Sony A7sII is now in Stock and shipping!

A7sII

The new Sony A7sII is now shipping in USA at Amazon, BHphoto, FocusCamera, Adorama. And in Europe/Asia at ParkCameras, WexUK, Jessops and Digitalrev.


Slow burn: Sony a7S II shoots 120 fps in low light with Zeiss Loxia 21 and Milvus lenses
from Dan Chung on Vimeo.

New A7sII tests:
Updated hands-on reivew with presentation slides at ePhotozine.
Video: Testing the Sony a7S II at 120 fps in low light with Zeiss Loxia 21 and Milvus lenses (Newsshooter).
Slow Motion Video Sample at TheVideoMode.
Sony A7sII sample videos on Dpreview.
Sony A7S II vs Sony A7R II (World of DSLR).
Sony a7s ii vs original a7s: colour comparison tests by Newsshooter.

Loxia 21mm lens reviews by Diglloyd and Colin Peddle. Preorders up at BH and Adorama.

Bildschirmfoto 2015-10-15 um 17.43.34
Christian Dandyk
posted that great image of all five Zeiss designed FE lenses.

You can now preorder the new Loxia 21mm FE lens at BHphoto (Click here) and Adorama (Click here). In Europe at WexUK (Click here).

And we also have two new Loxia 21mm lens reviews:

Colin Peddle at Petapixel reviewed the Loxia 21mm lens

When I first mounted the Zeiss Loxia 21mm f/2.8 and began taking pictures, my initial thought was “uh oh, bend over and prepare the credit card” — and this feeling latest for about two hours. After which my fingers began to strain — just a little — from focusing manually on the smooth knurling of the lens’ barrel. Furthermore, the aforementioned difficulty I’d been experiencing when changing aperture hadn’t gone away.
As I write this I’m talking myself into dealing with the slippery focus ring and only shooting at f/2.8 because well, its tack sharp wide open anyway. Slippery grip aside, I think I’ve just convinced myself. Now if I could only convince the bank account.

Diglloyd writes:

The ZEISS Loxia 2.8/21 is marvelous for Sony mirrorless, indeed it should be considered essential for any serious shooter. It trounces the Sony 16-35mm f/4 in sharpness, and is a full stop faster, more compact, just a gem on the camera. At least for me, mastering one focal length is far better than jack of all trades zooms; I always make better images with fixed focal length lenses, which do not allow foot-dragging laziness by zooming instead. I felt frustrated having to return the test lens to ZEISS, knowing I would be deprived of it until my own sample arrives from the first production run.

Loxia 21mm FE lens at BHphoto (Click here) and Adorama (Click here). In Europe at WexUK (Click here).

New Sony A7sII image samples (DSLRmagazine, Brian Smith…)

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The A7sII construction (ePhotozine).

The A7sII has been officially presented to the press yesterday. And the camera will ship worldwide tomorrow: In USA at Amazon, BHphoto, FocusCamera, Adorama, in Europe at WexUK, Jessops and in Asia soon at Digitalrev.

New tests:
Hands-on and image samples at ePhotozine.
The Spanish DSLRmagazine posted full size A7sII image samples you can download to pixel peep on your computer.
Brian Smith hands-on review

Something strange: In many European countries like Germany there is no(!) A7sII preorder option in any store. Not a good job from Sony :(

First Sony A7sII reviews and image samples!

A7SII-1280x699

Today Sony had various press meetings to present the new Sony A7sII to journalists and reviewers. The camera will official after tomorrow (Source Amazon). And now the first reviews and image samples are being posted:

Marc Galer (Click here) posted the very first Sony A7sII review! The conclusion is:

For an average enthusiast and Pro Photographer who shoots predominantly stills, the lack of Phase Detection AF on the A7SII makes the A7RII a better option for stills shooters and single operators shooting video in reasonable levels of ambient illumination.
Another factor photographers (attracted by the prospect of being able to shoot 4K straight to the memory card) should take into account before making the jump to the A7SII (or the 4K recording of the A7RII) is to be aware of the computer processing power required to edit 4K footage, e.g. a Macbook Air is not really up to the task as you cannot easily review footage in real time in software such as Adobe Premiere Pro when using an i7 dual core processor and 8 GB or RAM). A photographer must also take into account the storage requirements of large amounts of 4K footage. If, however, you aim to make the A7S your primary camera for shooting pro-grade movie clips then you will never begrudge shelling out the dollars for this camera – you could in fact buy six of these cameras for the price of a Canon C300 MKII.

