Just announced: Is this new Canon C50 the “Sony FX3 Killer”?

Canon C50 at BHphoto, Amazon, Adorama, Fotokoch, Fotoerhardt, Calumet, WexUK, Clifton.
Introduction at Explora.

Canon has just announce the C50 compact Full Frame Cine camera. This is the camera that is going for the Sony FX3 kill. It’s $200 cheaper than the Sony but has some features the Sony has not:

  • 34 vs 12MP
  • 7k recording
  • Internal 12Bit RAW recording
  • Fully articulating screen
  • 1/16000
  • 16 stops dynamic range
  • Open Gate
  • many more customizable buttons including a power zoom button

The Sony still has the following advantages:

  • Built-in IBIS
  • Mechanical Shutter
  • Built-in mic
  • not as thick as the Canon

A full side by side spec comparison can be found on that BHphoto page.

 

And here comes the next Sony FX3 competitor leak: Nikon Zr specs and images

Nikon ZR preorders at BHphoto, Amazon, Adorama, Fotokoch, Foto Erhardt, Calumet, WexUK, Clifton

A Youtuber leaked the Nikon Zr review (now removed) and here are the Nikon Zr specs:

  • Sensor: 24MP partially stacked full-frame CMOS
  • Dynamic Range: Over 15 stops (based on RED system)
  • Internal Recording: Up to 6K 60p with intra-frame compression
  • Formats: N-RAW, ProRes RAW, and ProRes 422 HQ
  • Color Science: Incorporates RED RAW and RED color science experience
  • Stabilization: In-body image stabilization (IBIS)
  • Screen: 4″ LCD display, 3.07M dots, 1000 nits brightness — excellent for vlogging
  • Build: High-quality construction with compact size (133 × 80 × 48 mm, 540 g)
  • Ergonomics: Small grip with thumb rest; photo/video mode selector on top
  • Cooling: Passive design — no fans, no overheating
  • Connectivity: Micro HDMI output, Nikon N-Log support, smart hot shoe (likely for external EVF)
  • Media Slots: 1× CFexpress Type B + 1× microSD
  • Other Notes: Integrates several technologies inherited from RED cameras
  • Price (Body Only): $2,100

This camera is here to compete with the Sony FX3 but has a much lower price point.

 

First leaked image of the Canon C50 with the Sony FX3

Today Canon will announce the new C50 and here is a leaked picture comparing the size of the new cine camera with the Sony FX3.

Canon C50 specs:

  • 32MP FF sensor
  • 7k internal Raw at 50fps
  • 4k 120p
  • Two base ISO of 800 and 6400
  • Open Gate
  • no IBIS
  • 14 configurable buttons
  • no built-in ND’s
  • 1 CF express Type B and 1 SD slot
  • Announcement on Sept 9
  • Price around 4.000 Euros

 

There is also a new XLR handle with record button and digital zoom button

Competition leak: First leaked Nikon Zr images!

Here are the leaked Nikon Zr images. The camera will be announced on September 10 at 7:30 London time. It will directly compete with the current Sony FX3.

Nikon Zr specs:

  • 24MP partially stacked sensor
  • 6k all intra
  • IBIS
  • one SD and on micro SD card slot
  • Announcement on Sept 10

Thanks to the tipster for sending me these images!

The Sigma 135mm f/1.4 bokeh beast, 20–200mm zoom, and 32mm f/1.2 are coming — all revealed at 9am London time!

Stay tuned on September 9 at 9am London time (10am Berlin, 4am New York, 1am Los Angeles) to follow the Sigma live announcement!

Sigma 135mm f/1.4 preorder links (open on Sept 9): BHphoto, Adorama, Amazon, Fotoerhardt, Calumet, Fotokoch, WexUK.

  • Full-frame autofocus lens
  • 105mm filter thread
  • Weight: ~1320g
  • Classic black finish
  • Removable tripod collar
  • no focus breathing (great for video)
  • Available for Sony E and Leica L-mount
  • Announcement: September 9

Sigma 20-200mm f/3.5-6.3 preorder links (open on Sept 9): BHphoto, Amazon, Adorama, Fotokoch, Fotoerhardt, Calumet, WexUK, Clifton.

  • Full-frame autofocus lens
  • 72mm filter thread
  • weight under 600g
  • Size similar to this Canon lens
  • Available for Sony E and Leica L-mount
  • Announcement: September 9

Sigma 35mm f/1.2 II preorder links (open on Sept 9): BHphoto, Amazon, Adorama, Fotokoch, Fotoerhardt, Calumet, WexUK, Clifton.

  • Full-frame autofocus lens
  • About 25% shorter and lighter than it’s predecessor.
  • Available for Sony E and Leica L-mount
  • Announcement: September 9

 

Bringing Old Glass to Life: Exploring the TechArt LM-EA9 Mark II and the Magic of Electronic Lens Mount Adapters

In a recent feature on Kitamura’s Shasha blog, the spotlight was placed on one the TechArt LM-EA9 Mark II adapter. While lens adapters have long allowed vintage optics to mount onto modern digital bodies, this one takes things a step further by enabling autofocus, face/eye detection, and even continuous AF for fully manual legacy lenses.

This smart adapter is designed to mount Leica M-mount lenses onto Sony E-mount mirrorless cameras. But its true power lies in its versatility — with the right secondary adapters, it opens the door to an entire world of legacy lenses: Nikon S, Contax, M42, L39, Canon FD, and more.

And unlike traditional passive adapters, the LM-EA9 Mark II features a built-in motorized helicoid, enabling autofocus even on lenses that were never designed for it. This means you can now bring your old Zeiss, Canon Rangefinder, or Voigtländer glass to life in ways that were previously impossible.

With most lenses, the autofocus is reasonably fast and surprisingly accurate — even AF-C (continuous autofocus) and eye-detection AF worked in the tests. You’re essentially turning an all-manual vintage lens into something that behaves like modern glass — a dream for street photographers and retro gear lovers alike.

Another major advantage is the ability to shorten minimum focusing distances. Many vintage lenses — particularly rangefinder types — are limited in how close they can focus. But thanks to the adapter’s internal mechanism, you can “cheat” that limit and bring your subject much closer into view, effectively giving your old lens macro-like capabilities.

The LM-EA9 Mark II maintains a compact form factor, especially compared to DSLR lens adapters. Paired with a Sony A7C R or A7 IV, your setup stays relatively light and stealthy, ideal for travel or documentary work.

Why It Matters

There’s an enormous market of high-quality legacy lenses out there — many with unique rendering styles, swirly bokeh, or legendary sharpness — but up until now, they’ve remained mostly limited to manual focus. With this adapter, those lenses are given a second life in the autofocus era.

And for those looking to get the most from their gear collection without breaking the bank on new lenses, the LM-EA9 Mark II offers a compelling value proposition.

Whether you’re a vintage lens collector, a Sony mirrorless shooter, or just someone who wants to experiment with unique optics, this adapter is a must-watch innovation. It’s not just about compatibility — it’s about transformation. And it’s further proof that in photography, what’s old can be new again — and even better.