Meyer Optik Goerlitz (Click here) posted the first full size image samples shot on the new Nocturnus 50mm f/0.95 II lens. You can preorder the lens on BHphoto (Click here). It costs $2,999 and will start shipping on January 1.
A demonstration of FotodioX Pro variable ND adapters by Bohus Blahut, including the new ND Throttle Fusion adapter to adapt Canon EF lenses to Sony E mount.
The Sony 70-200mm GM Lens was announced 10 months ago and it’s still impossible to find it in Stock anywhere in the world. The small good news is that it seems something changed this week: SAR readers informed me that August preorders on various US stores are now shipping out.
I have no reliable info about the cause of that huge delay. My guess is that Sony had to fix some sort of issues on the production line or on the lens design. Meantime check out the Sony 70-200 G-Master Video Review by That1cameraguy to learn more about the lens that one day might be yours :)
First Look at the Sony a6500 APS-C Mirrorless Camera by Fstoppers. That’s what they write about the new Touch Focus:
Where I find Touch Focus to be most useful is while shooting barely moving or stationary subjects and I’m simply recomposing my framing. This is a very basic use, but for a reason. The touchscreen suffers from some lag between the time you press it to when it activates. I also found it difficult to drag my finger around to track a subject while at the same time keeping my composition and timing my capture moments. Even with these setbacks, I appreciated using it while photographing scenes where there were many potential subjects such as a concert with multiple people on stage in front of the lens. I could find a certain framing I really liked and then quickly tap which band member I wanted to be in focus before getting the shot off. It’s much faster than doing it manually in this scenario.
It’s shaping out to be one of the best compact cameras I’ve ever owned and while it has ticked all the major specs I need in order to be the ultimate travel camera, its also the ultimate companion to the a7R II.
The a6500’s touch autofocus system is a killer feature. No other small 4K camera comes close for natural looking AF at the moment. Having used it I see no going back, so I bought one.
And here is Newshooter Sony a6500 4K touch autofocus skate park test – graded with Filmconvert:
Jason Lanier is testing the A6500 heat control so far the news is good:
My Sony A6500 will NOT Overheat…ACTUAL REAL World shooting conditions test in the sun
DxOmark tested the A99II sensor performance. While it scores a very high result it cannot match the Sony A7rII performance. With the SLT mirror you gain speed and autofocus performance but the trade-off is the small loss in light gathering. The verdict from DxO:
Although better color depth and dynamic range image quality at base ISO is available on the Sony A7R II, photographers after a larger DSLR style body might prefer the A99 II’s design and handling over the mirrorless A7R II, and its overall image quality isn’t far behind. What’s more, the A99 II’s fast 12fps burst shooting with autofocus tracking puts it on par with high-end professional sports cameras, and its BSI sensor technology ensures good low-light performance despite its massive 42Mp resolution. The SLT fixed translucent mirror and resulting EVF might be a drawback for some photographers used to an optical viewfinder, but this brings other advantages for some subjects and in some situations.
You get an awful lot of camera for your money, making the Sony SLT A99 II a serious contender for high-resolution shooting.