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Zhong Yi announced a new Silver version of their Speedmaster 35mm f/0.95 APS-C E-mount lens. The new lens is available for order one Bay and you can have it in [shoplink 51169 ebay]Black (Click here)[/shoplink] or [shoplink 51168 ebay]Silver (Click here)[/shoplink].

Image samples can be found on [shoplink 51169 ebay]that eBay page[/shoplink].

Press text:

Zhongyi Optics (ZY Optics) has released an improved version of their first f/0.95 lens, Zhongyi Mitakon Speedmaster 35mm f/0.95 Mark II. The mark II verison features a drastic improvement of sharpness, better control of chromatic abberations and much compact size. The new version comes with a Fuji X / Sony E / EOS-M mount and is able to cover the image circle of APS-C sized sensors.

Zhongyi Mitakon Speedmaster 35mm f/0.95 Mark II is a ultra-fast prime lens which provides a 35mm-equivalent focal length of around 53mm in APS-C cameras. A maximum aperture of f/0.95 makes it extremely convenient to shoot at a low light conditions without flash. The new optical design incorporates a 11 elements in 8 groups structure, including 1pc of Extra-low disperson elements, 2 pcs of Extra-high Refractive Index elements and 3pcs of High Refractive Index elements. This structure effectively improved the image resolution by 30% compared to the previous version from corners to corners. This also controls the chromatic abberations very well and deliver excellent image sharpness even at f/0.95.

The new Speedmaster 35mm f/0.95 is light and compact. The total weight is reduced from 680g to 460g, making it an ideal companion for the compact mirrorless cameras. Manual focus design and a click-less, silent aperture ring promote smooth handling and are especially well-suited to video applications. The lens is built in metallic enclosure with additional protective process and finest finishing, which gives extra durability and aesthetic.

Package Includes

1 x Zhongyi Mitakon Speedmaster 35mm f/0.95 (II) Sony E mount

Leather Box

Front and Rear Lens Caps

Instructions Manual

Specifications

Newsshooter at IBC 2016: Aputure Electronic Variable ND DEC Test Footage – 4K from Dan Chung on Vimeo.

Newsshooter published the first hands-on report of the new Aputure Electronic Variable ND Canon EF to E-Mount adapter:

Unlike a conventional screw-in variable ND filter, there is no black extinction cross when approaching maximum density. It also has a much wider range of ND and Aputure claim there is virtually no colour shift – something that plagues other variable ND filters.
Colours look good and just as Aputure claim there appears to be little colour shift. Resolution looked to be similar to without the filter and there was no obvious softness or vignetting in the corners of the frame. We also tried it inside using the new Zeiss 21-100mm lens. There were no odd flares or obvious image issues.

Note: There is yet no price and shipping info yet

Newsshooter at IBC 2016: Aputure puts a variable ND inside their DEC Canon to Mirrorless lens adapter from Dan Chung on Vimeo.

DhungPam on SonyAlphaForum
Thara in Saigon, 09/2016
Sony A7R2 – Batis 85/1.8
High quality: https://flic.kr/p/L28pa8

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Angenieux announced a new Type EZ Cine Lens Series that will be available in native E-mount too. This is the press text:

Thales Angenieux, in collaboration with Band Pro Film & Digital Inc., and Jebsen Industrial Technology Co. Ltd., announces at IBC 2016 a new range of zoom lenses – the Angénieux Type EZ Series – two fast and light weight zoom lenses integrating an innovative modular design (Interchangeable Rear Optics IRO technology™) to cover S35 mmm and larger image formats for cine and broadcast productions. 

Designed for both Super 35mm digital motion picture cameras, and FF/VistaVision cameras, the new Angenieux Type EZ series has been created to fill the wide gap between still photography zooms, and the highly acclaimed OPTIMO / OPTIMO STYLE family of lenses used in the motion picture industry. For the first time, ENG-style productions will get the flexibility necessary for run-and-gun shooting, combined with high optical quality at an affordable price.

The Angenieux Type EZ Series features two new fast and light weight zooms, both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/ VistaVision formats (up to 46mm image diagonal).

The Angenieux Type EZ-1 is a standard zoom lens with a zoom factor of 3x. When configured for S35mm cameras, the focal range and aperture are set to 30-90mm F1.9 / T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8 / T3 covering an image circle up to 46mm diagonal.

The Angenieux Type EZ-2 is a wide zoom lens with a zoom factor of 2.7x. When configured for S35mm cameras, the focal range and aperture are set to 15-40mm F1.9 / T2. Byexchanging the rear lens group, the lens becomes a 22-60mm F2.8 / T3 covering an image circle up to 46mm diagonal.

Both lenses are built in a full metal casing, with internal thermal drift compensation, which allows focus to remain constant when the temperature changes. Focus / Zoom / T-stop can be controlled precisely due to the wide rotation angle of the 3 control rings, which are also equipped with cinema industry standard gear teeth. The lens size remains consistent across the zoom range due to the internal focusing & zooming mechanism. Users can easily configure these lenses to support different imaging formats (S35 or FF/VistaVision), and different lens mounts (PL, EF, or E) on their own, without returning their lenses to service centers.

Video tutorials on https://www.youtube.com/user/AngenieuxLenses

Full frame EZ zooms will fit RED 8K VV, Red cameras recording at resolutions higher than 5.5K, ARRI Alexa Open Gate, ARRI Alexa 65 with VistaVision crop and also Full Frame DSLR cameras such as SONY a7S Mark II, Canon EOS 5D Mark IV, 5DS, 1DX Mark II…and more to come. Detachable ENG style zoom servo grips and other accessories are being developed by third party manufacturers .

The Type EZ series will address the requirements of independent videographers and cinematographers, who are seeking for cost efficient tools that enable cinematic expressions. The exceptionally fast T2 lens opening provides tremendous control of depth of field, only previously found in prime lenses. Thanks to the Angenieux innovative system, the ability to convert lens mounts, and the image circle size makes the Type EZ lens series a solid investment to all industry professionals.

“Being the worldwide leader in premium quality cinematography zoom lenses, it’s critically important for Angenieux to address the ever-growing, affordable digital motion picture camera market.”, noted Pierre ANDURAND, CEO of Thales Angenieux. “The challenge is to provide a cost efficient, professional quality lens that can be used on both current S35 cameras, and future cameras built around larger imaging sensors”.

“Type EZ lenses are one of the fastest zooms in the industry with an open aperture of F1.9 or T2. When converting the image circle between S35 & VistaVision, the field of view remains fairly identical, so there are no crop factors to worry about. The wide zoom can be used as a wide zoom regardless of the image circle size.” says Christophe REMONTET, Thales Angenieux Product Line Manager.

Deliveries are expected to start from the 1st quarter of 2017 through selected distribution partners.

Prototype lenses will be shown at IBC 2016, at both Thales Angenieux booth #12.E33, and BandPro booth #12.D21 and this coming Fall in Asia.

Lens preorders will be accepted at the show. For any further information please contact for :