Sony talks to Dpreview: S-LOG on A9 seems possible, A-mount and APS-C line will keep being developed.


A9 body picture posted by Dpreview

Dpreview posted a long report about their visit at Sony Tokyo. I invite you to read the full article. I will just highlight a few interesting talking points:

About the Sony A9:

At Sony, a new camera like the a9 takes two to three years to develop, we were told.
Yasufumi Machitani, project leader on the a9, talked to us about the development of the camera. A number of its features, like blackout-free shooting and fast AF/AE calculation, require sensor readout speeds conventionally thought impossible. A stacked BSI-CMOS sensor with integral memory was necessary for these technologies, and the camera division’s awareness of such coming sensor technology years in advance allowed it to plan the a9.

The High End strategy:

Sony believes there is a growing market of pros and enthusiasts, with shrinking demand at the entry level (it’s hard to argue with that, given the death of the compacts and the rise of the smartphone). This brings a higher demand for better performing products, be it in terms of autofocus, speed, resolution or sensitivity. Therefore, Sony says its product strategy is to pack as much available technology into each product as possible, barring hardware limitations, to meet a certain price point.

Sony’s unique advantage over the competition:

he communication between its image sensor development engineers at Sony Semiconductor and the camera teams at Sony DI give the company a unique advantage: an understanding of important sensor technologies to come two, five, or ten years down the line. The two-way communication between a cutting-edge sensor foundry and camera engineers that need sensor technologies to solve photographic problems is a unique advantage for Sony’s camera division.

Why Mirrorless is growing faster than DSLR:

Since much of the capability of mirrorless cameras is derived from the image sensor itself, its development speed is much faster than DSLR. So while mirrorless camera technology is a relative newcomer to the field, Sony’s insight into semiconductor advances puts its camera division in a unique position to innovate and iterate quickly, bringing greater speed and functionality to consumer products across shorter refresh cycles.

A-mount:

Tanaka-san assured us that ‘the A-mount customer base is small, but loyal, and we need to serve them.’ While Sony does not intend A-mount users to transition to E-mount, it does see the a9 as a potential body for A-mount lenses, via adaption. To that end Sony assures us the disadvantages associated with adapters – like the lack of proper subject tracking – are addressable, though it won’t officially support or offer a solution for Canon lenses natively.

APS-C:

Expressing very frank surprise at the idea that some of our readers feel Sony is less committed to APS-C, Sony DI executives assured us that, on the contrary, they are fully committed to APS-C. They pointed in particular to its potential to increase business by its adoption as a second camera for pros (a6300/6500) or a first-time camera for casual users (a5100/6000).

S-LOG on the A9

We asked Sony about the omission of S-Log2 and PlayMemories on the a9. We suggested it ostensibly appeared like forced product segmentation, uncharacteristic of Sony’s product strategy. While it still appears that may indeed have been the case, we were assured that Sony takes our negative feedback about these omissions seriously.

Sony announces three new camcorders with 273-point phase-detection AF sensor and 4K HDR recording

Sony announced three new 4K camcorders. This is the press text:

The new XDCAM® PXW-Z90, NXCAM® HXR-NX80 and Handycam® FDR-AX700, equipped with 1.0-type stacked Exmor RSTM image sensor,offer an optimal choice to a wide range of users from professionals to video enthusiasts.

Sony has today announced three new 4K HDR¹camcorders: the XDCAM® PXW-Z90, the NXCAM ®HXR-NX80 and the Handycam® FDR-AX700. Featuring Sony’s ground-breaking Fast Hybrid AF system, all three palm camcorders combine a fast and reliable autofocus (AF) function adapted for shooting with a 1.0-type stacked Exmor RS CMOS image sensor, delivering stunning image clarity alongside a range of versatile shooting features. The new camcorders all support an instant HDR (High Dynamic Range) workflow, enabling users to produce breath-taking HDR content with minimum post-production to suit a range of content creation scenarios and applications.

The Fast Hybrid AF system ensures highly accurate focusing and tracking during shooting, delivered by 273 phase-detection AF points that cover approximately 84% of the shooting area, high-density placement of autofocus points and a newly developed AF algorithm. This reduces the burden of focusing, especially when accurate focusing is required for shooting 4K[i] films. In movie recording mode, the appearance of phase-detection AF frames indicates the focused area and easily allows users to monitor a subject that is in focus. The new camcorders feature a high-resolution OLED viewfinder (0.39-type OLED, 2,359k dots) and advanced touch screen operation, on the 3.5-type large LCD screen (1,555k dots), to allow users to quickly switch focus from one subject to another, while the AF Drive Speed, Tracking Depth Range and Subject Switching Sensitivity can all be configured as required for different subjects and content styles.

