Meyer Optik just announced a new 75mm f/0,95 lens. It is the world’s fastest 75mm lens and will be available as native E-mount option (this is a Full Frame lens).

Press text:

Nocturnus 0.95/75 mm becomes world’s fastest 75mm lens with 15 aperture blades
Meyer-Optik-Görlitz Nocturnus 0.95/75mm continues the creation of the “master of light series” and the legacy of the fastest 75mm lens in the world
Available for Leica M, Sony and Fuji X

Again Meyer optic reaches for the next big step. But this time it’s a big one: the creation of the fastest 75mm lens worldwide causes a stir:

• sharpness with aperture of 0.95 – 16
• the fastest 75 mm lens of the world with 15 aperture blades
• a Bokeh ideal for portrait photography in difficult light conditions
• a lens that creates a three-dimensional appearance separating the subject from the background in a characteristic manner
• compatible with Leica M, Sony E and Fuji X
• click less aperture ring
• Made in Germany
• Highest requirements for the glasses used

Expected launch: May 2018
Expected Delivery Date/Availability: April 2019
Special Early Bird Price until 20.05.2018: 1899 €, expected MSRP €3999
Available camera mounts: Leica M, Sony E and Fuji X
More Information: http://info.meyer-optik-goerlitz.com/nocturnus75_presale_mailing_list-0

Meyer-Optik-Goerlitz: Again, in the leading position for available light photography
Already in the 1920s, Meyer brought lenses to market which were the fastest lenses of their time: the Kinoplasmat 75/f1. 5. Later the Primoplan 1.9/58 was to become the fastest standard lens for the famous Exakta camera, which was sold in the USA as “Kine night Exakta”. At this time Meyer-Optik Goerlitz was considered as the most prominent manufacturer of available light lenses, so called “giants of light” and in 2016 the company presented the Nocturnus 0.95/50 mm for the first time now available in its third version.
Now Meyer is following the legacy of creating the fastest 75mm lens in the world like it once did with the Kinoplasmat. The Nocturnus 0.95/75 mm lens is a full format lens available for Sony E, Fuji X and Leica M. The company also intends to follow with a 35mm lens later in order to complete its Nocturnus line.

Main Features

1. The Nocturnus provides unsurpassed portrait images

Like its “little brother” – the Nocturnus 50 – the Nocturnus 0.95/75 delivers outstanding performance with a fully opened aperture 0.95 for Sony E, Fuji X and Leica M photographers.
With its aperture at 0.95 and its 15 steel aperture blades with antireflection coating the Nocturnus 50 delivers an appearance and imaging which cannot be obtained by any other lens. This opens creative opportunities especially in “people photography” under difficult light conditions.

2. 75mm focal length, 15 Steel Aperture Blades: #1 and Only in the World of Available Light Photography

World premier! 75mm focal length, 15 steel aperture blades along with a maximum aperture of 0.95 is only available in the portfolio of Meyer-Optik Goerlitz. This combination allows photographers who are using Leica M, Sony E or Fuji X to make use of the outstanding creative opportunities by the conscious use of depth of field, sharpness and bokeh. The 15 blades aperture was designed by Dr. Prenzel from Goerlitz and the mechanical components of the aperture are built by Otto Niemann precision mechanics from Berlin. Otto Niemann has been one of the specialists in the production of iris diaphragms since 1945. Of course, the aperture of the Nocturnus 0.95/75 is adjustable to infinty. The mechanical quality is outstanding and as a result the Nocturnus 0.95 / 75mm is a tool, that the photographer can rely on all his life.

3. Handmade Masterpieces

The Nocturnus 0.95/75 is a handmade masterpiece. Trained expert staff and state of the art technology make each Meyer-Optik Goerlitz lens a masterpiece in itself. Meyer-Optik Goerlitz employs a selected staff who put in all their experience and pride to produce a perfect Meyer-Optik Goerlitz Nocturnus 0.95/75. The company offers guided tours in its production facilities in Hamburg, Germany, to give customers an insight into the high production standards.

4. Photography at the speed of light

The combination of 75mm and the unique aperture of f 0.95 creates images of an unmet aesthetic especially when shot wide open, generating a three dimensional appearance where the subject seems to be stepping out of the image. The Bokeh is smooth and under the appropriate condition may contain some sharp edged light circles.
Each shot is of unique sharpness, depth of field and Bokeh characteristic.

Why Apply to Sony’s Kando 2.0 event? THIS is why.

Introducing the PXW-Z280 and PXW-Z190 at NAB 2018 with Claus Pfeifer and Alister Chapman
New Ulysses case for the A7rIII-A7III-A9
ProChoice Flexible LED Lights – Newsshooter at NAB 2018
RigWheels Announces New Slingshot Gimbal Mount (Cinema5D).
NAB 2018: The Latest from Teradek VidiU & Teradek RT (Explora).
Zaxcom TRX743 and ZMT3-HM XLR Wireless Transmitters (Personal View)

Share your best pictures on our new Instagram SonyAlphaGallery.

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

We have our own Facebook camera groups and pages you can join to discuss the upcoming new cameras in detail:
Sony A9 group and Sony A9 page.
Sony A7rIII group and Sony A7rIII page
Sony A7sIII group and Sony A7sIII page
Sony A7III group and Sony A7III page
Note: In groups you can post your own stuff like images, news and questions. While on pages you will read the specific camera news from SAR.

