Nikon FF mirrorless: First lenses could be the 50mm f/0.9 and 35mm f/1.2

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In 2018 Nikon will launch their first Full Frame mirrorless system camera(s). It will be the first real competitor of the Sony FE system. And to make a splash it seems like they are working on launching very fast primes lenses.

The Japanese website Hi Lows Note spotted the patent of a new 50mm f/0.9 and 35mm f/1.2 lens. There are no such Sony FE lenses yet and for sure this would help Nikon to get some “attention” from photographers. So my take for Sony…beat them and make such lenses too :)

via Mirrorlessrumors

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(SR3) One trusted source: 90% chance to see new E-mount announcement within two weeks

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Sony Tokyo center

One trusted source who shared many correct info in the past told me this:

After yesterday, it is now time for next announcement. It’s about E-mount mirrorless system now. Within next 2 weeks for 90%

But so far I could not confirm this rumor with other trusted sources. One second trusted source said that yes for sure there will be an announcement some time before the PhotoPlus show (end of October). But he had no idea if the announcement will be within 2 weeks or later. I hope to be able to give you more info within the next few days.

“SR3” ranking explained:
While the one source whom shared the rumor is surely a trusted one I only do rank the rumor SR3 because it has not been confirmed by another trusted source yet. For now I give it a 60% chance that there might be an E-mount announcement within 2 weeks.

One more thing:
I can now confirm that journalists from all over the world are in Tokyo for a meeting with Sony. Sony paid their tickets and hotels. But none of the journalists have been told there might be an announcement. It happens 1-2 times a year that Sony invites journalists for a factory tour or interviews. So it might be that we won’t see any announcement today or tomorrow.

What can we expect to be announced by Sony?
What we know from sources is that new FE lenses should be announced really soon (135mm and 400mm FE). While I don’t expect a new A7 camera to be announced this month but I might be (hopefully for you) wrong.

You hope to get the new...

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Reminder (SR = Sonyrumor):
SR1=probably fake rumor
SR2=rumor from unknown sources
SR3=50% chance it is correct
SR4=rumor from known sources
SR5=almost certainly correct!

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Sony Unveils VENICE, its First 36x24mm Full-Frame Cinema camera with Lever Lock Type E-mount!

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Sony just unveiled the new Venice Full Frame Cine Alta Camera. It will be presented tonight at 6pm in las Vegas. This high end cinema camera has a lot of exciting tech. And it has a Lever Lock Type E-mount:

The camera body only is rumored to be priced around $35-40,000. But some of that tech could trickle down to the future more affordable E-mount camcorder and cameras.

Enjoy the press text:

Sony Unveils VENICE, its First 36x24mm Full-Frame Digital Motion Picture Camera System

Anamorphic Capabilities, Interchangeable Sensor, 8-stage ND Filter System, New Colour Management System & Established Workflows combine into a Unique Creative Filmmaking Tool

Basingstoke – 6 September 2017: Sony Professional Solutions Europe is unveiling VENICE – its first full-frame digital motion picture camera system. VENICE is the next generation of Sony’s CineAlta camera system, designed to expand the filmmaker’s creative freedom through large-format, full frame image capture of filmic imagery with natural skin tones and expressive dark areas. VENICE was designed through close collaboration and careful research with the creative community, fulfilling the various requirements from filmmakers and production professionals.

VENICE is officially unveiled globally on 6th September with events in Europe at Sony’s Digital Motion Picture Centre at Pinewood Studios with renowned cinematographer Ed Wild B.S.C., and in the USA at the Cary Grant Theater, Sony Pictures Studios. At both events Sony will also screen footage produced with the new camera, directed by Joseph Kosinski and shot by Academy Award winning cinematographer Claudio Miranda, ASC.

“The launch of VENICE demonstrates our strong relationship with filmmakers around the world, and our commitment to developing tools that support directors, DOPs and cinematographers in bringing their vision to the screen as they originally intended it,” said Sebastian Leske, Product Marketing Manager, Cinematography, Sony Professional Solutions Europe. “We’ve not only focused on features to deliver the most true to life images, including colour reproduction for natural skin tones. We also thought about the best usability and operability, without compromising on quality. We’re looking forward to seeing how VENICE will be used to create Emotion in Every Frame.”

Full frame sensor and wide range of lens compatibility to visualise the image of filmmakers

The camera combines a newly developed 36x24mm full-frame sensor and compatibility with a wide range of lenses, including anamorphic, Super 35mm and full-frame PL mount for a greater range of expressive freedom with shallow depth of field. The lens mount can also be changed to handle E-mount lenses for shooting situations that require smaller, lighter, wider and more characteristic lenses. User-selectable areas of the image sensor allow shooting in Super 35 mm 4 – perf. Future firmware upgrades are planned to allow the camera to handle 36mm wide 6K resolution. Fast image scan technology minimises the so-called “Jello” effect.

New colour management system and established workflow for flexible post-production

A new colour management system and wide colour gamut gives users more control and greater freedom to work with images during grading and post-production. VENICE also has more than 15 stops of latitude to handle challenging lighting situations from low-light to harsh sunlight.

VENICE achieves high quality and efficient file-based production through Sony’s established 16-bit RAW/X-OCN and XAVC workflows using the portable memory recorder AXS-R7. VENICE is also compatible with current and upcoming hardware accessories for CineAlta cameras (DVF-EL200 Full HD OLED Viewfinder, AXS-R7 recorder, AXS-CR1 and AR1 card reader, AXS and SxS memory cards).

Intuitive design and refined functionality to support smooth on-site operation

VENICE has a fully modular and intuitive design with refined functionality to support smooth and efficient on-site operation. It is the film industry’s first camera with a built-in 8-stage glass ND filter system, enabling to reduce the replacement work of the external ND filter and make shooting progress efficient. The camera is designed for easy operation with an intuitive control panel placed on the left and right sides of the cameras. A 24 V power supply input/output and Lemo connector allow use of many standard camera accessories and make use in harsh environments easier.

License options for individual production requirements

With VENICE, Sony is giving users the option to customise their camera by enabling the features needed, matched to their individual production requirements. Optional licenses will be available in permanent, monthly and weekly durations to expand the camera’s capabilities with new features including 4K anamorphic and full frame, each sold separately.

The VENICE CineAlta digital motion picture camera system is scheduled to be available in February 2018.

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(SR2) Some early unconfirmed A7sIII rumors

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Today (6pm Los Angeles time) Sony will announce the new Cine Alta FF camera (early specs here). I am yet not sure if there will be something else.

If reliable rumors is what you are looking for please stop reading here :)

Today I got this completely unverified rumor. I post it as usual in the hope to get some feedback on this. The new source said A7sIII (or A9s) will come soon:

The interesting thing will be that is will house the worlds first full frame RGBW backlit stacked sensor. Giving us around 68% better low light performance over the original a7s sensors. It will also be capable of 4K 4:2:2 10bit color and 4K 60p but only at 8bit 4:2:0 full sensor readout. These are the things I am mostly sure of.

But like I said, it might be completely BS :)

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