Voigtlander shows the new Nokton 50mm f/1.2 E-Mount Lens…in two versions!

ePhotozine reports:

“Voigtlander are showing a new Nokton 50mm f/1.2 E-Mount lens, with two possible designs, and say they have not yet decided which style of lens to produce. They have been asking for feedback during Photokina 2018

The two options are: a classically styled lens, that looks similar to the 50mm f/1.2 VM lens, or alternatively a more modern style with a ring that lets you choose between having clicks on the aperture ring, or a clickless aperture ring (which will be particularly useful for video). Which lens design do you prefer?”

I like the Voigtlander 50mm f/1.2 FE to be...

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ePhotozine also posted the hands-on images with the Voigtlander 21mm f/3.5 FE lens:

And here is an interview with Photokina:

Zeiss announces the ZX1 full frame fixed lens camera

As expected our rumors about this camera were 100% accurate. Zeiss today announced the new ZX1 fixed lens camera and here are some key specs:

37,4 Megapixel Full Frame sensor developed in house (SAR source: “and produced by Sony”).
35mm f/2.0
No distortion in RAW
4,3 inch Multitouch screen
Aluminum Body
512 GB SSD

Adobe Lightroom CC integrated in the camera
Direct upload of the images on Internet
Ships in early 2019 (no price info yet)
Website: zx1.zeiss.com


Image via twitter.com/LesNumsPhoto

More hands-on images at Photographyblog.

Press text:

ZEISS ZX1: The Camera Concept for the Creative Flow in Photography

First full-frame camera from ZEISS with first-class image quality and the familiar, intuitive image editing and connectivity of a smartphone.

OBERKOCHEN/Germany, 2018-09-27.

ZEISS ZX1 – That is the name of the newly developed mirrorless full-frame camera from ZEISS that was presented today in Cologne, Germany. Thanks to the ZEISS lens and a sensor developed in-house at ZEISS, the camera delivers first-class image quality combined with an operational concept and user experience that make the photographer’s jobs-to-be-done as intuitive as on a smartphone.

The ZEISS camera concept is just the first step to opening up a new world of possibilities for ambitious photographers – from taking the shot to editing the image and sharing it on the web.

SHOOT. EDIT. SHARE. – Harmonized hardware, software and optics for a seamless creative process

SHOOT: the ZEISS ZX1 features a newly designed, integrated ZEISS Distagon 35 mm f/2 T* lens with autofocus that has been perfectly matched to the 37.4 megapixel full-frame sensor developed in-house at ZEISS. The interplay between the lens and sensor ensures first-class picture quality with that typical ZEISS look.

EDIT: The ZEISS ZX1 enables photographers to professionally process RAW images directly on the camera thanks to fully integrated Adobe Photoshop Lightroom CC. Moreover, the ZEISS ZX1’s unique user interface supports the user’s particular workflow without any interruption – providing direct access to the most frequently used functions via a 4.3″ multi-touch display.

SHARE: when the networked full-frame camera is connected, the user can upload selected images directly to the internet – without the intermediate transfer to memory cards or other external devices.
512 GB of internal memory provide sufficient space for approximately 6,800 RAW files (DNG) or over 50,000 JPGs – more than enough to handle photos, even during a longer trip, and giving the photographer the chance to let their creativity flow. Versatile connectivity options such as Wi-Fi, Bluetooth and USB-C ensure that various peripherals can be connected. Over-the-air software updates keep the camera up to date without requiring a computer connection.

Designed with a passion for detail and a focus on the essentials

The design of the ZEISS ZX1 is characterized by its iconic shape with carefully crafted details. The overall form and reduction to just those elements that are absolutely necessary lay the foundation for an ergonomic camera and ensure easy handling. The symbiosis of hardware and software is exemplified by the newly defined user interface that utilizes the 4.3″ multi-touch display. The slightly bent screen separates the live view from the control elements, making camera operation comfortable and straightforward.

“We know that we exploring new ways and initially addressing a special target group with the ZEISS ZX1. With our concept we are focusing on ambitious, professional creatives who want to produce their photographic experiences quickly and efficiently, and inspire as many people on the Internet as possible. This requires a streamlined workflow in addition to high-end features. This is exactly what the concept of the ZEISS ZX1 offers,” explains Jörg Schmitz, Head of the Consumer Products business group at ZEISS.

