Officially announced: New Samyang 135mm f/1.8 FE lens!


Samyang officially announced the new 135mm f/1.8 FE lens (specs and image samples here). You can preorder it now at BHphoto, Adorama. and in Europe at Calumet DE, FotoKochDE and at WexUK.

Images of the lens on the Sony:

Video reviews:

Press text:

The new AF 135mm F1.8 FE is a fast-aperture prime telephoto lens, designed for use with full-frame Sony E Mount cameras, but also compatible with Sony APS-C mirrorless cameras.

Evolution of Samyang Optics’ Best Manual Focus 135mm F2.0 Telephoto Prime Lens
The Samyang MF 135mm F2.0 ED UMC is a telephoto lens that has been loved by many people for its excellent resolution since its launch in 2015. Typically, it was admired as a lens for portrait photography, but over time, the MF 135mm went beyond portraits and also became popular for shooting landscapes and astrophotography. Accordingly, Samyang Optics has decided to release an AF evolution of this lens, adding convenience for every user and genre of photography.

Samyang Corporation, which recently expanded its autofocus F1.8 series line-up, has introduced the AF 135mm F1.8 FE lens, equipped with various additional functions to meet the new demands of many people who have used the existing MF 135mm F2.0 lens.

The new AF 135mm F1.8 FE telephoto lens is optimised for portraits, astrophotography, landscapes and video shooting. It includes popular features, such as Focus Lock Button and Custom Switch but also Samyang’s new Focus Range Limiter switch.

With Samyang’s announcement of the new AF 135mm F1.8 FE, its Auto Focus F1.8 FE series now includes: 24mm, 35mm, 45mm, 75mm and 135mm focal lengths, completing the line-up, from wide-angle to telephoto.

Superb Resolution
Unsparing application of Samyang’s most advanced optical technologies has produced a large-aperture prime telephoto lens that delivers outstanding corner-to-corner resolution. The AF 135mm F1.8 FE delivers an 18.9˚ angle of view for full-frame and 12.5˚ for APS-C. It features a bright maximum aperture of F1.8, as favoured by full-frame camera users. In particular, optimum resolution is achieved through the optical design of 13 elements in 11 groups (1 U-ASP, 2 HR and 3 ED). Combined with Sony’s full-frame image sensor, this lens delivers superior sharpness and contrast in all areas of the image.

Able to deliver extremely narrow depth of field, with beautiful bokeh
The AF 135mm F1.8 FE uses a large-diameter aperture to provide smooth background blur. It effectively allows separation of the subject from the background, by using a shallow depth of field. Also, it is equipped with a UA (Ultra-precision Aspherical) lens, which delivers natural and refined bokeh. Using this smooth bokeh, you can freely create images highlighting your subjects against stunning backgrounds, whether shooting portraits, close-ups or even cityscapes.

Fast and quiet auto focus performance
Tracking the subject accurately and quickly, the AF also operates quietly and smoothly when shooting video. Samyang’s Linear STM (Stepping Motor) satisfies both photographers and videographers with quieter and more accurate control of the focusing lens groups.

Enhanced operability and reliability
Important features include customisable: Focus Hold button, Custom Switch and Focus Range Limiter. Overall, this is a lens that meets and exceeds professional requirement for control and reliability, for both stills and movies.

1) Focus Hold Button

Pressing this button on the lens will keep the lens locked to that focusing distance. You can assign functions such as Eye AF in settings on the camera body.

2) Custom Switch

There is a custom switch, which can be set to allow adjustment of the aperture silently by rotating the focus ring. Using the optional Lens Station, you can set up the mode to suit your own preference*.

(*More functions will be added through firmware updates in the future)

3) Focus Range Limiter switch

The Focus Range Limiter only operates in AF mode, but can be useful to speed up focusing once the distance from an object has been determined:

The Focus Range Limiter is moved forward or backward to select the focus range as follows:

FULL: The AF range is set between infinity and the minimum focus distance of 0.69m.

0.69m – 2m: The AF range is set between 0.69m and 2m, suitable for close-up shooting.

1.5m – ∞: The AF range is set from 1.5m to infinity, which is suitable for normal shooting.

Short minimum focal distance of 0.69m
Although this is a 135mm telephoto, Samyang has managed to effectively control aberration at all focusing distances. It has also achieved a minimum focus distance of just 69cm (2.26ft) and a maximum magnification of 0.243x for close-up photography. Small accessories and other subjects can be captured with remarkable resolution and beautiful, soft background bokeh.

