Patrick Murphy-Racey tells us how the future A9III should be

Patrick writes:

When the Sony a9 was released in 2017, it blew my mind. When the a9II was released it seemed more science fiction than real, but now I’ve had a chance to think about the camera more after shooting thousands of images with my two bodies. SONY has got me trained now to expect the impossible… So I’ve been thinking about how to improve on the a9II as I look to a future where that camera will be replaced by the next version of awesome. Here are my thoughts.

Sony Tidbits…


Laowa 100mm F2.8 2x APO Lens Review | John Sison

Note: If you are interested in electric cars check out our new website Electric-fun.com
Sony Alpha A9 II review at ePhotozine.
Tips for Clean Backgrounds (Explora).
Cameras To Look Forward To in 2020 (Camera Conspiracies).

Marc Galers Sony Alpha Learning Resources Released in the Month of April:

Drive Mode Settings on Sony Alpha Cameras: https://youtu.be/rCXVNZe66g4
Back Button Focus for Sony Alpha Cameras: https://youtu.be/pWsF5pMri-Q
ISO Settings using Sony Alpha Cameras: https://youtu.be/0vascihooSk
Zebra 109+ for Sony Raw Photographers: https://youtu.be/HPhC0xr8-IA
Sony SteadyShot Settings: https://youtu.be/DgbXp3-sdpI

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

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Sony Tidbits…


SONY FE85mm f/1.8 Review by Patrick Murphy-Racey

Note: If you are interested in electric cars check out our new website Electric-fun.com
FAQ: Wide-Angle Lenses (Explora).
Guide to Macro Lenses (Matt Granger).
Sony FE 24-70mm f2.8 GM review (CameraLabs).
How an Aerial Mapping Company Uses Four Sony A7R IV’s (Buriedsense).
Zooms vs Primes: Are the SNOBS right? (Tony & Chelsea Northrup)
IBC 2020 latest show to be cancelled, go virtual as organizers fear ‘many unknowns’ (Dpreview).

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

Join the new Sony Alpha Camera Facebook group.
To get news from our Forum subscribe that RSS feed.
I kindly invite you all to follow our RSS feed, follow us on Facebook and Twitter to not miss news and rumors

 

New Irix Cine 15mm T2.6 lens for Sony E-mount

Press text:

Irix extends its line of film lenses with the ultra wide-angle Irix Cine 15mm T2.6
Irix, the producer of the Cine series, currently has a set of cinematographic lenses in its portfolio, including an 11mm ultra wide-angle lens, a standard 45mm lens, and a 150mm macro telephoto lens. Today Irix premieres their fast, filter-ready wide-angle cine lens, the Irix Cine 15mm T2.6. This product will open unlimited possibilities for filmmakers and cinematographers alike.

New Lens, New Possibilities
The newest member of the family, the Irix Cine 15mm T2.6, is a fast, filter-ready ultra wide-angle lens, which makes it an extremely versatile piece of equipment that works in a multitude of lighting conditions.
The Irix Cine 15mm T2.6 optical system is made up of 15 elements arranged in 11 groups (including 3 HR lenses, 2 EDs, and 2 ASPHs). Its precise construction ensures beautiful and vivid colors, image sharpness, and minimal distortion, despite the ultra-wide field of view. The high quality construction ensures low lens breathing, which is an extremely important feature in filmmaking.
Like all Irix Cine line lenses, it is designed for filming at a maximum resolution of 8K UHD, allowing for super-panorama shots (CinemaScope).

Irix Cine family
Ease of use and convenience is extremely important to us. Irix Cine lenses are ready for any film set. Very similar weights (as well as equal distances between rings) between Irix Cine lenses accelerate work on the set, without forcing changes of gimbals, rigs, tripods, etc. Irix also offers an innovative magnetic mounting system (MMS) for accessories, such as sun visors or lens covers.

Irix Cinematic Design
Irix lenses are used by both professional operators and amateurs alike. Irix Cine 15mm T2.6 has all the features and properties necessary to wora on the set. By minimizing the phenomenon of diffraction, the lens aperture (made of 9 rounded blades), provides a sharp image, regardless of the T value. The precise mechanics allow for the smooth adjustment of the T value from T2.6 to T22.
As with other Irix Cine lenses, the product has been equipped with an innovative adaptive ring that allows for ergonomic work both in manual sharpening and with follow-focus systems, thanks to which you can easily and quickly adjust your lens to your rig. The 180 degree focusing ring ensures precise alignment and a smooth focus pulling.
The lens front has been optimized to work with 95mm matte boxes. Toothed rings (Mod 0.8 M standard), ensure compatibility with most follow focus accessories and aperture adjustment available on the market.

Ready to work in any conditions!
With film lenses, it is extremely important that the equipment is suitable for work regardless of weather conditions. Irix Cine 15mm T2.6 has been sealed in four key places, so you can shoot in the desert and in full rain, meaning you can be sure that your equipment will remain safe.

Main features:
UltraHD 8K resolution
43.3 mm imaging field (Full Frame)
Fast aperture T2.6
86mm front filter thread
ultra wide angle imaging field
minimal distortion
compact and lightweight construction
very low lens breathing
sealed construction
95mm front diameter
magnetic accessory mounting system (MMS)
Removable lens hood
compatible with follow focus systems
engraved markings filled withUV-reactive paint
adapter ring for faster work on the set
possibility of mounting an additional lens support foot

Available mounts
Irix Cine 15mm T2.6 is available in Canon EF, Sony E, MFT, and PL mounts, each with either metric or imperial focus markings.

Pricing and availability
The lens will soon be available in a wide network of dealers available at: https://irixlens.com/dealers- list/ and at https://storeeu.irixlens.com for 1195 Euro.