Tony Northup posted a video review.
Brian Smith also posted his A7sII review.
Image Gallery by Imaging Resource.
ThePhoBlographer posted a set of image samples.
Image samples at ePhotozine.

Sony A7sII preorders at Amazon, BHphoto, FocusCamera, Adorama and in Europe at WexUK. In Asia soon at Digitalrev.

RX10 II review at Dpreview.

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Dpreview posted the full RX10m2 test:

The Sony RX10 II continues the tradition established by the original RX10. It can easily split its time between being an excellent stills camera and an outstanding video machine. Ergonomics, handling and build-quality are all top notch. And the camera’s sharp, fast 24-200mm F2.8 equiv. lens should offer plenty of versatility for most shooters. Autofocus is good in most situations, though it does struggle when photographing fast action, using AF-C. Its subject tracking capabilities also lag behind the competition.

The camera earned the Gold Award.


RX10m2 at Amazon, BHphoto, AdoramaFocusCamera, Uniquephoto.

First Samyang/Rokinon 21mm and 50mm E-mount review!

samyang

Photographyblog posted sthe first review of the new Rokinon-Samyang APS-C E-mount lenses!

About the 50mm f/1.2 lens they write:

Image quality is generally pretty good, especially in the centre of the frame. There are some optical issues to be aware of, though, most notably some minor chromatic aberrations, obvious corner shading until you reach f/5.6, and a lack of sharpness from f/1.2-f/2 in the centre and f/1.2-f/4 at the edges. If you like the effective focal length and don’t mind the lack of auto-focusing or big-brand name, we can certainly recommend the Samyang 50mm F1.2 AS UMC CS as an affordable short telephoto prime lens for mirrorless camera owners.

About the 21mm f/1.4 lens they write:

The Samyang 21mm f/1.4 ED AS UMC’s build quality is reassuringly good, proving to be an ideal partner to the Sony A6000 camera that we tested it with.Image quality is generally good, especially in the centre of the frame. There are some optical issues to be aware of, though, most notably quite prevalent chromatic aberrations, obvious corner shading until you reach f/5.6, and a lack of sharpness wide-open at f/1.4 in the centre and from f/1.4-f2.8 at the edges.

Full preorder links:
Rokinon 21mm f/1.4 Lens for APS-C E-mount (Black) at Amazon, BHphoto and Adorama.
Rokinon 21mm f/1.4 Lens for APS-C E-mount (Silver) at Amazon, BHphoto and Adorama.
Rokinon 50mm f/1.2 Lens for APS-C E-mount (Black) at Amazon, BHphoto and Adorama.
Rokinon 50mm f/1.2 Lens for APS-C E-mount (Silver) at Amazon, BHphoto and Adorama.

A7sII news: Free A7sII with the F5! Hands-on by Lok from Digitalrev.

The Sony A7sII will ship next week according to Amazon US. And if you want the camera for free(!) well there is a way! If you buy the PMW-F5 camcorder you get the A7sII for free (See at AbelCine).

And we have two new A7sII hands-on videos:
The video on top shows Lok from Digitalrev at the Sony press conference in Hong Kong. He finds out whether the A7sII can really see in the dark!
The video below si posted by Dpreview and shows Jared Polin in the “dark room” to see how good the A7sII is in low light conditions.

Sony A7sII at Amazon, BHphoto, FocusCamera, Adorama and in Europe at WexUK. In Asia soon at Digitalrev.