ZEISS ZX1 available from early 2019

The ZEISS ZX1 will be available at selected dealers in early 2019. ZEISS will announce the recommended retail price at the start of the official market launch. Starting now, anyone interested in receiving information on exact availability can register at www.zeiss.com/zx1.

ZEISS ZX1 Image Download
ZEISS ZX1 Image Download
ZEISS ZX1 Image Download

This is the new Tokina 100mm f/2.8 FE autofocus macro lens!

We just spotted this lens at the Photokina show! I got no info about the possible price and the release date of this lens. Weird Tokina made no official announcement for this!

They also have two new Cine lenses for E-mount (image via ePhotozine).

  • Tokina Vista 16-28mm T3 Mark II
  • Tokina Vista 105mm Prime T1.5

Press text: Zeiss announces the new Batis 40mm f/2.0

Press text:

The Most Versatile Lens in the ZEISS Batis Family

The ZEISS Batis 2/40 CF bridges the gap in the ZEISS Batis family lineup

OBERKOCHEN/Germany, 2018-09-27.

With a 40 millimeter fixed focal length, the ZEISS Batis 2/40 CF (Close Focus) is the latest addition to the product family. This standard lens in the ZEISS Batis family features a quick autofocus and an extremely short minimum focus distance. Delivery will start in November 2018. “The focal length on the ZEISS Batis 2/40 CF makes it suitable for a wide range of applications, something customers have been eagerly awaiting. The lens bridges the current gap between the ZEISS Batis 2/25 and the ZEISS Batis 1.8/85,” says Dr. Michael Pollmann, Category Manager for Imaging at ZEISS.

The ZEISS Batis family was developed specifically for mirrorless full-frame cameras from Sony (Alpha 7 and Alpha 9 series). The lenses are compatible with all E-mount cameras and cover a total of five focal lengths ranging from 18 to 135 millimeters. Together with these cameras, the ZEISS Batis 2/40 CF ensures a lightweight, easy-to-use, high-performance system that delivers outstanding image quality, a minimum shooting distance of 24 centimeters for close-up shots and a magnification ratio of 1.3.3. “With the launch of the ZEISS Batis 2/40 CF, we now offer a focal length that falls between the standard 35 and 50 millimeter lenses people love to use. We have made the entire ZEISS Batis lens family even more attractive by offering the complete range of focal lengths,” says Pollmann.

The most versatile lens in the ZEISS Batis family

The ZEISS Batis 2/40 CF is able to tackle various photography challenges thanks to its special 40-millimeter focal length. From portrait and street photography to landscape and architecture – anything is possible with this high-resolution fixed focal length. “The lens is excellent for applications requiring normal focal lengths as well as common photographic situations where a bit more of a wide angle is needed. Our customers will enjoy a truly versatile lens which, thanks to its proven ZEISS look, and an outstanding image quality, is also ideal for close-ups. If you’re traveling light and decide to opt for just one lens, then this would be it,” says Pollmann.

Thanks to its high micro contrast and initial aperture of f/2, the lens can perfectly capture individual objects. Features like floating lens design for consistently high image quality across the entire focus range, the ZEISS T* coating for fewer reflections and weather and dust sealed housing and splash protection ensure maximum image quality in almost any situation. For creative work, the innovative OLED display on the ZEISS Batis shows the distance and depth of field, ensuring a perfectly adjusted focus range.

The price of the new ZEISS Batis 2/40 CF is 1.299 € (incl. German VAT) or 1.299 US$ (excl. local taxes).

Product photos and application images can be downloaded from here:
Product photos
Application imagesTechnical Data

With a 40 millimeter fixed focal length, the ZEISS Batis 2/40 CF (Close Focus) is the latest addition to the product family. Image Download
The ZEISS Batis 2/40 CF bridges the gap in the ZEISS Batis family lineup. Image Download

UPDATED: Viltrox announced two manual lenses for Sony Full Frame E-mount cameras!

