Here you have the images of the new Sony ZV1 camera that will be announced on May 26. This is basically an RX100VII successor made for vloggers. Which means it has a big recording button, a fully articulating screen and top notch autofocus feature.
Has a fully articulating screen on the side similar to the Canon EOS-RP
Better grip than current RX100 cameras
Very big Video record button
integrated ND filter
20MP 1 inch sensor
24-70mm F1.8 – 2.8 lens
All the autofocus features like: EyeAf and so forth
One touch Bokeh feature
Auto Object detect
Announcement May 26
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Today Capture One released the new 13.1.0 update and also a new redesigned website (Click here). It adds support for Sony and tamron FE lenses and also for the long time missing Zeiss ZX1 camera :)
Capture One Launches a new update to Capture One 20 Bringing new features, new capabilities, a new product, and a new look, Capture One is providing better solutions for more people, and breaking new ground.
COPENHAGEN, May 18th, 2020: Capture One, the premiere name in photo editing software, delivers a suite of announcements that highlight new product offerings, expanded capabilities, and a new direction; revealing the company’s continuing evolution and support for creatives.
The development of Capture One 20 remains driven by an evolving roadmap rooted in user feedback from both the Capture One community and creative community overall. The latest update brings brand new heal and clone tools that reduce the need for external retouching applications while increasing efficiency, and a new Before & After Tool that gives new ways to check your editing progress and to compare your edits.
With user experience in mind, Capture One has also developed a new activation flow with new dialogues, sample images, and interface guidance that make it faster and easier than ever to become a Capture One user. In addition, the company has advanced its Lightroom Catalog importer, and together it not only makes it easier to start using Capture One, but easier to migrate without missing a step.
Beyond that, when it comes to Capture One, users have choice. There are currently a number of Capture One variants such as Capture One Fujifilm and Capture One (for Sony), and now the company is proud to deliver Capture One for Nikon. Similar to the other branded versions, Capture One for Nikon brings the full feature-set of Capture One Pro at a reduced cost to Nikon users.
“We want to enable creatives to achieve their best images as effortlessly as possible, and that is why we drew heavily on feedback from our community to develop Capture One 20,” says Jan Hyldebrandt-Larsen, VP Software Business at Capture One. “It is our commitment to support them by providing a seamless photo editing experience defined by developing the features they ask for and need, as well as the ones they didn’t know they wanted. Capture One 20 is an exciting moment for us as we happily put even more focus and resources behind that goal.”
Learn what’s new in Capture One 20 at: www.captureone.com/20
Learn more about Capture One at: www.captureone.com
New features and tools in Capture One 20
New Heal & Clone Tools
New dedicated brushes for Heal and Clone will automatically create the correct layer when used Fast workflow with automatic source-point generation Limitless number of heal-zones per layer (previously only 1 p/layer) Most flexible healing workflow of any RAW converter Moveable source points, and transformable heal zones Fast performance and high-quality rendering
New Before & After Tool
A new dedicated tool placed in the Toolbar with easy keyboard shortcuts ‘Y’ will toggle before/after on and off ‘Shift + Y’ will toggle between the two modes: Full View and Split View Slider (draggable) Fast performing and works on multiple photos in the viewer Full View available in all products The Split View Slider is not available in Capture One Express variations
New Lightroom Catalog Import
Improved Lightroom Importer with better descriptions
Allows import of ‘offline files’ (files located on disconnected storage devices).
Capture One automatically imports files once the correct hard drive has been plugged in
Provides a report after the import with information about unsupported files
Basic image adjustments and Catalog structure will be replicated in Capture One
YN 50 / 1.8S – a good fifty dollars for mirrorless Sony E APS-C. Excellent price / quality ratio (excellent). The YN 50 / 1.8S has virtually no competitors.
10 main advantages:
low cost (about $ 100)
very light weight
compact sizes
metal bayonet mount included
stepping focus motor fast enough
internal focusing, fixed focus ring during auto focus
one low dispersion element in the optical circuit (for example, Sony 50 / 1.8 OSS no special elements)
good optical performance. Moderate level of basic optical distortion (vignetting, distortion, drop of sharpness to the edges and corners of the image, etc.)
