Venetian Carnival & Fire Show, Hamburg 2014 (FullHD wide screen) from Hacky on Vimeo.

Time to catch up with Sony A7 and A7r and FE lens test submitted to me by SAR readers (Thanks!). Here they are:

Venetian Carnival And Spectacular Fire Show & Venetian Masked Ball filmed with Anamorphot 1.33x on Zeiss FE 1.8/55 and HyperPrime CINE 35mm T0.95 on Sony A7R: 3d-kraft.com
Winter In Iceland With The Sony a7R (PDF file)
Soma magazine: first editorial: shooting for print with the Sony A7r: field report, part two. (Mike Kobal).
Sony A7r and 28-70mm on the streets (Soundimagesplus).
Review of the Zeiss 24-70 at Fratkinphoto.
Review of the A7r at Ohm-Image.
70-200mm FE lens test at SLRclub.
Eric Lafforgue has tried his hand with the A7 (Flickr).
A7r review at Crispyscapes.
Zeiss 24-70mm FE lens test at Bestmirrorlesscamerareviews.
ISO quality comparison between the 7r, a99, and NEX-7 at Davetameling.
A7 review at Jimmartinphotoblog.

DearSusans A7r tests:
Sony – Zeiss T* Sonnar FE 55mm f/1.8 ZA (by Philip Partridge): http://dearsusan.net/2014/04/07/212-sony-fe55-tibet-winters-tale/
Leica-R Elmarit 19/2.8 : http://dearsusan.net/2014/03/12/leica-elmarit-r-19-sony-a7r/
Leica-M 135/3.4 : http://dearsusan.net/2014/01/01/190-leica-apo-telyt-1353-4-on-sony-a7r-the-long-ranger/
Leica-R Summicron 50/2 : http://dearsusan.net/2014/01/02/191-leica-summicron-r-502-the-perfect-50-for-the-sony-a7r/
Leica-R 60/2.8 : http://dearsusan.net/2014/04/01/210-leica-macro-elmarit-r-602-8-soulful-engineer/
Sony A7r page : http://dearsusan.net/sony-a7r-review-page/

Dave: “I finally picked up an a7r and I’m blogging my way through my experience as compared to my a99, NEX-7 and NEX-5R. I have over a dozen old manual focus lenses which will be tested throughout the process. My first look after a couple of weeks of use is a bit behind the times but I couldn’t score a loan from the local rep so I had to wait until I could buy one for myself. The next test is a straight up comparison with the a99 to determine wether or not I keep it or pass the a99 on to somebody else while it’s still worth something. http://davetameling.com/blog/2014/3/sony-alpha-ilce-7r-first-impressions”

Luis: “He publicado dos entradas que quizas os interesen, una es una review del Leica summilux 50mm pre-asph en la Sony A7 y la otra es el adaptador King con AF para lentes canon en cuerpos con montura Nex:
http://coolframe.wordpress.com/2014/03/07/review-leica-summilux-1-450-pre-asph/
http://coolframe.wordpress.com/2014/03/23/adaptadores-con-af-canon-ef-a-sony-nex/”

Michael: “Linked is a travel report from a trip I recently did together with the A7R. Maybe you find it interesting enough to publish it on your page.  You can find it in English: http://www.napsis.de/en-a7r/ or German: http://www.napsis.de/a7r/”

Bart: “Michael Frye switched to Sony a7r!!! You should post it immediately.First league photogs are into the Sony world now :-) http://www.michaelfrye.com/landscape-photography-blog/2014/04/18/sony-a7r/#comment-250188”

Jul: “Take a look: https://vimeo.com/92116879. I shot this time lapse on the night of the 14th as there was the full moon eclipse in San Francisco. I originally planned for the Golden Gate but too much fog came in so had to move North to Tiburon and then San Rafael where I was able to capture the moon going from red (orange) back to bright yellow. This was shot with A7r, and combination of the FE55, FE35 and 10-18mm APSC zoom lens. Time Lapse was made from 1,500 raw shots, processed in LR and video put together in Premiere CC.”

Javier: “Hola te adjunto este video test con sony A7+ziss55mmF1.8 a 4000 ISO en Semana Santa Spain. http://youtu.be/oG0Q0ENC4nM”

Specs and Store Links in US and Canada:
Sony A7r body at Amazon, Adorama, BHphoto, SonystoreUS. TheCameraStore Canada.
Sony A7 body at Amazon, Adorama, BHphoto, SonystoreUS. TheCameraStore Canada.
Sony A7 with 28-70mm kit lens at Amazon, Adorama, BHphoto, SonystoreUS. TheCameraStore Canada.

Specs and Store Links in Europe:
Sony A7r body at Sony DE, UK, FR, IT, ES, NL, BE, CH, AT, SE, FI, NO, PT, WexUK, WexDE.
Sony A7 body at Sony DE, UK, FR, IT, ES, NL, BE, CH, AT, SE, FI, NO, PT, WexUK, WexDE, Amazon UK, Amazon DE, Amazon FR.
Sony A7 with 28-70mm kit Sony DE, UK, FR, IT, ES, NL, BE, CH, AT, SE, FI, NO, PT, WexUK, WexDE, Amazon UK, Amazon DE, Amazon FR.

