Angenieux announced a new Type EZ Cine Lens Series that will be available in native E-mount too. This is the press text:

Thales Angenieux, in collaboration with Band Pro Film & Digital Inc., and Jebsen Industrial Technology Co. Ltd., announces at IBC 2016 a new range of zoom lenses – the Angénieux Type EZ Series – two fast and light weight zoom lenses integrating an innovative modular design (Interchangeable Rear Optics IRO technology™) to cover S35 mmm and larger image formats for cine and broadcast productions. 

Designed for both Super 35mm digital motion picture cameras, and FF/VistaVision cameras, the new Angenieux Type EZ series has been created to fill the wide gap between still photography zooms, and the highly acclaimed OPTIMO / OPTIMO STYLE family of lenses used in the motion picture industry. For the first time, ENG-style productions will get the flexibility necessary for run-and-gun shooting, combined with high optical quality at an affordable price.

The Angenieux Type EZ Series features two new fast and light weight zooms, both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/ VistaVision formats (up to 46mm image diagonal).

The Angenieux Type EZ-1 is a standard zoom lens with a zoom factor of 3x. When configured for S35mm cameras, the focal range and aperture are set to 30-90mm F1.9 / T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8 / T3 covering an image circle up to 46mm diagonal.

The Angenieux Type EZ-2 is a wide zoom lens with a zoom factor of 2.7x. When configured for S35mm cameras, the focal range and aperture are set to 15-40mm F1.9 / T2. Byexchanging the rear lens group, the lens becomes a 22-60mm F2.8 / T3 covering an image circle up to 46mm diagonal.

Both lenses are built in a full metal casing, with internal thermal drift compensation, which allows focus to remain constant when the temperature changes. Focus / Zoom / T-stop can be controlled precisely due to the wide rotation angle of the 3 control rings, which are also equipped with cinema industry standard gear teeth. The lens size remains consistent across the zoom range due to the internal focusing & zooming mechanism. Users can easily configure these lenses to support different imaging formats (S35 or FF/VistaVision), and different lens mounts (PL, EF, or E) on their own, without returning their lenses to service centers.

Video tutorials on https://www.youtube.com/user/AngenieuxLenses

Full frame EZ zooms will fit RED 8K VV, Red cameras recording at resolutions higher than 5.5K, ARRI Alexa Open Gate, ARRI Alexa 65 with VistaVision crop and also Full Frame DSLR cameras such as SONY a7S Mark II, Canon EOS 5D Mark IV, 5DS, 1DX Mark II…and more to come. Detachable ENG style zoom servo grips and other accessories are being developed by third party manufacturers .

The Type EZ series will address the requirements of independent videographers and cinematographers, who are seeking for cost efficient tools that enable cinematic expressions. The exceptionally fast T2 lens opening provides tremendous control of depth of field, only previously found in prime lenses. Thanks to the Angenieux innovative system, the ability to convert lens mounts, and the image circle size makes the Type EZ lens series a solid investment to all industry professionals.

“Being the worldwide leader in premium quality cinematography zoom lenses, it’s critically important for Angenieux to address the ever-growing, affordable digital motion picture camera market.”, noted Pierre ANDURAND, CEO of Thales Angenieux. “The challenge is to provide a cost efficient, professional quality lens that can be used on both current S35 cameras, and future cameras built around larger imaging sensors”.

“Type EZ lenses are one of the fastest zooms in the industry with an open aperture of F1.9 or T2. When converting the image circle between S35 & VistaVision, the field of view remains fairly identical, so there are no crop factors to worry about. The wide zoom can be used as a wide zoom regardless of the image circle size.” says Christophe REMONTET, Thales Angenieux Product Line Manager.

Deliveries are expected to start from the 1st quarter of 2017 through selected distribution partners.

Prototype lenses will be shown at IBC 2016, at both Thales Angenieux booth #12.E33, and BandPro booth #12.D21 and this coming Fall in Asia.

