A comprehensive view on the Zeiss Milvus family tested on the Sony A7 (3D-Kraft).

A7_Milvus

Milvus 50mm on the A7 (image courtesy: 3D-Kraft ).

The new Zeiss Milvus lens comes in native mounts for Canon and Nikon DSLR. Of course you can sue it on Sony FE cameras too. But how much sense does it make to use those lenses on a Sony? 3D-Kraft (Click here) posted a comprehensive view on the Zeiss Milvus family tested on the Sony A7. The conclusion is:

“As a mirrorless shooter always striving for highest achievable image quality with equipment as lightweight and compact as possible when on the move, I must concede that I am in a kind of conflict with the Milvus line. Their extraordinary solid mechanical quality in a wheather sealed metal housing comes for the price of size and weight. Most of the Milvus lenses seem to be better balanced when used on full frame DSLRs but on the other hand, manual focusing is far better supported by mirrorless systems with in-body stabilization working in live view mode with focusing aid by zoom magnification and peaking. For Sony Alpha with FE mount meanwhile you get many native and more compact pendants from Zeiss in the same price range like the Loxia line (a Loxia 21 review will follow soon, stay tuned!) or primes including AF support like the FE 1.8/55 and Batis 1.8/85.
However, the optical quality (sharpness, bokeh, micro contrast, flare resistance, distortion control) – especially of the new designed 1.4/50 and 1.4/85 – is very good, the only weak point is their lack of apochromatic correction so that you will see some axial CAs (“boke fringing”) at open aperture especially from the f/1.4 lenses. Usually this type of CA can be removed in post processing quite easily. If you look for “no compromise” apochromatic corrected lenses, you might consider lenses of the Otus line (Otus 1.4/28 review coming soon on this site!) but those do not have features like wheather sealing or declickable aperture ring, which you find in the Milvus line.”

Read the full detailed test at 3D-Kraft

Here are the detailed Lens info and preorder links:
Zeiss Milvus 100mm f/2M ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 100mm f/2M ZF.2 Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 21mm f/2.8 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 21mm f/2.8 ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 35mm f/2 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 35mm f/2 ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/1.4 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/1.4 ZF.2 Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/2M ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/2M ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 85mm f/1.4 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 85mm f/1.4 ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).

FS5 now shipping. Review by Newsshooter.

The new FS5 4K E-mount camera is now in Stock and shipping at Adorama (Click here) and BHphoto (Click here).

And Newsshooter reviewed the FS5 with Kai from Digitalrev:

As a B-camera on larger productions the FS5 should work well in places where you might previously have used a DSLR, GH4 or Sony a7S. Obvious uses include on brushless gimbals and in-car rigs, although you will probably want to record externally.

Newsshooter also tested the camera at anti-war protests:


Unboxing a Sony PXW-FS5 | Sony | 4K Creators

Sony A7rII vs Phase One IQ160 battle. A7rII review by Photographylife.

On the video above Epicmind compares the A7rII vs the Phase One IQ160. Watch it to hear who wins.

And Nasim Mansurov from Photographylife posted his detailed A7rII review:

After having a pleasant shooting experience with the camera, I wondered how good Sony’s new BSI sensor would look when compared to both the D810 and the 5DS R. To my surprise (and as you can see from the previous pages of this review), the Sony A7R II demonstrated superb performance at handling noise at high ISOs, easily surpassing both cameras. In my past evaluations, Sony full-frame cameras always fell short when put head-to-head against Nikon DSLRs, so I did not expect the A7R II to do better either. But looks like the BSI CMOS sensor that Sony decided to utilize on the A7R II was the right choice, as the performance speaks for itself. Not only does it deliver exceptionally good ISO performance, but it also does it with more megapixels than the D810 and a far better dynamic range performance than the Canon 5DS R.

A7rII store list:
In USA: at Amazon, BHphoto, AdoramaSonyStore US, FocusCamera, Uniquephoto.
In Europe at Amazon DE, Amazon UK, Wex UK and ParkCameras.
In Asia at Digitalrev, CameraPro.

