David:“If you have the time watch this wedding captured with Sony Gear. I discuss one of the most beautiful brides I have photographed and discuss what cameras were used, lighting, posing and my whole thought process. https://www.youtube.com/watch?v=k8d2bqmnbvI“
Miguel: “Check this out , This guy did amazing work. https://www.youtube.com/watch?v=uGUUdXXZeMs . But Hes starting using Sony cameras , his channel is small but by promoting him on your huge site youll get him more views and the viewers super high quality Sony videos . The only one that actually shows how he works with sony . This is his Sony Video and has more to come . https://www.youtube.com/watch?v=Hjyu2s0JawQ“
Liza RockS
The face of the Devil’s Flower Mantis! Please enlarge to see details.
A7R II – Sony FE 90mm f/2.8 Macro G OSS
90mm/ƒ/7.1/1/40s/ISO 100
#sonyalphagallery
1) You can submit one single picture per week only. 2) To submit your picture for the weekly readers roundup post you can choose one of the following three options:
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– Forum: Submit your picture on the SonyAlphaForum image section and add the hashtag “#sonyalphagallery ” 3) Like and comment the pictures from other readers here: instagram.com/sonyalphagallery, facebook.com/groups/sonyalphacamera and on SonyAlphaForum. 4) A selection of most liked pictures by the community and by me SAR admin will be posted weekly on SAR.
Note: When sending a pic feel free to also add a link to your site to promote yourself! And please do share one single picture per week only. Do not spam :)
New Pitbull video shot with the a9 and a7s2 with Batis lenses and RX100
Travel Shoot-out: iPhone 8 Plus vs. Sony A7R II (Allan Weitz).
italian Sony A7III review at Estatica.
Sigma 50mm f/1.4 ART Sony FE (A018) Review (Dustin Abbott).
Choosing Storage! DAS/NAS Options for Photographers (Explora).
Roger: “I’ve been shooting Sony since the NEX7 and shot these two clips recently using the A7RIII and mainly the 16-35GM, also the 100-400. Good examples of how awesome the video AF is now on the series 3 as all AF not MF. Transitions from above to below water were super hard before. https://vimeo.com/276835251 andhttps://vimeo.com/277095350“
I just got this super long and 99,999% Fake rumor from an anonymous source. I usually don’t publishe these kind of rumors I am certain to be wrong. But “The Source” put so much effort to spread wrong info that I found it funny and interesting enough to post it on SAR. I thank “The Source” for the entertainment he gave us all :)
Venus Optics just released a teaser of a new 24mm f/14 macro lens that will be available for E-mount too. I was told the Sony E mount version will be available to order in Kickstarter in a few days. The earliest guy may be able to grab the lens for $1.
Shape Handheld Camera Cage for Sony A7 III and A7R III
Sony a7III shutter latency — EFCS (Jim Kasson).
2018 National Geographic Travel Photographer of the Year (National Geographic).
Commlite High Speed EF to E Mount Adapter Review | 4K (Dustin Abbott).
The BEST Lens for SONY Cameras (Jeff Remas).
Real World Sony A7III Review with Canon Lenses (Julia Trotti).
Wireless Microphones for Every Occasion (Explora).
Toby: “I made an review of the new Meike 25mm f/1.8. here you have the Link https://youtu.be/2fahrajFhMQ Im from Germany so it isn’t the very best English but I think everyone will understand it.“
Good examples of how awesome the video AF is now on the series 3 as all AF not MF. Transitions from above to below water were super hard before.
If you are looking for a small yet professional set of cine prime lenses to complement your Sony E-mount camera, SLR Magic’s MicroPrime Cine lenses might be just what you’re looking for. Offered in four different focal lengths: 25mm T1.5, 35mm T1.3, 50mm T1.2, and 75mm T1.5, you will have wide-angle to longer focal lengths covered.
SLR Magic MicroPrime Cine 50mm T1.2
Since these are designated as “Cine” lenses, they have a few features that separate them from their non-cine MicroPrime brethren. All four of these lenses share the same length, outer diameter, and focus/iris gear positioning. This makes switching lenses easy, as any lens-dependent accessories, such as matte boxes, follow focuses, or lens motors don’t have to be moved in relation to the camera. Speaking of lens gears, all four options feature cinema-standard 0.8 MOD gearing on their focus and iris rings.
SLR Magic MicroPrime Cine 35mm T1.3
Optically, the MicroPrime Cine lenses feature the same design as the well regarded non-cine MicroPrime lenses. They are fast, as mentioned above, with a maximum iris setting of at least T1.5 across the set. If you need to shoot in the dark, open up the iris. For brighter scenarios, the MicroPrime Cine lenses can be stopped-down for sharp images that can take advantage of high-resolution sensors in the current crop of E-mount cameras.
For more information on these lenses, as well as pricing and availability, check them out the B&H website.