Voigtlander 40mm f/1.2 FE review by SonyAlphaRumors

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Note on SAR reviews:
Reviews posted by me (Andrea from SAR) are non-technical. They focus more on the creative aspects of the lens and what you can do with it. All lenses tested are purchased by myself. I got no discount or sponsorship by anyone and I am 100% free to share my own thoughts. All the images posted within this article are copyrighted and found in higher resolution on Flickr, 500px, Twitter and Instagram.

The summary of this review:
The new Voigtlander 40mm f/1.2 FE is lens that I first hated, than loved, than hated again and that somehow accepted it :)

The first challenge of this lens:
Before I bought this lens I actually didn’t like it. 40mm is an odd focal length for someone like me used to shoot 50mm. But nevertheless I bought it because of two reasons:

1) I like Voigtlander manual focusing lenses a lot (I do own a couple of M-mount lenses)
2) I liked the challenge of finding what’s useful to shoot with a 40mm f/1.2 FE lens

The first hands-on feeling:
Super solid and heavy lens. I love the feel. It feels like owning an old car that has no electronics. Translated this mean it feels it will outlast my life. The lesser electronic something has the longer it lives :)
I love the mechanical focus ring. I dislike Sony’s focus by wire where I never have the certainty of “where I am” with my focus. And I like the nice clicking of the aperture ring although in my opinion having 1/3 stop clicks is useless. They should have given us 1/2 stop clicks. With so many click-click-click I am never 100% sure where I am with my aperture.

The first failures:
This image is just one of the many shoots I failed to nail the focus. On moving objects it is a real challenge to work at max f/1.2 aperture.


Full size image on Flickr

Tried to focus on the man but I got the focus on the front of the chair. D’oh!
Another initial failure is that I used this lens as it would be a 50mm lens. I ended up to have to crop most of my shots :)

Finding the sweet spot of this lens:
It took me 2 days to understand how to use this lens. This is an example where I nailed the use of this lens. I aligned the frame on the lights of the tram and focused on the only on person that had warm light on his face.


Full size image on Flickr

In that case I found the 40mm focal length perfect. It gives you that sense of space but thanks to the f/1.2 aperture you can select to focus a certain “space within this space”.

The repeating failure:
Than I tried once again to use this lens for street photography on moving objects:


Full size image on Flickr

Big fail again. The only way you can use this on moving objects is just to shoot 10fps on my Sony A7rIII and hoping one of the shots will get sharp. But this is really a lens where you have to give yourself TIME. Stay still, found something that stands still and frame your shot. Than this can takes some excellent images:


Full size image on Flickr

This lens is not made for quick street photography. It’s too challenging for that. This is mean for photographers who have time to think and choose. And in some sort this means it forces you to be a better photographer.

The one surprise:
This lens has proved to be an interesting choice for architectural shooting:


Full size image on Flickr


Full size image on Flickr


Full size image on Flickr

Full size image on Flickr


Full size image on Flickr

And here are some Bokeh shots:
This lens has a nice smooth focus transition.


Full size image on Flickr

But there is a but….if you have lights in the frame expect the full palette of “shit” :) Onion rings and cat eye! Of course the way I tested this was extreme:

Technical quality:
The build quality is superb but from a pure Optical performance this isn’t an impressive lens. It’s not SUPER sharp at f/1.2, it doesn’t have that nice bokeh rings, it has some moderate vignetting wide open. But none of these technical flaws was enough to not make me love this lens. And I feel confident using it at f/1.2 aperture as long as your goal isn’t to have sharp images across the frame and lovely bokeh. The lens is also clearly NOT made for that kind of photography.

Summary:

The goodies:
– this lens forces you to take time and think.
– 40mm f/1.2 allows you to choose a space within a space. Something you can’t easily do with a 50mm lens.
– Good enough at the center of the frame when shooting at f/1.2
– Great build quality and focus ring feeling

The badies:
– challenging lens to use at the beginning. Need some learning curve
– Not a stellar performer like the Voigtlander 65mm macro.

