Two new 7artisans E-mount lenses on Amazon: 35mm f/1.2 and 12mm f/2.8

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Two new 7artisans E-mount lenses are now listed on Amazon:
35mm f/1.2 APS-C E-mount at Amazon US.
12mm f/2.8 APS-C E-mount at Amazon US.

New deals: 10% Off Cameras & Lenses at KEH (Click here).

Ending soon:

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Sony deals in detail:
Cameras:
$500 off on the Sony A7rII at Buydig, BHphoto, Amazon, Adorama and Focuscamera.
$500 off on the Sony A7sII with free extras at Buydig, BHphoto, Amazon, Adorama and Focuscamera.
$200 off on the Sony A7 at Buydig, BHphoto, Amazon, Adorama.
$200 off on the Sony A6500 at BestBuy, Buydig, BHphoto, Amazon, Adorama and Focuscamera.
$70 off on the Sony 6300 at Buydig, Amazon, BHphoto, Adorama and Focuscamera.
$100 off on the Sony 6000 at Buydig, Amazon, BHphoto, Adorama and Focuscamera.
$100 off on the Sony 5100 at Buydig, Amazon, BHphoto, Adorama and Focuscamera.
$200 off on the A6000 dual kit at Buydig, Amazon, BHphoto, Adorama and Focuscamera.
$50 gift card with the RX10m5 at Adorama.
FF E-mount lenses:
$100 off on the 16-35mm f/4.0 Zeiss lens at Amazon, Adorama, BHphoto.
$100 off on the 24-70mm f/4.0 Zeiss lens at Amazon, Adorama, BHphoto.
$25 off on the Sony 28mm FE lens at Amazon, Adorama, BHphoto.
$50 off on the Sony 28-70mm FE lens at Amazon, Adorama, BHphoto.
$100 off on the 28-135mm PZ lens at Amazon, Adorama and BHphoto
$100 off on the Zeiss 35mm f/1.4 lens at Amazon, Adorama, BHphoto.
$100 off on the Zeiss 35mm f/2.8 lens at Amazon, Adorama and BHphoto.
$100 off on the Zeiss 5omm f/1.4 lens at Amazon, Adorama, BHphoto.
$50 off on the Sony 50mm FE f/1.8 lens at Adorama, BHphoto, Amazon, Focuscamera.
$50 off on the Sony 50mm macro at BHphoto, Adorama and Amazon.
$50 off on the Sony 85mm f/1.8 FE at BestBuy, Buydig, BHphoto, Amazon, Adorama and Focuscamera.
$100 off on the 70-200mm G lens at Amazon, Adorama and BHphoto.
$100 off on the 90mm macro lens at Amazon, Adorama, BHphoto.
$50 off on the Sony Fisheye Conversion Lens for FE 28mm F/2 at Amazon, Adorama, BHphoto.
$50 off on the Sony Ultra-Wide Conversion Lens for FE 28mm F/2 at Amazon, Adorama, BHphoto.
APS-C E-mount lenses:
$100 off on the 10-18mm lens at Amazon, Adorama and BHphoto.
$50 off on the 16-50mm lens at Amazon, Adorama and BHphoto.
$100 off on the 16-70mm Zeiss lens at Amazon, BHphoto, Adorama.
$50 off on the 18-105mm lens at Amazon, Adorama and BHphoto.
$100 off on the Sony E PZ 18-110mm at Amazon, Adorama, BHphoto
$100 off on the 18-200mm lens at Amazon, Adorama and BHphoto.
$100 off on the 18-200mm PZ lens at Amazon, Adorama and BHphoto.
$50 off on the 20mm f/2.8 lens at Amazon, Adorama and BHphoto.
$100 off on the Zeiss 24mm f/1.8 lens at Amazon, Adorama and BHphoto.
$25 off on the Sony 30mm macro at Amazon, Adorama and BHphoto.
$50 off on the 35mm f/1.8 lens at Amazon, Adorama and BHphoto.
$50 off on the 50mm f/1.8 lens at Amazon, Adorama and BHphoto.
Accessories:
$50 off on the LA-EA3 A-mount adapter at Amazon, Adorama, Bhphoto.
$50 off on the LA-EA3 A-mount adapter at Amazon, Adorama, Bhphoto.
$50 off on the HVL-F43M at Amazon, Adorama, Bhphoto.
$100 off on the HVL-F60M at Amazon, Adorama, Bhphoto.
$50 off on the Sony VGC1EM Vertical Grip at Amazon, Adorama, Bhphoto.
$50 off on the Sony VGC2EM Vertical Grip at Amazon, Adorama, Bhphoto.
$50 off on the Sony ECM-CG60 at Amazon, Adorama, Bhphoto.
$50 off on the Sony RX100 underwater housing at Amazon, Adorama, Bhphoto.