Lens preorders will be accepted at the show. For any further information please contact for :

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a Rafflecopter giveaway

Meyer Optik Goerlitz wants you to back up their plan to remake the Primoplan 58mm f/1.9 lens. Full details can be read on their Kickstarter project page.

Newsshooter at IBC 2016 – Tokina full frame cinema prime lenses from Dan Chung on Vimeo.

Oh yeah…it’s Cine Lens announcement week! Today Tokina announced the new 35mm, 50mm, 85mm T1.5 Cine E-mount primes!

Sony introduces 18-110mm Super 35mm / APS-C lens with power zoom capability

– E PZ 18-110mm F4 G OSS (SELP18110G) with 6.1x high zoom ratio
– High resolution suited to professional 4K movie production
– Smooth Motion Optics (SMO) design and construction to minimize unwanted focus and image shifts while focusing or zooming
– Advanced operability including three separate focus, iris and zoom rings for professional operation
– Optical SteadyShot™ in-lens image stabilization
– Compact, lightweight design with dust and moisture resistance[i]

SAN DIEGO, Sept. 9, 2016 /PRNewswire/ — Offering moviemakers a powerful new creative tool, Sony has developed an advanced Super 35mm / APS-C format power zoom lens that starts at 18mm wide angle and extends to 110mm at the telephoto end (27mm – 165mm equiv. in 35mm format[ii]). The new lens has a 6.1x high zoom ratio, even with inner focus, and maintains a constant F4 maximum aperture throughout its zoom range for beautiful depth of field effects and stable exposure control.

An ideal companion to a wide range of α cameras, from the PXW-FS7 professional camcorder to interchangeable-lens cameras such as α7 series and α6300, this G LensTM delivers image quality that will satisfy even the most demanding of professional users. It consists of 18 elements in 15 groups, including 6 aspherical elements and 3 ED (Extra-low Dispersion) glass elements and features a 7 blade circular aperture design. This highly intricate design delivers extremely high resolution image quality and is particularly suited to professional 4K movie shooting.
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Sony introduces 18-110mm Super 35mm / APS-C lens with power zoom capability

Sony introduces 18-110mm Super 35mm / APS-C lens with power zoom capability

The E PZ 18-110mm F4 G OSS is only the second lens[iii] to benefit from Sony’s Smooth Motion Optics (SMO) design and construction, which has been developed to eliminate unwanted image shifts while making adjustments during movie shooting. SMO addresses three particular aspects of lens operation that can have a significant impact on movie quality: Focus Breathing, where shifts in angle of view during focusing are minimized by an internal focus mechanism; focus shift, where small shifts in focus that can occur during zooming are eliminated by precise focus tracking adjustment, and Axial shift, where axial image shifts during zooming are minimized by a constant length design.

The high level of operability and quiet operation of the new lens makes it a compelling proposition for its integration into professional movie production environments. Its three separate rings give control over focus, zoom and aperture, with optimal torque for a satisfyingly responsive, professional feel. Both servo and responsive manual mechanical zoom are fully supported and the zoom ring direction is switchable to match individual user preferences. Additionally, the lens length remains constant during any changes, making it easy to use with matte boxes and other lens accessories. Also, in a first for Sony α lenses, a 0.8mm pitch focus gear is built right onto the ring, providing direct compatibility with standard focusing accessories.

Optimum optical performance and operability is complimented by a dust and moisture-resistant designi, making the lens ideal for location use. Extra versatility is afforded by Optical SteadyShot technology that provides in-lens image stabilization during handheld shooting. The lens also features a compact and lightweight[iv] design making it a truly mobile solution. Additional flexibility is afforded when used with the SEL14TC and SEL20TC teleconverters for 1.4x and 2.0x extension of focal range.

The E PZ 18-110mm F4 G OSS Super 35mm / APS-C power zoom lens for professional movie-makers and photographers will available in North America from November 2016, priced at approximately $3,500 US / $4,500 CA.