Technical rating: 3.5 stars out of 5
Creativity rating: 4.5 stars out of 5

Would I recommend this lens? If you seek something creative and have the guts for the challenge my answer is definitely YES!

Voigtlander 40mm f/1.2 at BHphoto, Amazon and Adorama.

Next lens reviews: I am now testing the Laowa 15mm FE and the 85mm f/1.8 FE. A live testing report can be found on my Instagram channel.

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Sony Tidbits…

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Sony RX100V Natural Light Portrait Photography Session | Breakdown with Miguel Quiles

Sony A7rIII Review by Børge Indergaard.
Sony FE 100-400mm GM OSS Lens Review (SonyAlphaLab).
a7RIII, Z7, GFX color accuracy with Adobe Neutral profile (Jim Kasson).
9 Light-Pollution Filters Tested: Do They Really Work? Part 2 (Explora).
Canon EOS R vs SONY a7r III: Mein Eindruck und kleiner Test (Andy Grabo).

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

Join the new Sony Alpha Camera Facebook group.
To get news from our Forum subscribe that RSS feed.
I kindly invite you all to follow our RSS feed, follow us on Facebook and Twitter to not miss news and rumors

We have our own Facebook camera groups and pages you can join to discuss the upcoming new cameras in detail:
Sony A9 group and Sony A9 page.
Sony A7rIII group and Sony A7rIII page
Sony A7sIII group and Sony A7sIII page
Sony A7III group and Sony A7III page
Note: In groups you can post your own stuff like images, news and questions. While on pages you will read the specific camera news from SAR.

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This is a great new deal: Sony A7II with 28-70mm FE lens for $998

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This is a seriously hot new deal offered by Sony in the USA: You get the A7II with kit lens and free extras for $998 at Adorama, Amazon, BHphoto, FocusCamera and BuyDig. Quite amazing to know you get all this for under $1,000.

All software deals:
1) You save 50% + additional 10% with our coupon code “AMBSAR” on the Capture One 2018 Styles Bundle (Click here). It includes 8 styles packs with a total of 112 styles.
2) Skylum launched the new Luminar 2018 with Sky enhancer tool. For a limited time you get this package with a $10 discount using our code “SAR” and extra Bonuses (see list below).

New Sigma E-mount lens preorders:
1) Sigma 40mm f/1.4 FE lens at Adorama, FocusCamera and BHphoto.
2) Sigma 56mm f/1.4 APS-C E lens at Adorama, FocusCamera and BHphoto.

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Jose Barbera Marti: “Using the Sony VMC-MM2 cable for Sony Alpha rigs”

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Guest post by Jose Barbera Marti:

Sony has developed (last spring) a perfect synchronization (for still pics and also for video) in several Alpha cameras. During the last weeks I have used the new cable, the Sony VMC-MM2, in my stereo Sony Alpha rigs and the sync is perfect in all the 3-D stereo images obtained (according to the Barry Aldous test, quantification in milliseconds). The cable was intended for very specialized professional clients, and it was not designed with the 3D world in mind:

“This dual camera Sync cable connects an RX0 (as sub-camera) to your main camera to synchronize still or video capture with a single press of the main shutter release. Ideal for capturing decisive moments at weddings and other events from both cameras simultaneously. Capture a different angle, depth and field of view, frame rate or picture profile using your main camera plus an RX0 at one time.”

To achieve to take two pics simultaneously synchronized, the RX0 camera can be mounted over the main camera replacing the flash, taking its place. The cable Sony VMC-MM2 enables perfect synchronization between the main camera (a Sony Alpha or a Cyber-shot cam) and the sub-camera RX0, capturing still images and videos, with a single press of release button.

To synchronize video using REC/STOP, the main camera must have “Movie with shutter” assigned to its release button, following these settings:

Menu:– > Movie3: Movie with shutter button ON

Only the four last commercialized Sony Alpha cams are fully compatible (for still images and also for video), as main cams:

ILCE-7M3, ILCE-7RM3, ILCE-9 and RX10 M4.