Macphun:
Macphun is now offering new holiday deals on Luminar 2018 (Click here) and Aurora HDR (Click here). You save additional $10 on checkout using the code “SAR”.

Sigma:
$100 off on the Sigma MC-11 E-mount adapter at Amazon, Adorama and BHphoto.

Save up to $3o0 on Zeiss FE lenses:
$300 off on the Zeiss Batis 135mm FE lens at BHphoto, Amazon and Adorama.
$180 off on the Zeiss Batis 85mm FE lens at BHphoto, Amazon and Adorama.
$195 off on the Zeiss Batis 25mm FE lens at BHphoto, Amazon and Adorama.
$225 off on the Zeiss Batis 18mm FE lens at BHphoto, Amazon and Adorama.
$195 off on the Zeiss Loxia 35mm lens at BHphoto, Amazon and Adorama.
$210 off on the Zeiss Loxia 85mm lens at BHphoto, Amazon and Adorama.
$225 off on the Zeiss Loxia 21mm lens at BHphoto, Amazon and Adorama.
$140 off on the Zeiss Loxia 50mm lens at BHphoto, Amazon and Adorama.

Save up to $350 on Rokinon autofocus FE lenses:
$200 off on the 50mm f/1.4 at BHphoto, Adorama, Amazon.
$300 off on the  14mm f/2.8 at BHphoto, Adorama, Amazon.

Voigtlander FE savings:
$60 off on the Voigtlander 40mm f/1.2 FE lens at BHphoto.
$100 off on the Voigtlander 12mm FE lens at BHphoto.
$100 off on the Voigtlander 10mm FE lens at BHphoto.

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Reminder: Sony has a press conference on January 8 and still one more camera to announce

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On January 8 at 5pm PT you can follow the Sony CES press conference live here on SonyAlphaRumors (there should be a video live stream). Like I told you before Sony usually does not announce new cameras at this show.

The only thing that gives us a very tiny bit of hope that we might get a camera is the fact that Sony registered a new camera with the code “WW541200”. But that camera might as well be announced in February before the CP+ show start.

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Sony’s priority for 2017 are lenses, lenses and lenses!

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To give you a very general heads-up of what’s Sony’s goal for 2017. It is without doubt another year where Sony will focus on the FE lens development and release. This includes a new 16-35mm GM and new telephoto lenses. And a few A-mount lenses will get an update too.
There will be of course new cameras (A7 mark III and the A7rIII or A9). But the crazy camera release circle Sony had back in 2013-2014-2015 is definitely over.

 

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Sony Tidbits…

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sony a6500 AF tracking test for video at high fps from Jakob Brenk on Vimeo.

Sony | FS7 II | Feature Film shooting the monumental scenery of New York City (Sony Channel).
Sony A7 : 14 Bit uncompressed + PDAF with third party adapters (Change.org).
A6500 review by Ken Rockwell.
RX100Vreview by ThePhoBlographer.
Every camera manufacturer runs some kind of ambassador scheme, somehow they don’t really represent women (Diyphotography).

To write a guest post on SAR follow the instruction on that page.

Pat:Just did a ISO analysis of A99ii. Very impressive up to ISO 10,000. https://youtu.be/NckWT4Y4Itc

Andreas:I just made this low light test with the Sony A7s II with a Christmas theme. It’s shot in Sweden and Denmark (Copenhagen) and it shot internally to memory card. I used the Sony / Zeiss 16-35 f4 for wide shots. Most shots are with the Sony / Zeiss 55 1.8 and longer shots with the Sony G 70-200 f4. Iso ranged from 1600 to 51200.
I edited in Premiere Pro, imported the sequence into After Effects where I did a small noise reduction and exported to ProRes HQ. Color graded in Davinci Resolve with very small tweaks.
https://vimeo.com/196278874

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Mitakon 135mm f/1.4 is now shipping

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[shoplink 41641 ebay]Mitakon_135_FE[/shoplink]

On Facebook Mitakon confirmed they will ship soon ship the monstrous 135mm f/1.4 lens. The lens comes with E-mount too and was announced a year ago. To preorder the lens you have to deposit $500 at Zyoptics.net. But if you don’t absolutely need the f/1.4 I would strongly suggest to go for the superb Zeiss 135mm f/1.8 A-mount lens instead: [shopcountry 54214].

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Guest Post: How big should a Sony E-mount camera be?

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The following is a guest post from Jiri:

Why

Since the introduction of the E-mount (formerly NEX) system Sony has struggled to offer a maximum power from a minimal body. There is no doubt that they succeeded pretty well in this respect.

