This is the new 11-800mm f/1.2 FE lens :)
While waiting for the new 24mm f/1.4 and 135mm FE announcements check out this new 11-800mm f/1.2 :)
While waiting for the new 24mm f/1.4 and 135mm FE announcements check out this new 11-800mm f/1.2 :)
Best Kit Lens for APS-C? | Sony 18-135mm | Sony a6000, a6300, a6500
Sony RX100 VI vs Panasonic ZS200 vs Panasonic ZS100: which is the best travel companion? (Dpreview).
Field Test: Zeiss Loxia 25mm f/2.4 for Sony E-Mount (Allan Weitz).
Sony’s best lenses for the a6300 & a6500 (David Oastler).
Review: Carl Zeiss Jena Visionar 168mm 1.9 (Phillipreeve).
What the Heck About All Those Mic Specs? (Explora).
Sony 90mm Macro Review, and I Why I Like It More than the 85mm G Master (Michael Comeau).
Rationalific: “This is a hilarious song called “The Perfect Camera” put up as a YouTube video. In it, this guy talks about the problems with all current camera brands and suggests “the perfect camera”. I think people will enjoy it, as I did. https://www.youtube.com/watch?v=JZThaOS5yH8“
PF Bentley
Cargo workers on Teraina Island, Kiritibati.
A7R3, 16-35 F2.8G
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BTS Sony a7iii review
Sony A7 III vs Panasonic GH4 – Epic Battle Of Price (Peter Gregg).
Variable ND Filters: What are you Paying For? (Explora).
SONY 85mm E-Mount Shootout: Sigma Art 1.4 , GMaster 1.4 , Zeiss Batis 1.8 (TheHunterReport).
Sigma E-Mount Art Series für Sony at foto-zumstein.ch.
Sony 24-105mm F4 G Lens Digitally Digested Review (theDigitalDigest).
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Sony US launched the new RX100VA in the USA:
Preorders: RX100VA at Bhphoto, BuyDig.
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Press text via Explora:
Tweaking an already stellar pocket-sized camera, the Cyber-shot DSC-RX100 VA Digital Camera from Sony improves the existing RX100 V by increasing the buffer size to 233 images, reducing display lag time in the electronic viewfinder, and adding several small features over other aspects of the camera. With the 20.1MP 1″ Exmor RS BSI CMOS sensor, the RX100 VA can output detailed images at sensitivities up to ISO 12800. The Fast Hybrid AF system has 315 focal-plane phase-detection points that cover 65% of the image area of the sensor and can achieve focus in as little as 0.05 seconds. That autofocus system is also capable of tracking subjects across the frame, even while shooting at high speeds. Sony’s BIONZ X processor enables continuous shooting up to 24 fps with the aforementioned buffer size of 233 JPEG images and improved High Frame Rate recording times.
Like the RX100 V, the RX100 VA can shoot HD video at 960 fps in High Frame Rate Mode and UHD 4K video at 30/24 fps. But a new feature of the RX100 VA is dual video recording, where the camera simultaneously records two video files at once. Also carried over from the RX100 V is Gamma Display Assist, which provides a more contrasty image while using a flat S-Log2 gamma, and the Photo Capture mode for pulling 8.29MP stills from your movies.
The RX100 VA keeps the same physical design as the RX100 V to keep compatibility with all accessories. A Zeiss Vario-Sonnar T* lens still graces the front of the camera with an equivalent zoom range of 24-70mm and a fast f/1.8-2.8 maximum aperture that provides incredible flexibility in a wide range of shooting scenarios. A pop-up 0.39″ 2.36m-dot OLED Tru-Finder EVF and 3.0″ 1.23m-dot tilting LCD give you crystal clear previews of what you’re shooting. The RX100 VA also keeps the same lens control ring, built-in ND filter, and customizable buttons as its predecessor. It also has Wi-Fi and NFC capabilities for connecting to a smartphone.
This sensor is paired with the BIONZ X image processor and front-end LSI that improves the speed and throughput of the entire imaging system, enabling continuous shooting with AF/AE at up to 24 fps. An expanded buffer makes continuous shooting possible for longer bursts, up to 233 JPEGs. The front-end LSI is also able to improve overall quality of the images, especially at higher sensitivities.
Picture profiles and image controls are also available, including the S-Log2 gamma that can help expand the dynamic range by recording a flat image. Gamma Display Assist helps users view a more natural image when shooting with S-Log2. Other options such as timecode, zebras, peaking, and more are present for making shooting and editing easier. When recording internally, users will record video with a 4:2:0 sampling at 8-bit, but the RX100 VA can output via HDMI to an external recorder. This allows users to capture 4:2:2 uncompressed video and save in an edit-ready format.The camera also has a Photo Capture function, which allows shooters to quickly save an 8.29MP still from their UHD 4K movies. Additionally, the camera is NTSC/PAL switchable, making it usable around the world.
Metabones SPEEDBOOSTER which is right for you?
Review: Sony FE 100 f/2.8 STF GM OSS Lens (Phillipreeve).
Colour Ratios, White Balance, and How to Use Them to Improve your Photography (Jpegmini).
What is the Best Camera for Beginners? (Explora).
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VENICE overview: Part 1 with RedShark’s Jody Eldred
Shooting HFR: Q&A – Sony Pro Show Ep 3 (Sony Youtube).
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https://www.instagram.com/p/BjxAhoogyxN/
Venus Optics told me that preorders for the new 10-18mm FE lens are scheduled to start in September (if all goes by plan).
This is the press text of the two FE lenses that we still cannot preorder yet:
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Laowa 10-18mm f/4.5-5.6 FE Zoom
This lens is currently the widest zoom lens available for Sony full frame E-mount cameras. Designed primarily for travel photography, Venus optics have managed to compress the size to smallest in its class, less than 10 inch (<10cm) and only 1.1 pounds (<500g). The 102° (18mm) to 130° (10mm) angle of view provides flexibility for photographers to compose landscape or architecture photos with ease. The lens houses with 14 elements in 10 groups with 2 aspherical elements & 1 extra-low dispersion element to deliver exceptional performance. It can focus as close as 15cm for some mini-macro shooting. A rear filter slot is included to fit with 37mm filter. Click/clickless aperture can be toggled by the switch on the lens barrel.
Laowa 100mm f/2.8 2X Ultra Macro APO
Followed by the success of the Laowa 60mm f/2.8 2:1 Macro, the 100mm f/2.8 2:1 Macro is the 2nd member of Laowa 2:1 macro line-up. This new 100mm lens can cover full frame sensor size and focus from 2:1 magnification to infinity. The wide magnification range allows macro photographers to capture subject at any sizes. This 100mm portrait lens also features an apochromatic (APO) characteristic that no chromatic aberration can be found. The 12 elements in 10 groups optics design delivers a crystal sharpness image in both macro and tele distances. Canon EF / Nikon AI / Pentax K / Sony FE mounts are available.
All lenses will be available for trial at Venus Optics’ booth (T225) in Beijing P&E Imaging fair during 3rd-6th May 2019. They are expected to be shipped in mid/late 2018. Exact shipping date and pricing are to be confirmed.