Image on top shows new 85mm f/1.8 manual focus lens

Well we got an unexpected lens announcement: The chinese company Viltrox launched two lenses:

85mm f/1.8 FE manual focus lens
20mm f/1.8 FE manual focus lens

Images and specs via Optyczne.pl.

Viltrox PFU RBMH 85 mm f / 1.8 for Sony FE (manual focus)

construction: 10 elements in 7 groups (1 ED lens)
minimum aperture: f / 16,
field of view: 11.32 degrees,
the minimum focusing distance: 0.8 m,
maximum reproduction ratio: 1: 8,
focusing: MF
the number of apertures: 9,
filter size: 72 mm,
dimensions: 79 x 92 mm,
Weight: 665 g,
HD Nano antireflection coatings,
EXIF data support and electronic iris adjustment,
price: USD 200.

Viltrox PFU RBMH 20 mm f/1.8 dla Sony FE (manual focus)

  • konstrukcja: 12 elementów w 9 grupach (1 soczewka asferyczna, 4 soczewki ED)
  • minimalna przysłona: f/16,
  • pole widzenia: 56.31 stopnia,
  • minimalna odległość ostrzenia: 0.25 m,
  • maksymalna skala odwzorowania: 1:8.3,
  • ogniskowanie: MF
  • liczba listków przysłony: 14,
  • rozmiar filtra: 82 mm,
  • wymiary: 76.8 x 102 mm,
  • waga: 775 g,
  • powłoki antyodbiciowe HD Nano,
  • brak styków,
  • płynna, manualna regulacja przysłony
  • cena: 280 USD.

UPDATE: Viltrox clarified that the 85mm autofocus version will be available for X-mount only for now.

Sigma officially announces three new E-mount lenses

Sigma announced two new FE and one E lens:

Sigma 28mm F1.4 DG HSM Art
The new Sigma wide-angle model stands out with its thoroughly corrected magnification chromatic aberration and sagittal coma flare, as well as completely minimized distortion thanks to its optical design. It features water- and oil-repellent coating on the front lens element and its overall dust- and splash-proof structure ensures excellent performance even in the most challenging shooting conditions. The high-speed AF, thanks to the HSM (Hyper Sonic Motor) with an updated algorithm, captures the perfect moment instantly. Available in Sigma, Nikon, Canon and Sony E camera mounts, this lens is a great contender for street photography, as well as shooting landscapes and night skies.

Full technical specifications are available here: https://bit.ly/2DdAiVE. Pricing and availability will be announced later.

Sigma 40mm F1.4 DG HSM Art
The 40mm F1.4 DG HSM Art is Sigma’s first lens developed originally to live up to the sought-after angle of view and performance standard for a benchmark cine lens. This lens effectively arranges three FLD (“F” Low Dispersion) glass elements and three SLD (Special Low Dispersion) glass elements to correct axial chromatic aberration and magnification chromatic aberration. Designed for exceptional sharpness at maximum aperture, this lens excels at available light photography. With less than 1% distortion and near non-existent sagittal coma flare, this lens demonstrates consistent optical results featuring both 8K-compatible resolution and a beautiful bokeh. It is available for Sigma, Nikon, Canon and Sony E mount camera systems.

Full technical specifications are available here: https://bit.ly/2QHliC5. Pricing and availability will be announced later.

Sigma 56mm F1.4 DC DN Contemporary
This lens completes the Sigma large aperture series of portable wide-angle, standard, and telephoto prime lenses in Micro Four Thirds and Sony E mounts. Featuring compact design, light weight and outstanding image quality offered in Sigma’s Contemporary line, this lens stuns with a beautiful bokeh effect and the amount of brightness expected from F1.4 lenses even in the mid-telephoto range for cropped sensor cameras. In addition, this lens is characterized by smooth and quiet autofocus ideal for video shooting. Compatible with the Sony E mount Fast Hybrid AF, it also achieves precise AF tracking. By using the face recognition or eye AF functions of the camera, focus will continuously be on the face or the eye even if the subject moves during the shoot.

Full technical specifications are available here: https://bit.ly/2PLuSTh. Pricing and availability will be announced later.