The new camcorders support 4K HDR¹ recording with HLG (Hybrid Log-Gamma), offering an instant HDR workflow. This enables users to reduce the post-production work and produce high-quality HDR content without grading, which usually requires a highly skilled technique and specialist knowledge. They also have the following key technology features to support versatile shooting, including;

  • 4K²full-pixel readout without pixel binning, using an enhanced BIONZ X™ image processing engine
  • Super Slow Motion[ii]recording up to 960fps[iii], which is industry leading among palm categories and Slow & Quick Motion[iv]Full HD recording up to 120fps[v]
  • S-Log3/S-Gamut3 capabilities for users to create and work with images as they desire.
  • 29mm[vi] (35EQ)wide-angle ZEISS® Vario-Sonnar T* 12x optical zoom lens and 18x Clear Image Zoom[vii]
  • Less image distortion (rolling shutter phenomenon), in comparison to conventional models when shooting subjects in motion

Workflow efficiency benefits such as Proxy recording, relay recording and simultaneous backup recording are also delivered thanks to the new camcorders’ dual memory card slots and multi-camera operation capabilities supported by TC (time code)/UB (user bit). The three new camcorders also have REMOTE terminals, Multi-Interface Shoe™, and HDMI Type A to ensure enhanced operability.

“We strongly believe in empowering customers to tell amazing stories, whether it’s a journalist out in the field covering a breaking news event, or a freelancer working under the tight deadline pressures of a one-day corporate shoot” explained James Leach, European Product Manager, Sony Professional Solutions Europe. “Our new palm camcorders do exactly that. By minimising the efforts required to focus on a subject in-frame and streamlining the post-production workflow, we’re helping users concentrate on what they do best: storytelling.”

In addition to the above key features as series, the XDCAM® PXW-Z90 and NXCAM® HXR-NX80 also feature dual XLR audio input, a detachable handle, and access to Content Browser Mobile – a supporting smartphone application to enable Wi-Fi® monitoring, Camcorder remote control and wireless timecode sync[viii] between multiple cameras.

The PXW-Z90 also includes several features to suit broadcast-specific requirements including XAVC®format recording, which provides high-quality images at 4:2:2 10 bit (HD) and 4:2:0 8 bit (QFHD) in addition to conventional broadcasting MPEG2HD9 format recording, 3G SDI connectivity for compatibility with existing broadcasting equipment, and networking functions to support news reporting, such as compatibility with XDCAM® air, the Sony cloud-based ENG subscription service.

NXCAM® HXR-NX80 and Handycam® FDR-AX700 adopt XAVC S®[ix],an extended format of XAVC for consumer use which can record high-defined 4K2 films.

The XDCAM® PXW-Z90, NXCAM® HXR-NX80 will be available in December and Handycam® FDR-AX700 will be available in October. For more information on Sony visit www.pro.sony.eu, or visit stand 13.A10 at IBC 2017.

#SonyIBC17

[i] 3840 x 2160 pixels

[ii] 4K recording is not available. Sound cannot be recorded. A class 10 or higher SDHC/SDXC memory card is required.

[iii]960fps in NTSC, 1000fps in PAL

[iv] Sound cannot be recorded. UHS-I (U3) SDHC/SDXC memory card is required

[v]120fps in NTSC, 100fps in PAL

[vi]35mm equivalent

[vii]18x(4K), 24x(HD)

[viii] Optional licences required

[ix] A Class 10 or higher SDHC/SDXC memory card is required to record movies in the XAVC S format. UHS-I (U3) SDHC/SDXC card is required for 100Mbps

Sony Tidbits…


How we made a Video out of a series of pictures shot by SONY A9?

10 Great Tips for Shipping Your Valuable Camera Equipment (Explora).
Inside the black market for Instagram verification (Mashable).
In praise of the Voigtlander 65/2 apo lanthar (Dpreview Forum).
Nikon keeps all options open: Patents 24mm f/1.8 for new FF and new APS-C mirrorless system camera (Nikoneye).
Rotolight NEO 2 LED combines the best of both continuous and strobe lighting (Newsshooter).

