Well, I suppose that’s good news for Alpha shooters: Canon finally became serious with video and today they announced their Canon EOS-1D X Mark III will record 4K 4:2:2 10-bit & RAW video internally!
That’s the new benchmark the future A7sIII has to beat!
Press release:
Irix Cine 45mm T1.5
into the art of cinematography
Irix expands its offer of cinematographic lenses with the new full-frame 45mm T1.5.
Irix, the manufacturer of high-class optics, expands its Cine line by introducing the new 45mm T1.5 lens. This new model is the third full frame cinematographic lens designed for shooting with Ultra HD 8K cinema cameras. The Irix 45mm T1.5 is based on a completely new optical design which includes four elements made of high refraction glass, one extra-low dispersion lens and one aspherical lens. 11 elements in 9 groups deliver crisp details, vibrant colors and an ultra-low – 0,5% distortion. The circular 9-blade iris ensures a pleasant background blur and a smooth adjustment of the T- number from 1.5 to 22. With practically no focus breathing, the Irix Cine 45mm T1.5 is the perfect lens for filming scenes with a natural character.
Press release October 21st, 2019
Irix Cinematic Design
The 45mm T1.5 is the third lens in the Irix Cine line which stands for a perfect combination of advanced technology and modern design. A good example of the Irix smart design is the front housing element which has a diameter of 95mm and a built-in 86mm filter thread. It also provides a magnetic mount for the reversible lens hood and for future Irix Cine accessories.
This synergy is also visible in the shape of the geared rings which have been integrated into the lens housing. The convenience of operating by hand and full compatibility with follow focus systems was a priority in the external design of the lens. You can use any follow focus system you like and position it wherever you want to thanks to a special rotating adaptive ring design. The adaptive ring can be adjusted to any desired position and expose the geared ring to couple with follow focus systems.
The Irix Cine line has been carefully deliberated from the start. The focus and aperture rings of all the lenses are aligned at the same height and have the same rotation angle. With the exception of the Irix
150mm T3.0 Macro 1:1, where a longer 270 degrees focus throw is necessary, the rest of the Irix Cine range lenses have ring rotations of 180 degrees for the focus ring and 75 degrees for the aperture ring.
Ready to shoot in any weather conditions
A high-class cinematic lens must work in any atmospheric condition. No matter if you are shooting on burning sand in the Sahara Desert or on the frozen peaks of the Himalayas – the Irix 45mm T1.5 is prepared to not only face it, but also to capture the best image possible. Every time. Enjoy your lens’ reliable construction with rubber seals placed in all the crucial points to ensure protection against rain or dust. Now, you can film anytime, anywhere – and seize the wondrous power of nature.
Your comfort is important! Focus and aperture marks are laser engraved and filled with UV paint. This makes them visible, even in low-light environments.
Versatility and compact in size
Irix Cine lenses are some of the most compact and lightest film lenses covering the full frame format. The housing is made of a lightweight and impact-resistant aluminum-magnesium alloy which has been successfully used and tested in the Irix Blackstone still lenses. Thanks to the low weight (every Irix Cine lens weighs about 1.1 kilograms / 2,4lbs), they can be used on smaller cameras on handheld rigs or stabilizers as well as on professional setups. In order to achieve greater comfort while working with follow focus systems, the Irix Cine lenses are equipped with a lens support foot. Depending on your needs, this support foot can be attached to the lower or upper part of the lens.
Key features of the Irix Cine 45mm T1.5 lens:
● Mid-range focal length with field of view 51,4°
● Suitable for shooting with Ultra HD 8K resolution cameras
● High quality optical elements – 11 elements in 9 groups. HR, XLD, ASP produced in
Japan
● High maximum transmittance value of T1.5 up to T22
● Standardized 0.8 Pitch Mod Cine Gears
● Very low distortion -0.5%
● Sealed construction prepared for all weather conditions
● Compatibility with standard follow-focus systems and lens control motors
● Front filter thread size 86 x 1.0 mm
● Standard 95mm front diameter for cine accessories● Equipped with a support foot
● Irix Magnetic Mount System
● Focus scale available in metric or imperial units
● Laser engraved markings filled with UV paint
● Durable magnesium-aluminum alloy
● Weight 1.1 kilograms / 2.42lbs
Available mounts
The Irix Cine 45mm T1.5 lens will be available in the four most popular industry mounts: Canon EF, Sony E, Olympus / Panasonic MFT and Arri PL-mount
Price and availability
Price and availability of the Irix Cine 45mm T1.5 lens will be announced soon.
Viltrox 23mm F1.4, 33mm F1.4 and 55mm F1.4 AF New Lenses
7Artisans 35mm F1.4 review at SonyAlphaBlog.
KIPON start to deliver top quality lineup adapters for pro cine&video purpose
Why and How to Use a Circular Polarizer Filter (Explora).
Sony FX9 Sensor Destined for a7s III? New Autofocusing Cine Lens Line?? (Three Blind Men and An Elephant Productions)
Sigma A 35 mm f/1.2 DG DN (Lenstip).
High ISO can look good (Sulantoblog).
Canon 90D VS Sony A6400 | What is the BEST 4k YouTuber Camera?! (TheEveryDayDad).
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Today Fuji has announced the new X-PRO3. Here are the things I like and wish Sony would “copy”:
– I really like how Fuji is the only company still using that hybrid viewfinder concept.
– I do like they offer the new X-PRO3 in three different materials.
– I do like the new gimmick of the small rear screen showing the film simulations
You do not have to agree me with, and you may don’t like some of the things I mentioned. But we can all agree Fuji is among the few companies that still keeps innovating and trying out new things. I would be glad to see Sony trying out new camera designs too!
So here is my question:
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Much-anticipated third model in its series of F/2.8 high-speed zoom lenses delivers superb optical performance with extremely quiet, fast focus
70-180mm F/2.8 Di III VXD (Model A056)
October 23, 2019, Commack, NY – Tamron announces the development of a new high-speed telephoto zoom lens for Sony E-mount full-frame mirrorless cameras, the 70-180mm F/2.8 Di III VXD (Model A056). Availability of this new zoom is planned for Spring 2020. The lens will be on display at the upcoming Photo Plus Expo in New York City this week and Salon de la Photo in Paris next month.
Developed under the concept of “making high-speed zoom lenses user-friendly,” Model A056 features a compact and lightweight design, an ideal match for full-frame mirrorless interchangeable lens cameras. The 67mm filter diameter is the same as all other Tamron lenses in this series. The optical design includes several specialized glass elements that contribute to the lens’s superb imaging performance and its very short 33.5 in MOD (Minimum Object Distance) expands overall versatility. The lens adopts Tamron’s newly developed VXD (Voice-coil eXtreme-torque Drive) linear motor focus mechanism that produces a quiet, quick autofocus drive.
Other features that support a great shooting experience include a Moisture-Resistant Construction helpful for outdoor shooting and Fluorine Coating for easy maintenance. In addition, Model A056 is fully compatible with various camera-specific features including Fast Hybrid AF and Eye AF. This new model joins the 17-28mm F/2.8 Di III RXD (Model A046) and the 28-75mm F/2.8 Di III RXD (Model A036) and brings Tamron’s total of F/2.8 zoom lenses for full-frame mirrorless cameras to three.
Main features
* Specifications, appearance, functionality, etc. are subject to change without prior notice.
Preorders:
Tamron 20mm f/2.8 at Adorama and BHphoto.
Tamron 24mm f/2.8 at Adorama and BHphoto.
Tamron 35mm f/2.8 at Adorama and BHphoto.
20mm F/2.8 Di III OSD M1:2（Model F050)
24mm F/2.8 Di III OSD M1:2（Model F051)
35mm F/2.8 Di III OSD M1:2（Model F053)
October 22, 2019, Commack, NY – Tamron announces the launch of three prime lenses for Sony E-mount full-frame mirrorless cameras: 20mm F/2.8 Di III OSD M1:2 (Model F050), 24mm F/2.8 Di III OSD M1:2 (Model F051), and 35mm F/2.8 Di III OSD M1:2 (Model F053). The 24mm and 35mm lenses will be available on November 20th and the 20mm will be available in January 2020. All three lenses will be available in the USA for approximately $349.
Having already produced award-winning zoom lenses[1] in this mirrorless category, we turned our attention toward prime lenses. When using a prime lens, the photographer must decide the composition based on their distance from the subject. This puts the joy of capturing the image exactly as envisioned and the pure fun of shooting on a different level.
The three new models include a 20mm focal length (Model F050) to fully explore the world of ultra-wide-angles, a 24mm focal length (Model F051) as the perfect general-purpose wide-angle lens, and the versatile 35mm focal length (Model F053) that is ideal for everyday/every subject use. Developed under the concept of “letting as many as possible learn the joy of prime lenses in a more accessible way,” each lens strikes a balance between gorgeous image rendering and superior operation.
We matched the same filter size (φ67mm) for all three prime lenses as well as the two previously launched zooms and achieved our aim of compactness. Furthermore, the 20mm, 24mm and 35mm lenses are all capable of focusing very close, to an unprecedented in this category magnification ratio of 1:2. Other features include Moisture-Resistant Construction (for outdoor shooting) and a Fluorine Coating on the front element for easy maintenance and fingerprint removal.
They also support various camera features offered by certain Sony cameras, such as Fast Hybrid AF and Eye AF, and offer a multitude of advanced functions to ensure a pleasant shooting experience and fantastic results.
This series of highly practical lenses lets photographers enjoy the photographic expression of wide-angle lenses, often regarded as the sweet spot for most photographic pursuits, plus unprecedented light weight and full-blown performance.
These prime lenses focus very close. The MOD (Minimum Object Distance) for the 20mm, 24mm and 35mm is 4.3, 4.7 and 5.9 inches respectively. Plus, the maximum magnification ratio for all three is 1:2. This remarkable performance allows users to create compositions that emphasize perspective (closer subjects are larger and distant ones are smaller) and that are unique to wide-angle lenses.
Being able to get in close is one of the most desirable specifications for a wide-angle lens. With dramatic closeup shooting performance for full-frame lenses, the series unleashes an unprecedented level of shooting freedom. Plus, by moving close to the subject, strongly blurred backgrounds are easier to attain.
Weighing in at 7.8 oz for the 20mm (Model F050), 7.6 oz for the 24mm (Model F051) and 7.4 oz for the 35mm (Model F053), the lenses are exceptionally light, allowing photographers to enjoy shooting comfortably without hesitating about whether to carry the lens. All three lenses combined weigh under 1.5 pounds! Meanwhile other lenses in Tamron’s lightweight full-frame mirrorless series such as the 28-75mm F/2.8 (Model A036) standard zoom or 17-28mm F/2.8 (Model A046) ultra-wide-angle zoom make the perfect companions to broaden the range of shooting possibilities.
As testament to their compactness, all three new models feature the same 67mm filter diameter as Tamron’s zoom lenses for full-frame mirrorless cameras. This significantly reduces cost and packing space when working with PL, ND and other filters. Even the front lens caps are the same size, eliminating the hassle of sorting caps when switching lenses. These features combine to produce a highly convenient and mobile system that adds more fun to photography.
The sophisticated optical formula created with the latest lens design technologies boasts exceptionally high rendering performance from edge to edge thanks to the optimal arrangement of LD (Low Dispersion) and GM (glass-molded aspherical) lens elements. Any remaining minor distortions sometimes common in wide-angle lenses are corrected using in-camera functions.
Additionally, Tamron’s legendary BBAR (Broad-Band Anti-Reflection) Coating effectively reduces ghosting and flare. With excellent resolving power achieved through uncompromising optical performance and camera-based distortion correction, these lenses can be used with complete confidence for a wide range of applications from casual family snaps to serious professional photography.
All three lenses are the same length: 2.5 in. Achieving excellent balance with Sony E-mount cameras, these compact lenses employ a front element extension system but are designed to maintain the same exterior length during focusing operations. Therefore, there is less chance of an extended front element accidentally coming into contact with a subject during closeup shooting. And optional manual focusing is easier because the focus ring is positioned toward the front of the lens within natural reach of the thumb and index finger.
The AF drive system employs an OSD to ensure quiet operation. In comparison to conventional AF types with built-in DC motors, Tamron was able to greatly reduce the drive noise as well as vastly improve AF performance and speed. The lower ambient noise level is sure to be appreciated by video shooters.
Overall, this prime lens series provides superlative AF precision for exact focus even when shooting moving subjects, as well as outstanding accuracy and tracking capability. Additionally, this prime series supports various AF features offered by certain Sony cameras, including Fast Hybrid AF, Eye AF, and Direct Manual Focus (DMF) to ensure a pleasant shooting experience.
Environmental seals are located at the lens mount area and other critical locations to prevent infiltration of moisture and/or rain drops and afford Moisture-Resistant Construction. This feature provides an additional layer of protection when shooting outdoors under adverse weather conditions.
Also, the front surface of the lens element is coated with a protective fluorine compound that has excellent water- and oil-repellant qualities. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, moisture or oily fingerprints, allowing for much easier maintenance. These protective features are keenly important for lenses that allow you to get in close to a subject.
All three of Tamron’s new prime lenses are compatible with many of the advanced features that are specific to certain mirrorless cameras. These include the following:
-Fast Hybrid AF
-Eye AF
-Direct Manual Focus (DMF)
-In-camera lens correction (shading, chromatic aberration, distortion)
-Camera-based lens unit firmware updates
[1] 28-75mm F/2.8 Di III RXD (Model A036) standard zoom and 17-28mm F/2.8 Di III RXD (Model A046).
[2] Features vary by camera. Please consult your camera’s instruction manual for details. As of September 2019
Camrote has been updated to version 1.2.0. What’s new:
In this version we bring you some exciting (And widely requested) new features!
– Spanish localisations.
– Support for zooming*.
– Support for BULB based timelapse**.
– iOS 13 support.
– Adds a double-tap gesture to disable all Touch AF points.
– Many bug fixes and UI/UX tweaks!*Zoom is only available on certain camera models.
**Only supported on cameras which support BULB shooting.
