Aiarty Video Enhancer V2.5: Color Correction, AV1 Export, NVIDIA Boost + Upgrade Deal

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Aiarty Video Enhancer V2.5 delivers powerful upgrades for photographers and videographers. Fully offline for maximum privacy, it reduces noise, restores details, and enhances video quality—perfect for high-end footage from mirrorless and DSLR cameras.
What’s New in Aiarty Video Enhancer V2.5

  • Color Correction Controls: Fine-tune your footage with temperature, tint, exposure, contrast, saturation, and more.
  • Copy Subtitle Tracks: Preserve subtitles while enhancing or upscaling videos.
  • NVIDIA 50-Series Boost (Windows): Faster, smoother processing with the latest GPUs.
  • AV1 Export (Mac): Output high-quality videos with the efficient AV1 codec.

Free License & Limited-Time Upgrade Deal

Last-Minute Launch Offer: Try a free license on your footage—no watermarks.

Limited-Time Upgrade Deal: Use the exclusive coupon to get an extra discount on the Lifetime License — the best price available. This one-time payment covers up to 3 devices, includes unlimited access to all features and free updates forever, and comes with a 30-day money-back guarantee.

What Professionals Are Saying

A Sony A7S III User
“Tried AIarty video enhancer and I am very impressed. It achieved better sharpness and denoise than other tools I use for video. It’s got a nice simple user interface that is easy to use. I just want it to work and don’t want a ton of sliders I have to change. I like the turbo mode which makes processing faster.”

Tests from a Singapore Videographer

Footage recorded in 4K and slowed down by 50% using Aiarty Video Enhancer.

Footage recorded in FHD, 240fps, then upscaled to 4K using Aiarty Video Enhancer.

New! Color Correction with Precise Control

Aiarty Video Enhancer adds color correction controls in the latest version, letting you fine-tune every detail of your shots. Adjust white balance, exposure, contrast, saturation, highlights, shadows, and more—all within a single, streamlined color panel.

Key Features of Aiarty Video Enhancer

  • Reduce Noise & Recover Details – Ideal for low-light, high-ISO, or compressed footage from mirrorless and DSLR cameras.
  • Upscale to 4K for Larger Screens – Bring older FHD or drone footage to life on TVs, monitors, or projectors.
  • Refine Soft or Slightly Out-of-Focus Shots – Subtly restore natural sharpness for a more polished look.
  • Slow-Motion & Audio Enhancement – Smooth out playback and improve sound quality directly from your camera files.
  • Optimized AI Models – Up to 95% GPU efficiency for high-performance editing on powerful rigs.

Tips to Boost Post-Production Workflow

  • Turbo Mode – Faster exports without compromising quality.
  • Pre-Edit Tools – Cut, split, rotate, and flip clips quickly for efficient editing.

Limited-Time Upgrade Deal

To get the most out of Aiarty Video Enhancer, you can use the coupon for a special discount on the Lifetime License. One payment lets you use it on up to 3 PCs or Macs, includes all future updates for free, and comes with a 30-day money-back guarantee for peace of mind.

Learn more or try it free at aiarty.com

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Ricoh GRIV on preorder now…the camera Sony should do!

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The Ricoh GR IV is now available for preorder at B&H Photo, Adorama, Amazon, FotoErhardt, Calumet, Fotokoch, WexUK. While it’s not a Sony camera, it’s exactly the kind of compact I wish Sony would make. Just imagine an updated Sony RX100 with an APS-C sensor—it would fly off the shelves, just like the Ricoh has.

The GR III was already notoriously hard to find in stock, and now the GR IV improves on it in nearly every way—packed into an even smaller body.

What makes the Ricoh so special? It’s the only truly pocketable premium fixed-lens camera on the market. In comparison, the Fujifilm X100VI and Sony RX1R III are significantly larger. And let’s not forget: the GR IV is also the most affordable option in its class.

Let’s hope Sony finally gives us a compact APS-C fixed-lens camera. The demand is clearly there.

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World’s BEST Bokeh King! Sigma 135mm f/1.4 AF Coming September 9

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On September 9 at 9:30 Berlin time, Sigma will officially unveil the new 135mm f/1.4 full-frame autofocus lens — a true world’s first!

The only lens even close is Sony’s 135mm f/1.8, but Sigma takes it further: 2/3 of a stop faster and delivering around 20–25% shallower depth of field. Sigma China has already teased it under the name “MASTER OF OPTICS.”

And here’s the best part: I’ve actually seen the real lens in person, and even got a sneak peek at some sample shots. While I can’t publish those images yet, here’s what I can confirm 👇

Sigma 135mm f/1.4 – Key Specs
  • Full-frame autofocus lens
  • 105mm filter thread
  • Weight: ~1320g
  • Classic black finish
  • Removable tripod collar
  • Available for Sony E and Leica L-mount
  • Announcement: September 9

The photos I’ve seen are nothing short of spectacular — perfectly round, clean bokeh balls and buttery smooth background blur unlike anything from a classic 85mm f/1.4. Yes, it’s a big lens, but still surprisingly manageable.

And there’s more: Sigma is preparing to launch two additional lenses soon:

  • 20–200mm f/3.5–6.3
  • 35mm f/1.2 II

Stay tuned — I’ll share images and full specs as soon as I’m allowed. This could be Sigma’s most exciting release yet!

Sigma 135mm f/1.4 preorder links (open on Sept 9): BHphoto, Adorama, Amazon, Fotoerhardt, Calumet, Fotokoch, WexUK.

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Sony A1 II wins the 2025 EISA Award for Best Camera of the Year

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The EISA Awards have been announced, naming the Sony A1 II as “Camera of the Year.” However, the awards remain controversial due to the organization’s close ties with the industry. With sponsorship from many of the winning brands, critics argue that the ever-expanding list of categories serves to ensure that each major company walks away with a prize. 

Here are the winners:

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Field Report: Sigma 200mm f/2.0 Tested by Jeff Hargrove & Yang Sutie

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Preorders:
Sigma 200mm f/2.0 at BHphoto, Amazon, Adorama, FotoKoch, FotoErhardt, Calumet, WexUK.
Sigma 12mm f/1.4 at BHphoto, Amazon, Adorama, FotoKoch, FotoErhardt, Calumet, WexUK.

Two photographers were invited by Sigma to test the new 200mm FE lens ahead of the release. Jeff Hargrove images and report can be seen here:

The lens’s outstanding image stabilization gave me confidence that the images would be perfectly sharp in the low-light conditions where I would normally require a tripod. It has certainly gained its place in my arsenal of portrait lenses.

Yang Sutie images and report can be seen here:

My landscape photography journey with the Sigma 200mm F2 DG OS | Sports lens was immensely rewarding. The lens performed flawlessly, capturing nature’s intricate details and fleeting moments of light and shadow.

Here are their videos:

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