I have bought my first E-mount camera (NEX7) five years ago and coming from DSLRs I had to learn how to cope with the petite size of the body. Still now, some forty thousand pictures later, I am fighting with what I feel as an insufficient size of my E-mount bodies. I kept adding various L-plates and grips to them in order to increase their height and to solve the insufficient battery capacity as well. As a glass wearer I also fought heavily with the small eyepieces on the EVFs. The well-known overheating problem has never been an issue to me as I am not a video guy, but it should be mentioned too.

The question for me was: could an increase in the size of the body help to solve at least partly these problems? How big should such camera be?

How

I am fully aware that a camera design is a complex task requiring lots of information and experience that I simply don´t have. My approach has been to start with an existing product and to modify it to meet my requirements. As the A7ii series body has a size large enough to accommodate a full frame sensor with an IBIS system I took it as a basis for my effort, but my design could have been based on the A6500 with the APSC sensor as well. In guessing the size of the A7ii internal parts I relied on what I found in the camera teardown documented in the very instructive text and pictures posted at Lens Rentals.com by Roger Cicala.

My proposal is based on a design of a square body with two more or less equally sized and shaped grips. Not an assembly of two separate parts, but one solid monocoque piece. This alone is nothing new. The really big professional cameras like Canon 1Dii or Nikon D5 use the same logic. Such body still remains distinctively smaller compared to these cameras, not exceeding the horizontal dimensions of an A7ii body. Its height is about the same as its width. This basic decision allows many further changes in the camera layout.

The larger body can not only provide enough space for the IBIS system, but given a magnesium construction it should also support heat dissipation and help to solve the overheating problem. Larger surface of the back and both sides of the camera offers enough space for an increased number of dials, buttons, card slots, ports and jacks.

Front

Compared to a standard body the lens the lens mount is moved down to an equal distance from both grips. This shift gives the same distance between the lens axis and the grip in both shooting orientations and leaves in the upper part of the body space for a built-in EVF. I personally prefer this arrangement to the viewfinder hump of the standard A7 series.

Back

The viewfinder is integrated into the left upper corner of the body. The standard LCD is placed in the middle of the body, allowing for the use of large eyecups on the viewfinder and avoiding collisions of a tilted LCD with a tripod. Eventually a larger LCD could be used too.

My proposal includes a rearrangement of the dials and buttons on the camera back. All basic ones are moved to the upper part of the body where they are easy to reach by the thumb of the right hand and protected against unintended use. The palm of the right hand can thus firmly grasp the camera. The larger surface of the body could easily accommodate even a larger number of buttons if necessary.

Top

The top of the body could be arranged in many ways. I have opted for a rather conservative set-up combining the present A7ii and A6xxx lines.

Sides

The right hand camera side can easily include two (or even more) card slots in the grip. The left hand side of the body is dedicated to doors covering USB, HDMI and other ports. There is also enough area for microphone and headphones jacks. The battery door is placed in the bottom of this side, covering a space for two standard NP-FW50 batteries or, still better, a new large double sized battery with an increased capacity. The battery is rotated 90 degrees compared to what we can find in the Sony VGC2EM grip. This arrangement frees the front parts of both grips of any internal functions so that they could be easily shaped to offer an ergonomic optimum. A tilting EVF is one of the possible options.

Bottom

The bottom of the camera body is flat and free of any openings and doors with the exception of a tripod socket hole. My suggestion is to integrate an Arca Swiss plate profile into the bottom grip.

Size, weight and price

As a rule of thumb I would say that the proposed body shouldn´t be heavier than a comparable standard body with an attached standard vertical grip. It is not larger either. The weight would depend on the internal structure of the body, materials and image technology used. Theoretically just by joining two pieces into one you should be able to save some material and weight. I would like to say the same about the price, but I am aware of the fact that this would be probably a small series product and hence the price would be higher. Even if a lot of the A7ii series standard parts could be used.

Advantages and problems

I believe that a reasonably larger body would help to solve many of the present shortcomings of the A7 line. To me the ergonomic factor is decisive and the improvement clear. My amateur attitude might have led to some mistakes and inaccuracies. I deeply apologize to the SONY professionals for my imperfections and hope they are not crucial. I tried to be as serious and cautious as possible.

Final word

The struggle for the smallest possible camera body is not as important as it seemed to be several years ago. Those who want a real minimum already use their smartphones. For those who need something more but still really small Sony offers the Cyber-Shots in the RX and HX series. None of the E-mount cameras (including the APSC line) with the new decent lenses are truly pocketable anymore. With those facts in mind I believe it could be about time to loosen the dictate of the minimal size paradigm and to look around for other options.

What I am presenting is just a sketch, not a serious design. I would like to believe that this shape of body could find its users. It is by no means intended to compete against the popular standard E-mount bodies or even to replace them. It could simply extend the scope of the E-mount line. Any name for it? May be A7L or A7C with the C standing for comfort would be appropriate.

Jiri

 

 

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