Asia:
A7r at Digitalrev.
A7 at Digitalrev, Amazon Cina.
A7 with 28-70mm lens at Digitalrev.

Chris and Jordan form TheCameraStoreTV tested the new RX100M3 and they have little to complain about that new masterpiece from Sony. This is again a great new RX camera from Sony!

The camera will ship on June 20 according to Amazon US (Click here).

A7s and RX100M3 Preorders:
Sony A7s preorder in USA/CA at Amazon (Click here), Adorama (Click here), BHphoto (Click here), Sony (Click here), Sony Canada.
RX100M3 preorders in USA at Amazon (Click here), Adorama (Click here), BHphoto (Click here), Sony (Click here).
RX100M3 preorders in Eu at Sony DE, UK, ES, FR, IT, NL, BE, AT, CH, SE, NO, FI, PT.
RX100M3 in Asia at Amazon Japan and Sony Australia.
Sony A7s EU pages (no preorder yet): Sony DE, UK, ES, FR, IT, NL, SE, FI, PL.

We saw it in the past that the semitransparent mirror did come to a small cost. The A77 and the A99 didn’t manage to match the performance of the other cameras with Sony sensor (although the difference was really minimal). But this seems to have changed. Today DxOmark (Click here) posted the A77II sensor test. The new camera performs four point better than the predecessor and now matches the best APS-C camera int he class, the Sony powered Nikon D7100 and Pentax K-3.

DxO writes:

The slight gains in sensor performance over its predecessor are welcome and place the A77 II on a level with rivals. Whether it’s enough to counter as yet unannounced models from Nikon and Canon, however, only time will tell.

And only Photokina will tell us if the next Full Frame A-mount cameras will have a “flipable” mirror to squeeze out the latest tiny bit of image quality from the class leading Sony sensors!

Sony A77II specs, preorders and shipment date:
Sony A77 body in USA at Amazon (Click here), Adorama (Click here), Sony Store (Click here) and BHphoto (Click here).
Sony A77 with 16-50mm lens at Amazon (Click here), Adorama (Click here), Sony Store (Click here) and BHphoto (Click here).
Sony A77 body in Europe at Sony Germany, Sony UK, Sony France, Sony IT, ES, NL, BE, AT, CH, PT, NO, SE, FI and Wex UK.
Sony A77 in Asia at Digitalrev and Sony Australia.

Sony just published that A77 II test shoot and review with Eric Levin (video on top). And while you watch the video I will keep working on the next A99II rumors… ;)

Sony A77II specs, preorders and shipment date:
Sony A77 body in USA at Amazon (Click here), Adorama (Click here), Sony Store (Click here) and BHphoto (Click here).
Sony A77 with 16-50mm lens at Amazon (Click here), Adorama (Click here), Sony Store (Click here) and BHphoto (Click here).
Sony A77 body in Europe at Sony Germany, Sony UK, Sony France, Sony IT, ES, NL, BE, AT, CH, PT, NO, SE, FI and Wex UK.
Sony A77 in Asia at Digitalrev and Sony Australia.

TheCameraStoreTV team tested the latest generation mirrorless camera autofocus performance and compared it to the best AF cameras of the world, the Nikon D4s (a $6,500 camera!). According to Chris the Sony A6000 is definitely the best bang for the buck. And along the Panasonic GH4 the performance is quite close to that of the exactly 10 times more expensive D4s!

Cannot wait to see the newer generation FF E-mount cameras having the same (and maybe even improved) af performance!

Sony A6000 store link list:
Sony A6000 at Amazon, Adorama, BHphoto, SonyStore. In Europe at Sony DE, UK, FR, IT, ES, AT, NL, BE, CH, FI, SE, PT, WexUK.
Silver A6000 at Amazon US, BHphoto, WexUK.
Sony A6000 with lens at Amazon, Adorama, BHphoto, SonyStore, Sony Canada, WexUK.
Silver A6000 with lens at Amazon US, BHphoto, WexUK.
Sony 70-200mm FE at Amazon, BHphoto, SonyStore. In Europe at Sony DE, UK, FR, IT, ES, AT, NL, BE, CH, FI, SE, PT

Image sourtesy: Photozone.de.

Our friend Klaus from Photozone is known to be a very sever reviewer. Unlike so many other reviewer sites he rarely marks lenses with the “highly recommended” badge. So it’s a nice to read that the new Sony FE 70-200mm “survived” his detailed tests and made a very favorable impression:

The Sony FE 70-200mm f/4 G OSS is, undoubtedly, a high quality with just a few weaknesses. The Sony lens is not only a looker but the mechanical quality is also truly impressive. It feels exceptionally solid and the control rings feel silky smooth. The weather sealing as well as the supplied tripod mount are also a nice bonus.