Christoph:Andreas Altendorfer and I produced the music video https://youtu.be/p4atyReF2Lw called “Breaking Bad” by the band “Elephants in Paradise”.
 All recordings were filmed with a Sony A7sII and Zeiss Loxia 21mm f2.8, Zeiss Loxia 35mm f2, Zeiss Loxia 50mm f2, Sony FE 90mm f2.8 Macro. We used an Atomos Ninja Flame to record the S-LOG 2 files in ProRes. For camera movements we used a CAME-TV Argo Gimbal and a Manfrotto Slider. We illuminated the scenes with 3 Litepanels Astra Bi-Color and 1 Litepanels Sola 6 Daylight LED Fresnel.
 It was my first production with this equipment. I was particularly enthusiastic about the A7sii in dark situations, where you can work with little extra light and an open aperture. For bright situations in the sunlight, I would prefer an e-mount adapter with an electronic ND filter, like the one built in on the FS5 or FS7ii, with the same functionality (Auto ND), from Sony. Andrea, please put in a good word to Sony for this! 😊
 I love the Zeiss Loxia lenses, especially the 35mm. The picture quality is simply super and the handiness is an advantage in many cases. For example, to balance the camera on the gimbal or when filming out of your hand. However, this advantage is also the only disadvantage. The aperture ring is so narrow and the lettering so small that it is very difficult for the camera assistant to adjust from the side in low light conditions.
 The Atomos Ninja Flame Recorder was an indispensable tool for exposure and focusing. The ProRes files were free of compression artifacts and banding. (… to end heavily compressed on YouTube 😉) During the shooting I noticed that the Ninja Flame can record 1080p, 120, but the A7sii can only play beyond hdmi up to 1080p, 60. Workflow with SSD hard disks is simple and fast. Larger batteries are recommended.
 When it comes to light, the Sola 6 is my favorite, which I mostly used as the main light source because of the natural shadows. Most of the time I used the astras with a softbox. The lamps can also be operated with rechargeable batteries, which is pleasant for outdoor shots. (Of course, the setup will soon reach its limits in sunlight due to the light intensity.)
 It was a low budget production and all actors were amateur actors who made it for fun and free. I hope you will enjoy the video still or even because of that.
Best regards
We have our own Facebook camera groups and pages you can join to discuss the upcoming new cameras in detail:
Sony A9 group and Sony A9 page.
Sony A7rIII group and Sony A7rIII page
Sony A7sIII group and Sony A7sIII page
Sony A7III group and Sony A7III page
Note: In groups you can post your own stuff like images, news and questions. While on pages you will read the specific camera news from SAR.

Sony Tidbits…


Samyang 12mm f/2 NCS CS lens review with samples

8 Lessons Learned When I Photographed a Total Solar Eclipse (Explora).
A week in switzerland (SonyAlphaForum).
photographing parkour with the Sony a9 (Dpreview).
Sony 16-35mm GM test at SonyAlphaLab.
Phillip Reeve rolling review of the Voigtlander 65mm FE lens.
How to Piss Off a Photographer (Lok)

Join the new Sony Alpha Camera Facebook group.
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To write a guest post on SAR follow the instruction on that page
I kindly invite you all to follow our RSS feed, follow us on Facebook and Twitter to not miss news and rumors!

 

Pre-order now: Aurora HDR 2018 for both Windows and Mac Versions!

You can finally preorder the new Aurora HDR which comes for both Mac and Windows at Macphun (Click here). This is the first time you get the software for windows too. A big step towards Adobe independency :)

Here is the press text:

About Aurora HDR:

Aurora HDR is not just a tool for merging bracketed images, it also provides numerous tools and countless options to create perfect HDR photos for every taste – from one-click presets and advanced tone-mapping, to layers, noise reduction and powerful luminosity masking controls.

Offer Availability:

Aurora HDR 2018 will be availabe for pre-order on September 12, and released on September 28.

Pre-Order Pricing:

  • Current users of Aurora HDR may upgrade at a special pre-order price of $49 ($59 MSRP)
  • New users can purchase Aurora HDR 2018 at a special pre-order price of $89 ($99 MSRP)
  • A collection of bonuses will also be included with every purchase.

Pre-Order Bonuses:

  • Trey Ratcliff Deep Dive video
  • Travel Photography Tutorial by Matt Granger
  • Source Brackets
  • 3-month Zenfolio Pro website, including a complementary design consultation. $60 value.