This is where I am right now. Find me if you can :) Thanks @photorectoby for telling me to carry the 85mm FE on the mountain trip. Its an excellent choice! – #sonyimages #sonyalphasclub #sonyalpha #sonyphotography #sonyphotogallery #sonyalpharumors #sonyalphagear #SonyPhotoGallery #SonyAlphasClub #SonyMirrorles #sonyalphaphotos #dolomites

Ein Beitrag geteilt von Andrea Photographer-Explorer (@andrea_pizzini_photographer) am Apr 14, 2018 um 4:01 PDT

The world’s first third-party NP-FZ100 clone is now in Stock for the first time at Amazon US. But we are getting reports from many readers saying the battery is NOT working. Since than Blue Nook removed the preorder option.

David Busch reports on Amazon:

Purchased one of these to test and review in my Sony books. When inserted in camera I receive “Incompatible Battery. Use Correct Model.” message. It appears when using my a7 III, a7R III, and a9. I assume not all examples do this and it may be a quality control issue. I emailed Blue Nook on the day I received the battery.
UPDATE: I’ve heard from Blue Nook. They report that there was a problem with the first batch from the factory and will receive a fixed version soon. I am returning the defective battery to them.

Mario Crespi collected the SAR readers suggestion and created a new A6xxx camera rendering

“A new idea for a fully programmable camera with digital controls. This one es the PI STR [street] with Joystick PAD.
There is no joystick. Instead, there is a touchpad that can also be clicked to change the control. You could set it for manual focus, click and change to WB. Enjoy.”

Dashboard and control sections on the top LCD display:

The PI STR 1 3D camera with trackpad. The trackpad replaces the joystick. It is also clickable in the corners. ie: assign focus to the top left corner, push that corner and now you can track focus with the pad. Push the programmed WB rigth down corner and you can change WB:

About the LCD screen. It is tiltable like the one on the A99 & A77… Suggestion buy one of your followers @linzdoctor. Also, the back LCD screen is big enough for a 3:4 ratio image and a dashboard or a 16:9 image.
No hotshoe… Not needed. Wireless Sync Flash. High quality mic. There should be ports also. Good for a rig.

The past week we got four new E-mount lenses. Two from Venus Optics (info here) one from Meike (info here) and one form Meyer Optik (info here).

 Loading ...

This is one of the moste xicting sotries in years:

Alexander Gee contacted me last week to tell me this story: He created a new E-mount film camera! Everything is reported on this website: http://www.lexoptical.com/index.html. This is a one-man project and he sent me this text to introduce it:

I built LEX because I primarily shoot on Sony E-Mount with native E-Mount lenses, but occasionally I like to get out and shoot film for the aesthetic it provides. At the same time owning two complete sets of lenses seemed expensive and bulky. Of course I didn’t want to sacrifice getting the full functionality of my lenses on my Sony A7ii. So instead of adapting film lenses to my Sony cameras I decided it would be better to adapt a film camera to use my E-Mount lenses. That way I could use all the great new glass that is being made like the Tokina’s Firin or the Zeiss Loxia range on all my cameras. After doing some research it became obvious the 18mm flange focal distance which makes E-Mount amazing for building compact cameras like the Sony A6500 was going to rule out adapting any existing film body I could find. The easiest approach was to start at the beginning and make a whole system from scratch. LEX was also a learning project. I wanted to learn CAD and designing a camera seemed like a pretty good challenge. Along the way I’ve also learned a huge amount about 3D printing, manufacturing, materials science, and I even built a mini foundry to make metal parts for LEX. The whole process was a lot of fun and now I only need to carry one set of lenses in my bag.

The name LEX is because I’m ALEX and it seemed like a nice way to sign the project so to say.

I am definitely going to buy this! I think it’s kind of cool that we can use our E-mount lenses on a film camera. I kindly invite you to subscribe his email alert service to get notified when you can buy it: http://www.lexoptical.com/coming-soon.html.

–

This is the entire development story (Image credit Alexander Gee).

The beginning
LEX needs a very narrow shutter to shoot with E-Mount lenses. To achieve that the camera is built around the shutter mechanism from another E-Mount camera, the Sony A7.

An idea begins to take shape
The very first test of the lens mount and the shutter box. It can just fit together.

Layout
The basic layout of the camera is starting to come together.

First working prototype
The first prototype was less than pretty. Despite looking like a bomb prop from a movie it actually worked (with the help of a little structural duct tape). LEDs were included for in field debugging.

First PCBs arrvive
The first set of test PCBs. The PCB is two parts in one. The left section is the button board. The right section is the camera motherboard containing the power transistors and break out wiring to the peripherals.

PCB testing
Prototypes are prototypes for a reason. In this case two legs of transistors were switched by accident. Some creative soldering worked around this problem and allowed prototyping to continue.

Assembly of the electrical loom
PCB layout is designed to optimize for ease of hand assembly. No SMD soldering required. Various components are on commercial break out boards.

Metal casting
Some parts for LEX need to be tough or stiff. To achieve this metal is the obvious choice. These are prototype winder knobs from two different experiments in prototype casting. Casting these parts allows us to make rapid low cost prototypes without having to design around the limitations of low cost CNC services.

Button and finishes tests
Buttons are difficult. The user interacts with them so they need to be perfect. Wobble or rattling is unacceptable but so is a button that is too hard to press. It took several prototypes to get the button fits just right.

Body in raw SLS Nylon
The body of the LEX in raw SLS nylon. This printing process allows for great surface finish with minimal post processing. Unfortunately it’s quite transparent.

Prototype body complete
The prototype body in a complete working state. Metal parts are ZA2 alloy cast in house. (Tape for ease of reprogramming during firmware development). The Nylon parts have been dyed and coated to block ambient light.