New Zeiss Batis reviews by PcMag, John Sison, Chad Wadsworth and Otto Schulze


Carl Zeiss 25mm F2 Batis Lens Review by John Sison

PcMag tested the 85mm Batis and writes:

The Zeiss Batis 85/1.8 is a near-perfect lens, at a price that’s well shy of the company’s manual focus Otus line. It’s tack sharp from corner to corner, even at f/1.8, captures a heck of a lot of light, and draws wonderful portraits with a very shallow depth of field. The only real complaint is the pincushion distortion that it exhibits, and that’s something that’s easily corrected on a computer. If you’re in want of a prime lens in this focal range for your Sony mirrorless system, and you put an emphasis on portrait and general photography, look no further.

Chad Wadsworth writes:

The a7R II/Batis combination was simply praise worthy – it focused quickly and accurately, producing razor sharp images with pleasing bokeh.

Otto Schulze writes:

Yes, the Otus just in terms of sheer IQ wins but I was surprised by how close the Otus and the Batis were in pure IQ. Add to that equation the size difference and addition of fast and quiet AF and I have an absolute winner for my destination wedding work. And the 25mm Batis met all my needs on the other end of the spectrum as well. Just superb!

quick test between the Zeiss Batis 25mm f/2 and the Sony FE 28mm f/2 on Admiring Light.
Why I’m returning my Batis 85 mm f/1.8 (Alin Popescu).
Skydiving with the Batis 2/25 and Alex Torre (Lenspire)

Batis store links:
Zeiss Batis 85mm f/1.8 lens in US at Adorama, Bhphoto. In Eu at Amazon DE, WexUK. In Asia at Digitalrev.
Zeiss Batis 25mm f/2.0 lens at Adorama, Bhphoto. In EU at Amazon DE, WexUK. In Asia at Digitalrev.

 

 

Sigma 20mm F/1.4 Art Lens Review on the Sony A7sII


Moonlit Night – A Sigma 20mm Art Lens Review
from cinema5D on Vimeo.

If the Loxia 21mm f/2.8 isn’t fast enough for you than well try this brand new Sigma 20mm f/1.4 lens! Cinema5D (Click here) tested the lens on the A7sIi and writes:

This lens kept its promise offering superb quality and while it is made for photography with some ergonomic drawbacks for video it is still among my favourite lenses of all time. The kind of shots I could achieve with this lens, without any noticeable quality loss is amazing and opens up new possibilities for people who like lowlight shooting. Furthermore this lens opens up your path to shallow depth of field at wide angles, which is rarely seen outside of high end professional productions.
The biggest highlight about the Sigma 20mm F/1.4 Art Lens for me is its price though. At $899 the value for money you get is very high and makes it an affordable option for shooters working with a Sony a7S II.

The lens is now in Stock at Amazon, Adorama and Bhphoto!

Dpreview: The Sony A7rII is the best camera of the year!

Bildschirmfoto 2015-11-26 um 06.53.23

Dpreview (Click here) just claimed the A7rII as best camera of the year in the over $2,000+ category!

The Sony a7R II wins this group for many reasons: it is arguably the most innovative, most improved, and houses the most features of any camera in this category. 399 PDAF points offer the largest frame coverage and truly challenge full-frame DSLR AF. We were in disbelief at the incredibly high AF hit rates we observed across multiple shoots, so we baselined the system against DSLRs in a slew of continuous AF tests to find that, sure enough, the a7R II challenges some of the best DSLRs, even in low light. Continuous Eye AF is a boon for candids of even moving subjects, and better-than-DSLR AF accuracy ensures critical focus for shallow depth-of-field applications. Many of these AF benefits disruptively carry over to 3rd party lenses when using electronic adapters, an industry first. 

A7rII store list:
In USA: at Amazon, BHphoto, AdoramaSonyStore US, FocusCamera, Uniquephoto.
In Europe at Amazon DE, Amazon UK, Wex UK and ParkCameras.
In Asia at Digitalrev, CameraPro.

Dpreview also posted that Video Field Test with Theron Humphrey and the Sony A7R II: