UNCONFIRMED RUMORS: New Sony 16-80mm f/4.0 coming on July 12, will replace the Zeiss lens?

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I got those two messages from new sources. Therefore take it with a grain of salt as this has NOT been confirmed by my trusted sources yet:

Source 1:

Next lens is… 16-80 f4. Is for July 12, second option for a6700. Like fuji 18-55 or 16-80 options. You pick.

Source 2:

I wanted to give you another piece of juicy info for all your hard work. Along with the 15-45 I told you about a while back, Sony will also be releasing a lens to update the 16-70. This is due to the fact that the Zeiss lenses are being faded out little by little. The 16-70 is the next to be faded out.

The new lens will be a 16-80 f4 constant zoom. It will also be kitted with the a6700, although more expensive than the 15-45. It will be optically superior to the old Zeiss lens. It’s going to be great! I will let you know when I have more info about the price/size and other details.

I definitely do believe the Zeiss lens is in need of a proper replacement. But I am not sure this is going to happen on July 12. So far trusted sources

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SAVED! Dpreview now acquired by GearPatrol. Will continue business as usual!

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Dpreview has been saved and will now continue business as usual: This is the official press release:

Dear readers,

We’ve heard from many of you over the past several weeks, and we realize there are many questions about what comes next for DPReview. We’re thrilled to share the news that Gear Patrol has acquired DPReview. Gear Patrol is a natural home for the next phase of DPReview’s journey, and I’m excited to see what we can accomplish together.

I want to reassure you that we remain firmly committed to what makes DPReview great: the best camera reviews in the business, industry-leading photography news and features, and one of the most active photography communities anywhere on the internet.

This is just the beginning of a new chapter for DPReview and we don’t have all the answers yet, but I’m sharing what we know below and will continue to share information about this change as we get more acquainted with our partners at Gear Patrol.

Thank you for your continued support of our team and legacy. We appreciate it and can’t thank you all enough.

– Scott Everett
General Manager – DPReview.com

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Announced in China: New Cheecar 14mm f/2.8 FE lens

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Google translated press text:

Cheecar released the 14mm F2.8 second-generation full-frame ultra-wide-angle lens. The second-generation lens has undergone many optimizations and improvements to further enhance the user experience. The lens adopts a structure of 13 elements in 9 groups, 10 aperture blades, a maximum aperture of F2.8, a minimum focusing distance of 0.22m, an 82mm circular filter that can be used, an all-metal structure, and a weight of about 500g. For sale only 1899 yuan.

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New patents for a Sigma 28mm f/1.4 DG DN and 14mm f/2 DG DN lens and Tamron 90mm macro

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Asobinet spotted a newly published Sigma patent that described the optical design of the 28mm f/1.4 DG DN and 14mm f/2 DG DN lenses.

  • Focal length: 14.48
  • F-value: 2.07
  • Angle of view: 114.27
  • Image height: 21.63
  • Total length: 128.00
  • Back focus: 20.0000
  • Focal length: 27.50
  • F-value: 1.46
  • Angle of view: 76.53
  • Image height: 21.63
  • Overall length: 113.50
  • Back focus: 21.7787

Digicameinfo spotted a patent for two Tamron 90mm lenses:

  • 90mm F2 (1x magnification)
  • 90mm F2.8 (2x magnification)

Asobinet spotted a Tamron prime lens patent:

  • 16mm f/2.8
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Sony FE 20-70mm f/4 G Review by Opticallimits: “a winner”

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Sony 20-70mm at BHphoto, Amazon, Adorama, FocusCamera, FotoKoch, Fotoerhardt, Calumet, WexUK.

Opticalllimits reviewed the new Sony 20-70mm FE lens and concluded:

The Sony FE 20-70mm f/4 G is one of the more exciting lenses released in recent years. It may be a new contender if we revisit the age-old question of which single lens to take on a remote island. However, this doesn’t mean that it is a perfect lens. It relies heavily on digital auto-correction to do the job, but there’s nothing wrong with this per se. However, Sony may have overdone – or, to be precise – underdone it a little when it comes to image distortions. In RAW images, the barrel distortions are nothing short of excessive at 20mm. Distortion correction is lossy, so auto-correction takes a toll on resolution. However, even so, the quality remains almost surprisingly high. The broader center quality is very good to excellent, and the outer image field is still good. As usual, the results are best in the broader middle zoom range. There’s a tiny drop at 70mm, but the results are still sharp. Auto-correction is doing a nice job of reducing the vignetting. Lateral CAs are also quite low. If we had to point to a single major weakness that is image-affecting from an end-user perspective, it’s the bokeh. However, you shouldn’t expect a great bokeh from an f/4 standard zoom lens anyway, but this doesn’t change the fact that the lens is worse than most in this respect. Returning to more positive aspects – as far as we can tell from sample images, the lens is pretty resistant to flare effects. And it can also produce pretty nice sun stars in night scenes.

The build quality of the FE 20-70mm f/4 G aligns with what you can expect from a modern G-class lens. It feels solid, and the used plastics are of high quality. The weather sealing may not have an IP rating, but it’s certainly reassuring. The zoom and focus control rings operate smoothly. Videographers will certainly appreciate the focus breathing compensation support (in certain Sony cameras) as well as the clickless aperture option. The AF motor is both very quick and noiseless.

Overall, the Sony FE 20-70mm f/4 G is a winner unless you are into shallow depth-of-field photography. Especially outdoor enthusiasts will like the combination of image quality, compact size and low weight … and, of course, the 20mm setting, which is its standout feature.

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