Sony Xperia 1II at BHphoto and FocusCamera. And you get the WF-1000XM3 Headphones for free!
Ted Forbes tested the camera features of the new Sony Xperia 1II. Like I said a couple of times…I think that kind f touchscreen interface should be implemented on Alpha cameras too:
The Samyang 75mm F1.8 AF (440 euros) is an excellent lens for Sony A7 system. It is an unusual focal length but very practical on day to day. The lens is designed to get a maximum of performances in the smallest form factor possible Everything is not perfect but the lens scores very well on all the main points : very good to excellent sharpness, very good color rendition, beautiful blurry background , good bokeh balls wide open & at F2.8 , efficient AF, small/light/cheap on a full frame mirrorless It is also a very innovative lens for Sony E mout with a button that allow to either use the focusing ring to focs or as an Aperture ring without going to crazy price. An excellent idea and almost a reason for me to buy this lens The lens will be perfect up to 42 Mpix , on the 61 Mpix although results are not top notch wide open (only very good) you need to close down to F2.5 to get excellent results. But this is similar to the Sony FE85mm F1.4 GM that cost 4 times more ! Shooting with this lens is a pleasure and overall it is an excellent value for money
Pros Very good to excellent sharpness in the centre Very Small and lightweight Reasonable price Large aperture Possibility to switch the focusing ring into an aperture ring Creamy background Good Bokeh balls at F1.8 & F2.8 Very good color rendition Very Good and silent AF Unusual but very practical focal length very low distorsion and reasonable vignetting wide open Very good build quality
Average Corners sharpness wide open could be better, optimum only at F5.6 Resistance to flare good but not exceptional Small level of CA Bokeh Balls no more circular as of F4 (9 shaped) Rare AF pumping in video
Venus Optics has two new ultra-wide-angle 9mm Laowa lenses in its lineup – Laowa 9mm f/5.6 which is the world’s widest rectilinear lens for full-frame cameras and Laowa 9mm T2.9 – a cine version of their 9mm f/2.8 lens for APS-C sensors. Both lenses are fully manual and they should start shipping in June.
The Tamron 28-200mm FE might be the best FE travel zoom on the market. And I am seriously considering to buy it for my hiking tours. ThePixelConnection tested the new lens and concluded:
Having used Tamron’s other zooms and primes for Sony E-Mount, the RXD motor is a great choice by Tamron. The autofocus is quick and accurate, much like the 28-75, and considerably faster than the OSD motor found in the trio of prime lenses. Close focus capabilities are impressive, with a minimum focus distance of just 7.5” on the wide end (about 2” from the front element), and 31.5” at 200mm. The compact and lightweight design made it easy to carry around all day to take a variety of photographs without having to carry a camera bag. While the lens doesn’t have built in stabilization, the majority of Sony bodies have IBIS which should help greatly.
Eye-AF worked great for both people and animals, even in lower light conditions, as did the other AF modes. Like most recent lenses with focus by wire manual focus, the ring can feel a bit loose, but manually focusing isn’t too difficult.
Chromatic aberration is considerably less present than Sony’s 24-240mm, and overall sharpness is a step above it as well, especially in the corners.
While it may not appeal to all professionals, the 28-200mm f/2.8-5.6 is bound to be a hit with entry-level photographers, travel photographers, and those looking for a lens that covers a large focal range without breaking the bank.
More tests:
Tamron 28-200mm – “Das Schweizer Taschenmesser” (Krolop&Gerst)
Tamron 28-200mm FE test at Mobile01
Reviewing the new Tamron 28-200mm has got me thinking about how mirrorless technology has changed the landscape of lens design. Ten years ago, the firm’s equivalent DSLR offerings were decidedly compromised, with sluggish autofocus and lots of optical aberrations, but this lens is much better in almost every way. It produces sharper, cleaner images by integrating optical and software compensation, while providing rapid, silent autofocus. The fact that offers a significantly larger aperture than its main rival, while managing to be smaller and lighter, is the icing on the cake.
However, two drawbacks bring pause for thought. First is the 28mm wide setting, which feels restrictive now we’ve got used to using 24mm as standard. I frequently found myself wishing for wider when shooting subjects such as landscapes. You could pair the lens up with a wideangle zoom or prime, but that rather negates the point of an all-in-one zoom.
The second question mark is the lack of optical stabilization, which leaves you dependent on the camera’s in-body system. This is unlikely to be as effective, particularly at telephoto; indeed the camera visibly struggles to stabilise the viewfinder image at 200mm. But for some users this will be an acceptable trade-off for the larger aperture.
In conclusion, the Tamron 28-200mm F/2.8-5.6 Di III RXD puts an intriguing spin on the all-in-one superzoom concept. It’s capable of producing very decent images, while offering a different set of strengths to the Sony FE 24-240mm F3.5-6.3 OSS. There’s not necessarily a clear winner between the two; it just depends on each user’s priorities.