and Improved Workflow

COPENHAGEN, Apr. 19, 2018 – Phase One, the world’s leading manufacturer of high-end digital camera systems, today released Capture One 11.1, a service release to the industry’s premier RAW conversion and image editing software. The release enhances the Capture One user experience, through a new support platform and functionality updates to ensure a faster, smoother workflow. Improved Styles and presets workflow, support for 11 new cameras, including Sony A7 Mk III and Fuji X-H1 and 10 new lenses, including Tamron lenses for both Nikon and Canon, and an all-new Resource Hub are among the latest updates.

“Capture One remains dedicated to the needs of ambitious photographers. These latest updates introduce an extension to camera and lens support, as well as an all-new Resource Hub. The Resource Hub is an in-app portal that allows users to easily access news, tutorials, updates and much more – all designed to inspire photographers and ensure the best workflow and user experience in Capture One,” said Jan Hyldebrandt-Larsen, VP Software Business at Phase One.

NEW FEATURES AND TOOLS IN CAPTURE ONE 11.1

IMPROVED STYLES AND PRESETS

A new workflow adds a much faster way to apply both Styles and Presets to a Layer on one or multiple images, offering a direct control of opacity, imperative to wedding and portrait photographers.
Furthermore, a new Spring Styles Pack is included, offering bright pastel color grading to images, particularly helpful to wedding, portrait and landscape photography.

RESOURCE HUB

The Resource Hub has been introduced to offer quick access to free learning resources via a dynamic on-screen portal. Tutorials, news, webinars, blog posts and much more are offered in one convenient location to improve the user experience and learning curve with Capture One.

NORMALIZATION TOOL

The normalization tool provides a reference point for exposure and white balance for batch adjustments, now allowing any color to be used when previously the only option was a neutral grey.

NEW CAMERA AND LENS SUPPORT

The Capture One R&D team, alongside our color scientists, analyze hundreds of images from each camera to provide photographers access to the best out of box experience with natural profiles. Below outlines the new camera and lens additions that Capture One 11.1 supports. A full list of supported cameras can be found here: http://www.phaseone.com/supported-cameras

New camera support includes:

  • Fujifilm X-H1
  • Leica M262
  • Leica CL
  • Leica X-U
  • Leica V-Lux Typ 114
  • Leica TL2
  • Olympus OM-D E-M10 Mk III
  • Olympus E-PL9
  • Panasonic G9
  • Panasonic GH5S
  • Sony A7 Mk III

New lens support includes:

  • Canon lens:
    o CanonEF24-105mmf/4LISIIUSM
  • Leica lenses:o Leica Elmarit M 2.8/90
    o Leica Summicron M 2/90
  • Sony lenses:
    o Sony E 18-135mm f/3.5-5.6 OSS (SEL18135)
    o Sony FE 24-105mm F4 G OSS (SEL24105G)
  • Tamron lenses:o Tamron SP 70-200mm F/2.8 Di VC USD G2 A025
    o Tamron SP 35mm F/1.8 Di VC USD F012
    o Tamron 28-300mm F/3.5-6.3 Di VC PZD A010
    o Tamron SP 90mm F/2.8 Di MACRO 1:1 VC USD F017
    o Tamron 16-300mm F/3.5-6.3 Di II VC PZD MACRO B016

CAPTURE PILOT 2.0

Capture Pilot 2.0 adds camera control support for Sony, allowing users to change camera settings of the tethered camera directly from your iOS device.

AVAILABILITY AND PRICING

Capture One 11.1 is available now for the Mac and Windows operating systems online at www.phaseone.com/store and from Phase One authorized partners worldwide www.phaseone.com/partners.

Capture One Pro (click here and use code “AMBSAR” to get a 10% discount):
Owners of Capture One Pro 11 perpetual and subscribers can update for free by downloading. New customers can purchase Capture One Pro 11 for 299 USD or 279 EUR.
Owners of Capture One Pro 9 and 10 can upgrade for 119 USD/EUR

Capture One Pro Sony (click here and use code “AMBSAR” to get a 10% discount):
Owners of Capture One Pro Sony 11 can upgrade for free by downloading. New customers can purchase Capture One Pro Son: y 11 for 79 USD/EUR.
Owners of Capture One Pro Sony 9 and 10 can upgrade for 69 USD/EUR.

Sony Tidbits…


Sony 16-35mm F2.8 G Master Lens Review

Howto Connect Zhiyun Crane Wireless Remote with Sony Cameras (The Hunter Report).
Sony A7R II vs A7R III – The complete comparison (Mirrorlesscomparison).
Review: Sony 24-105mm f4 G OSS (ThePhoBlographer)
Voigtlander Nokton Classic 35mm F1.4 FE Review (Photographyblog).
New from Syrp, the Genie II 3-Axis Motion Control System (Explora).
IK Multimedia iRig Pre HD Interview (Personal View)

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

Share your best pictures on our new Instagram SonyAlphaGallery.