He also added that interesting note:

The A7R creates rather massive shutter vibrations that are a game spoilers when using tele-lenses – even with activated OSS. However, the A7 and A7s should be able to exploit the really high potential of the Sony FE 70-200mm f/4 G OSS. Therefore highly recommended.

Full review at Photozone.de.

Sony 70-200mm FE at Amazon (CLick here), BHphoto (Click here), SonyStore (Click here). In Europe at Sony DE, UK, FR, IT, ES, AT, NL, BE, CH, FI, SE, PT

This is a Guest Post written for SAR by Guiskard (http://guiskard.net). Feel free to share your stories and reviews by contacting me (Andrea) at sonyalpharumors@gmail.com.

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When I bought the A7r in December last year my decision was based on a couple of key features: Small Body, high resolution plus the possibility to adopt my old nikon lenses. Another aspect was the option to get Zeiss lenses perfectly suiting this camera. Now, almost half a year later I’d like to share my experiences with this blog that helped me a lot in terms of making up my mind if I really should spend money on this particular camera and later when I got it, how to get the most out of it. It’s not supposed to be another review with all the technical details – I think others did already a great job in that term. I’d rather write something about my experiences as a reportage photographer.

Recently I spent some time in India, using the A7r for a couple of features and I didn’t regret it at all. Let’s start with the dimensions. Compared to a DSLR the body is obviously a lot smaller, the Zeiss primes are light and small, too. This means that I could use a slim sling bag for all my gear (i.e A7r, the 35mm Zeiss, 20/50/135mm Nikon legacy lenses, adapter), a bottle of water, one or two books and some food. It’s such a big advantage traveling with just as little luggage as possible. It pays off even more when you are frequently in overcrowded trains or busses. At the same time it is a lot less obvious when you are shooting undercover. The A7r looks much more like an old analogue camera than the professional and very powerful tool that it actually is. To enhance this look I put black ducktape on all the logos and lettering. I got the impression that people were less cautious or didn’t pay that much attention – which was a big plus for me in many situations. If the shutter sound was a bit more discrete, it would have been even better. But the places where I usually shoot have some background noise anyway – so I don’t mind that much.

Nikon 50 mm, 1.8,
More important to me are the lowlight qualities because – again it reduces the weight I have to
carry. I’d rather get that not so fast but small and light lens instead of the heavy and bulky one that might be a stop or even two faster. Besides the whole system is even more compact like this. Up to ISO 3200 the results are very usable and in combination with noise reduction in post processing almost astonishing considering the 36mp sensor (I’ m really curious how the news A7s will behave here). And I don’t want to miss that large sensor anymore! Not only for the narrow depth of field that I really love – which is sometimes almost too difficult to handle, already with the 1.8/50mm – but mainly for the possibility to crop substantially. Again and again I’m totally amazed by the sharpness this camera delivers even if you zoom in like mad. Often things simply happen too fast in front of my camera to be able to think for a long time about composition or how to frame the subject. It’s so good to know that it just doesn’t matter. Sure I have to know which part of the image should be in focus, but for the rest I often do the job in post and still you don’t see it – not even in large sizes.

Being used to optical viewfinders I didn’t really know what to think of this EVF in the beginning. Looking through optics isn’t exactly the same thing as staring on a screen. But again it turned out to be a smart piece of technology. I really like the possibility to display different kind of levels and other information. However, most important to me is the constant brightness no matter what f-stop you choose. Even at night you’ll get a usable viewfinder image to work with. Shooting in bright daylight it’s very useful for briefly checking your results as one doesn’t see anything on the screen on the back of the camera. Another highlight is the the magnifying tool and focus peaking – both very helpful when using legacy glass. However, I must admit that the 35mm is a real always on lens for me.

Quite a lot of users were complaining about the autofocus speed. As I rarely shoot action or birds or something comparably fast – the AF works just fine for me. The only downside is the complicated adjustment of the focus point – I wish that would be easier and quicker to do. Something that really gets on my nerves is the ISO dial. It happened again and again that I touched the wheel with my nose while shooting. OK, you might argue that it’s connected to the size of my nose but whatsoever, it is pretty annoying if you realize that you were using the wrong sensitivity. Usually it’s to high (otherwise I become aware of the slow shutter speed) and eventually the problem emerges only in post when I see noise in the image where it’s not supposed to be. It’s a pain but I’m aware of the issue now and try to be extra careful with my nose.

Finally, considering the whole system – ergonomics, built quality and sturdiness, sensor technology, the possibility to adopt a large variety of legacy glass and the quality of the Zeiss lenses – it seems to be a really good package for reportage photographers. I do enjoy the handiness of this camera in combination with the excellent sensor. It delivers great sharpness, offering good lowlight quality and an impressive dynamic range, being unobtrusive at the same time – right now I don’t see any other model to compete with the A7r.
Links: http://guiskard.net