What’s new in Aurora HDR 2018:

  • Next-generation Tone Mapping – A new smart Tone Mapping algorithm automatically reduces noise, and produces more realistic and natural initial results.
  • Mac and Windows versions – Aurora HDR 2018 is available both for Mac and PC users, enabling mixed-computer households to share the same product key.
  • Lens Correction Tool* – The new Lens Correction filter easily fixes all kinds of lens distortion, from barrel and pincushion to chromatic aberration and vignetting.
  • Transform Tool* – Easily scale, rotate and shift your image to better fit your vision.
  • Dodge & Burn Filter – Selectively lighten or darken specific areas of an image to artfully direct your viewer’s eye towards the key subject of your image, similar to a traditional darkroom technique.
  • HDR Enhance Filter – Adds details and clarity to an image, adjusting colors, details and contrast without creating artificial halos or other problems.
  • User Interface – A new, modern and responsive user interface brings a powerful, yet  joyful experience to HDR photo editing.
  • History Panel – An easy-to-reference list of edits made to your image, the History panel allows you to click on any editing step to revert the photo to an earlier stage of editing.
  • Touch Bar support for Mac – Aurora HDR 2018 adds Touch Bar support to give new MacBook Pro users fast access to key editing features and speed up their workflow.
  • Image Flip and Rotate* – Perfect for correcting photos with incorrect horizons or making creative compositions or other stylistic changes to an image.
  • IMPROVED:  New Structure Algorithm – The re-developed Structure tool allows you to adjust detail and clarity of an image to get a classic HDR effect with great detail or a smoother effect with less details.
  • IMPROVED: RAW handling – An improved RAW conversion brings out more details in shadows/highlights, displays colors more accurately and reduces noise in RAW files.
  • IMPROVED: Crop tool update – Now specify custom crop sizes for even more versatility.
  • IMPROVED: Speed – Faster merging and masking performance, improvement in RAW image processing.

* Lens Correction and Transform tools, as well as image flip and rotate will be available in the Mac version at launch, and arrive in the PC version with the first free update in the beginning of October. Other tools and features that are currently available for Mac only would be added to PC version by the end of the year.

Preorder now at Macphun (Click here).

Sony PRO Support Expands in the US

NEW YORK, September 12, 2017 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today announced several updates related to their Sony Imaging PRO Support organization.

Sony’s organization to support working professional photographers and videographers now features a domestic 24/7 call center and new walk-in service centers in New York City and Los Angeles. Additionally, Sony Imaging PRO Support has launched a full in-the-field technical team to support professionals across all of North America. The team is providing in-the-field service and on-site depot support at major sporting events such as the U.S. Open and PGA Championship, media events and shows across North America, offering camera cleanings, evaluation loaners, education and seminars.

Also announced today is the launch of Sony Imaging PRO Support Canada, offering all of the benefits of the program to pros throughout the Canadian market.

Membership to Sony’s Imaging PRO Support organization has grown over 40% year over year in North America, while consistently striving to minimize customer costs and maximize efficiency and turnaround time for all repairs and services.

“Our team is fully committed to building an ecosystem that supports the needs of digital imaging professionals today and tomorrow,” says Sony VP Neal Manowitz. “We are focused on reducing downtime, removing costs and improving overall satisfaction. New walk-in locations, a 24/7 domestic hotline and a field team supporting event depots are just a few of the many steps we are taking to provide the best-in-class solutions for professionals.”

These updates come on the heels of the introduction of Sony’s new flagship α9 camera earlier this year. Featuring the world’s first1 full-frame stacked CMOS sensor with 24.2MP2 of resolution, blackout free, completely silent shooting3 at up to 20 fps4 with full autofocus, a 693 point focal plane phase detection AF system and more, the α9 is revolutionizing the professional imaging market.

Existing benefits of the Pro Support program including dedicated email and call support, expedited three-day repair turnaround time, evaluation loaners, up to three free camera and lens maintenance services per year, complimentary shipping fees for repairs and access to a variety of exclusive members only events held throughout the year.

Those interested in joining Sony’s premium care program can visit www.alphauniverse.com/prosupport to apply. After the online membership form is submitted and approved, a member of the Sony Imaging PRO Support team will contact applicants directly to discuss the program’s benefits in detail.

Those interested in visiting a walk-in Sony Imaging PRO Support center can visit the Los Angeles location at 2706 Media Center Drive, Ste. 130, Los Angeles, CA 90065, phone (323) 352-5007, or the New York location at Photo Tech, 360 W 36th Street, New York, NY 10018, phone (212) 673-8400.

Notes:
1, As of September 2017
2, Approx. effective
3, Electronic shutter mode. At apertures smaller than F11 (F-numbers higher than F11), focus will not track the subject and focus points will be fixed on the first frame. Display updating will be slower at slow shutter speeds.
4, “Hi” continuous shooting mode. The maximum frame rate will depend on the shooting mode and lens used. Visit Sony’s support web page for lens compatibility information.

 

Thanks “Donotunplug”…I will not yet :)