There is now a fix for the Sony “stripe” issue!

You surely remember the big discussions on Dpreview because of the A7III stripe issue that appears i certain limited conditions. Well there is good news for you! This comes in straigth from today’s Dpreview post:

This fix is courtesy of Professor Hank Dietz, who is none other than the guy who developed a fix for Sony compressed Raw artifacts. His tool is available here. For now, it only works on compressed Raw files, but it works on any compressed Sony Raw file. That’s important, because this issue is not isolated to the a7 III by any means (though its predecessor the a7 II doesn’t appear to have any issues). It occurs with the a7R II/III, a9, R100 V – pretty much most cameras with masked pixels for on-sensor phase-detect AF (and that’s not just limited to Sony).

Higher resolution bodies are less problematic because a single pixel stripe is a smaller proportion of the image. The a7 III and a9 also have more phase-detection pixels than any other camera Sony has introduced, which makes the issue slightly more of an issue on these cameras.

Download link: http://aggregate.org/DIT/KARWY-SR/karwy/test/karwy.html

To take advantage of Professor Dietz’ work, you simply drag-and-drop a compressed Sony Raw file into the web application, wait a few seconds, and download the resulting file (you’ll want to add ‘.ARW’ to the end for your Raw software to read it properly). And voila – almost every trace of the striping is removed. Oh, and if you have any feedback, please PM Hank via his DPReview profile.

We’ve been in touch with the good folks at RawTherapee as well, and they have confirmed that they have implemented a fix internally, which will be released to the public in due course. There’s even a Photoshop fix developed by DPR forum member Magnar W, if you’re past the Raw development stage.

Thanks Rishi for this!

New firmware update for the Sony A7III resolves “blinking pixels” issue


Sony A7III in USA at Adorama, BHphoto, Amazon, BestBuy, FocusCamera, BuyDig.
Sony a7III in Europe at Amazon DE, Calumet Germany, Amazon UK, ParkCameras UK, WexUK, Amazon FR, Amazon IT, Amazon ES.

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Sony issued a new firmware update for the Sony A7III (download here).

Benefits and improvements
– Resolves a “blinking pixels” phenomenon at the bottom edge of the image during XAVC S 4K (PAL 25p) recording (depending on the combination of camera settings)
– Resolves an issue where the touch panel could occasionally become unresponsive
– Improves the overall stability of the camera

And here you have a size comparison with the Canon 1DXII:

Sony Tidbits…


Sony FE 100-400 F4.5-5.6 GM OSS | Initial Sports Review

Laowa 15mm f/2 Sony FE Review (Albert Dros).
Review: Sigma 14-24mm f2.8 Art DG (Canon EF, Tested on Sony FE) by ThePhoBlographer.
Cascable 3.4 adds support for Sony α7R III, α7 III, α9, and more
Microsoft Surface Pro, an Ideal Mobile Video Editing Machine? (Explora)
IK Multimedia ARC System MEMS Microphone Interview (Personal View)
Sony’s 1.2x Crop in 30p mode – Does It Matter To You? (Peter Gregg).

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

Share your best pictures on our new Instagram SonyAlphaGallery.

 

Sony Tidbits…


Sony FS5 II Camera, Interview about real improvements

Zeiss Loxia 25mm f/2.4 Hands-on Photos (Photographyblog).
Sigma CEO gives rare insight on future tech: Plastic Glass, Curved sensors and more… (Mirrorlessrumors).
The Pixel Wars are Back, and That’s Great! (Explora).
EDIUS 9 In Depth Interview (Personal View).
Which Sony Alpha A7 camera? How to choose the right model (CameraJabber).
Las cámaras de los World Press Photo 2018: Nikon gana y las réflex siguen arrasando con un 85% (Photolari).
New Capture Dedication photography competition.

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

Share your best pictures on our new Instagram SonyAlphaGallery.

Join the new Sony Alpha Camera Facebook group.
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Dpreview wild speculation: could Nikon adopt Sony’s E-mount? :)

Dpreview posted a new article summing up what they learned from the interview with all company managers at CP+. For them it’s clear that:

The reign of the DSLR is almost over…Full-frame mirrorless will become the norm, and it will happen pretty soon

Yes, I think that statement is 100% correct. But the big question is: How will Canon and Nikon’s FF mirrorless be? This is where they go a bit into the wild speculation:

Canon has a slightly easier task ahead of it, since the EF mount was designed from the beginning to be fully automatic, and to support very wide-aperture lenses. As such, it could presumably make a relatively simple adapter to allow continued use of legacy EF lenses for as long as necessary. Nikon’s transition to mirrorless will probably be trickier. It’s worth remembering though that the Sony E-mount is an open standard – Nikon already has a relationship with Sony, could it adopt the company’s lens-mount? It’s an intriguing thought…

I give it a 0,00000001% chance that Nikon will adopt E-mount :)

What are your thoughts on this?