Also the DSC-RX0 camera is fully compatible (for still images and also video) but it only can be used as sub-camera.
The following 14 Sony Alpha cams are compatible only for still images because these cameras can NOT assign, in the menu, the movie recording-button to the shutter button:

ALPHA-6000, ALPHA-6300, ALPHA-6500
ILCE-7, ILCE-7M2, ILCE-7R, ILCE-7RM2, ILCE-7S, ILCE-7SM2
ILCA-77M2, ILCA-99M2
DSC-RX10M2,DSC-RX10M3
DSC-RX1RM2

Sony reports here about the compatible cameras: https://support.d-imaging.sony.co.jp/www/cscs/accessories/?area=gb&lang=es&mdl=VMC-MM2

Theoretically, according to the information of Sony, only the little camera RX0 is usable as a sub-camera and it is evident that it is the most comfortable for events since it can be assembled, on the top of the main cam, replacing the flash.

But during the last weeks I have used that cable, the Sony VMC-MM2, in my stereo Sony Alpha rigs replacing the twined cables DSRLKIT (male ande female) and the sync is also perfect in all the still images obtained.

When the main camera (Sony A5100 or Sony A6000 or Sony A7S) and the sub camera (identical to the main cam : the other Sony A5100 or the other Sony A6000 or the other Sony A7S) are conected with this cable I can shoot pictures simultaneously on both cameras just by operating the shutter on the main camera (the cam connected to the I-shaped plug)..

But operating the shuter on the sub-camara (the cam conected to the L-shaped plug, right angled) it’s not possible shoot the main camera and only one pic (in the sub-cam) is obtained.

Each photographer interested in 3D stereo photo can make the appropriate checks, but, of course, only under their own risk, while we wait for the official support  from Sony about the use of the cable in 3D photogeraphy.

Also It will be very interesting to test if this new cable (VMC-MM2) serves to synchronize 3D video using twined rigs with the four Alpha models video compatible with it (the only four models in which it is possible to assign in the menu: “movie recording – button” to “the shutter button”): the twined A7III, or 7RIII, or A9, or RX10IV rigs.

I think a new era in 3D photography a new era has begun, (at least for me, excited and happy): the Sony Multi-Terminal Era.

Thank you Sony !!!  Certainly that is a new world in 3D stereo photography

For many people that is the game-changer

Regards
Jose Barbera Marti
http://phereo.com/album/5bcd974c8884287b4e000002
http://phereo.com/josebarbera

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This week SAR readers photos selection

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Jakub Wencek‎
My work
A7r3, 24-70 2.8GM
1/50 f9 iso 125
www.instagram.com/tanczacachmura/
#sonyalphagallery

1) You can submit one single picture per week only.
2) To submit your picture for the weekly readers roundup post you can choose one of the following three options:
Instagram: Follow @sonyalphagallery and tag us on your picture to give us the permission to repost your image on the instagram gallery and on SAR (we will credit you)
Facebook: Submit your picture on our group: facebook.com/groups/sonyalphacamera. Please add the hashtag “#sonyalphagallery ” to grant the permission for reposting on SAR. Without the hashtag we will not add your picture!
Forum: Submit your picture on the SonyAlphaForum image section and add the hashtag “#sonyalphagallery
3) Like and comment the pictures from other readers here: instagram.com/sonyalphagallery, facebook.com/groups/sonyalphacamera and on SonyAlphaForum.
4) A selection of most liked pictures by the community and by me SAR admin will be posted weekly on SAR.

Note: When sending a pic feel free to also add a link to your site to promote yourself! And please do share one single picture per week only. Do not spam :)

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Just announced: New Kamlan 50mm f/1.1 and 28mm f/1.8 APS-C E-mount lens!

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The Taiwanese company Kamlan announced two new APS-C lenses:

50mm f/1.1 II for Sony E (around $250)
21mm f/1.8 for Sony E (around $150)

Kamlan E-mount lenses will go on sale on Amazon US, Amazon DE, Amazon UK, Amazon FR, Amazon IT, Amazon CA.

There are no images of the 21mm lens yet. Here are some more of the new 50mm f/1.1 II version:

 

Image sample shot on the Sony A7rIII (crop mode):

via Mobile01 via MirrorlessRumors.com.

Thanks Chien!

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