Modern design and weather-sealing
The AF 135mm F1.8 FE has been developed and enhanced, taking into consideration not only the design features but also the user’s shooting environment. It has a micro-patterned rubber focus ring, which feels great to operate and the weather-sealing protects the lens from light rain, snow and dust.

Sony Tidbits…


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Sony Film Emulation || Picture Profiles Compared (Veres Alex).
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Through a different lens: why we’re changing the way we process lens images (Dpreview).

Personal photos and tests from SAR Admin Andrea on Instagram, Facebook, Flickr and 500px.

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Sony Tidbits…


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Personal photos and tests from SAR Admin Andrea on Instagram, Facebook, Flickr and 500px.

Topaz announced DeNoise AI v3.5 – Improved RAW color processing and performance

Topaz released the new DeNoise AI v3.5 update. You save 15% using our checkout code “rumor“.

Change log:

  • New theme for the app
  • Added ability to use eraser end of tablet stylus to erase mask
  • Added current mask to the navigator while in masking mode
  • Changed error “0” message on login to be more explicit about what may cause it (firewall/AV)
  • Removed “Error: CANCEL” text when canceling an export
  • Added an info box to prevent users from accidentally running the app from the DMG instead of installing (Mac only)
  • Remove All button removed when in external editor mode
  • Masking and Remove Image buttons now hidden when exporting
  • Progress bar for exporting should now only show on currently exporting image
  • Re-worded Side-by-side View → Side-by-Side View
  • Re-worded Re-Install Photoshop Plugins → Install Photoshop Plugin
  • Changed in-app update flow to support old install path on Mac

Fixes:

  • Fixed Wacom tablet not pressing buttons and not releasing when panning
  • Fixed various images and icons being blurry (login, close buttons, app logo)
  • Fixed “Cancel” button missing from plugin and external editor mode
  • Fixed DJI FC220 and Hasselblad L2D-20C DNG output
  • Fixed view mode switching being enabled while masking
  • Fixed Photoshop plugin not processing correctly in auto update mode
  • Fixed text elision in the output path in save dialog
  • Fixed collapse toggle being enabled when exporting
  • Fixed Add and Remove All buttons being enabled when exporting
  • Fixed switching out of comparison view leaving the wrong model selected sometimes
  • Fixed canceling an export causing the image canceled to not save next time
  • Fixed padding in the watermark warning dialog
  • Fixed padding in the feedback dialog
  • Fixed a crash in the feedback dialog
  • Fixed Save Image/Apply being enabled when no images are selected
  • Fixed auto not being reset when typing in or using hotkeys to change slider values
  • Fixed completed icon being removed when no changes were made

2021 BCNranking: Sony leads with 32% of the mirrorless market share in Japan

BCNranking collects about 40% of the sales info from Japanese stores. And in 2021 Sony has lead the mirrorless market with 32% of the share with Canon following with 28%.Sony is second in the fixed lens camera segment with 23% and also second in the video camera department with 26% of the share.

Here are the detailed results:

  • Fixed lens cameras (* The share in parentheses is last year’s share)
    1st place Canon: Share 34.01% (39.08%)
    2nd place Sony: Share 23.1% (19.65%)
    3rd place Fujifilm: Share 11.6% (11.41%)
  • DSLR
    1st place Canon: Share 59.8% (51.91%)
    2nd place Nikon: Share 33.9% (44.78%)
    3rd place Ricoh Imaging: Share 5.8% (3%)
  • Mirrorless
    1st place Sony: Share 32% (27.44%)
    2nd place Canon: Share 28.2% (23.78%)
    3rd place OM Digital Solutions: Share 12.7% (23.37%)
  • Digital video camera category
    1st place Panasonic: Share 43.6% (32.17%)
    2nd place Sony: Share 26.3% (37.27%)
    3rd place DJI: Share 11.2% (-)
  • Action camera category
    1st place GoPro: Share 70.4% (70%)
    2nd place Sony: Share 7.3% (7.49%)
    3rd place DJI: Share 5.3% (-)
  • Lenses
    1st place Canon: Share 17.6% (18.29%)
    2nd place Sony: Share 17.2% (15.87%)
    3rd place Sigma: Share 12.6% (14.89%)
  • Tripod / Monopod category
    1st place Hakuba Photo Industry: Share 29.1% (30.91%)
    2nd place Vitec Group: Share 15.5% (17.45%)
    3rd place Slick: Share 12.6% (10.74%)
  • Camera case / bag category
    1st place Hakuba Photo Industry: Share 33.3% (33.13%)
    2nd place ELECOM: Share 18.8% (16.68%)
    3rd place Vitec Group: Share 5.8% (5.92%)

via Digicameinfo