Jordan Steele from Admiringlight tested the new Sony 85mm GM lens:

The Sony 85mm f/1.4 GM is a lens that feels greater than the sum of its parts. Yes, it’s very sharp; it’s got great bokeh; it’s got good color and contrast. It also has some minor flaws. However, the combination of the imaging characteristics adds up to something truly special. The look that can be created with this lens is simply stunning: the sharp pop of the subject with a gorgeous fade in the background. Ultimately, it’s simply beautiful.
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Photogrpaphyblog tested the new 24-70mm GM lens:

Image quality is excellent. Chromatic aberrations are very well controlled, bokeh is impressive thanks to the fast f/2.8 aperture and 9-blade circular aperture, and the Nano AR Coating coatings successfully prevent contrast loss attributable to flare. The only real optical issues are some mild corner shading and slight barrel distortion at the 24mm wide-angle focal length, and a drop-off in sharpness at 35mm compared to the other main focal lengths.
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The A6300 got tested by Imaging Resource:

It was a tall order to improve upon the A6000, but Sony managed to pull it off. Build quality is better, image quality is better, video quality is better, and performance is better. Sure, there are some downsides, such as a still-limited selection of native crop-sensor E-mount lenses, no touchscreen and clunky menus, but the positives far outweigh the negatives in our eyes. At just under $1000 body-only, the Sony A6300 packs one heck of a punch in both features and performance, and undoubtedly gets two thumbs up as a Dave’s Pick.
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Mirrorlessons posted the full A6300 review too:

The autofocus performance combined with the Live View of the EVF is beyond anything we’ve seen from a mirrorless camera to date, and it comes packaged in one of the smallest bodies in the high-end mirrorless sphere. If all you shoot is sports and wildlife and are in search of a compact solution, this camera should be at the top of your list.

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Dpreview compared the new [shoplink 48252]Sony RX10III[/shoplink] against the Panasonic FZ1000 and the Canon G3X. The Panasonic is as good as the Sony but does only go as far as 400mm. So the real contender seems to be the Canon:

The real reason people consider bridge cameras is for the reach, and Sony extended the RX10 III’s reach by a full 400mm over the RX10 II. That means it now offers the same amount of reach as the G3 X’s 600mm equivalent maximum focal length. The RX10 III’s lens is clearly sharper, but it has another thing going for it: its faster maximum aperture helps it combat diffraction. Remember that F4 and F5.6 on 1″-type cameras are equivalent to F11 and F15, respectively. Both cameras are limited by atmospheric distortion at these focal lengths (hence the drop to ‘print’ resolution in the previous comparison link), but it’s clear that the RX10 III exceeds the G3 X’s performance, while offering just as much zoom versatility. The Canon PowerShot G3 X’s trump card has been trumped.

RX10m3 store links to [shopcountry 48252].