10 main disadvantages:
the hood is extremely inconveniently set to transport mode (maybe it can’t be installed like this at all)
the aperture blades are poorly rounded; on heavily covered apertures the aperture has the shape of a heptagon
tiny lateral play of the focus ring, the focus ring is plastic, not rubberized, can catch dust over time and rotate not so smoothly
there are no additional tags (depth of field, focusing distance, etc.)
the minimum focusing distance is greater than that of a similar one Sony 50 / 1.8 OSS (important for subject and pseudo macro photography)
software options for working with the lens via the USB port are very limited
lack of lens data in modern cameras and RAW converters, which prevents some types of optical distortion from being automatically corrected
it is not known where and how this lens should undergo warranty service. This is not Yongnuo, but Ynlens. Perhaps the company has problems with patent obligations
some characteristic optical imperfections, such as perceptible chromatic aberration
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UPDATE: I removed the previous error saying this was an A-mount lens on an A-mount camera. Completely forgot the A3500 was an “old” E-mount camera :)
If you like to own rare stuff well here is something for you: Sony image stabilization demo unit on eBay (Click here). The seller writes:
This is a display to show how the Sony Steady Shot image stabilization worked, it is NOT a functioning camera. It is very rare, this is the first one I have ever seen come up for sale. The camera sits on the platform which is mounted to a bouncy spring. If you bounce the platform you will see the imaging sensor mounted in the backing of the display move. You can also pick the camera up and hold it to see the imaging sensor move to demo the Steady Shot. Very interesting unit if you collect photo related items.
Aurora Aperture Introduces a Next-Generation Rear Mount Filter System
Irvine, California, May 15th, 2020 – Aurora Aperture Inc. today has introduced a next generation rear mount filter system.
The new next generation rear mount filter system supports the Canon 11-24mm F4L USM and other select Canon wide-angle lenses, Nikon AF-S 14-24mm f/2.8G, Sigma 14-24mm F2.8 DG HSM Art EF mount and Sigma 14mm F1.8 DG HSM Art EF mount, Sigma 14-24mm F2.8 DG DN Art E and L mount, and Sony 12-24mm F4 G.
“In 2017 we introduced a rear mount filter system for the Canon EF 11-24mm F4L USM: The Aurora Aperture CR format, an industry-first rear mount glass filter,” said Jeff Chen, founder and CEO of Aurora Aperture Inc. “The next generation rear mount filter system is a major upgrade from the CR format filter system. It expands supported lenses to several other popular ultra wide-angle lenses, at the same time adds more filter choices. More importantly, the new system features a robust magnetic quick-release mechanism. ”
Next Generation Rear Mount Filter System
The next generation rear mount filter system improves usability by using an innovative magnetic mounting system. A filter is installed to a supported lens simply by attaching the filter onto the magnetized adapter on the rear of the lens. The magnetic quick release feature greatly simplifies the filter installation, especially for photographers working in harsh outdoor environments.
Designed in California, the Aurora Aperture next generation rear mount filter system provides a simple and elegant solution for ultra wide-angle lenses that lack a front filter thread. Users would normally have to use either low-quality gel filters in the rear of the lens or otherwise use a massive front mount filter with sizes up to 186mm mounted onto a bulky adapter.
The Aurora Aperture next generation rear mount filters are very compact and lightweight, making them much easier to carry. The filters are made from high-quality Schott D 263® T eco thin glass* with multi-layer nano-coatings for their light reduction capability, resulting in accurate color rendition and minimizing field curvature. These filters can meet the high-resolution demands of 4k/8k video, and the high pixel density of modern-day sensors.
A PFPE based nano-coating is applied to both optical surfaces, ensuring the protection of filters against water, oil, dust, and dirt. This coating allows filters to be cleaned as substances do not adhere to the filter easily and are removed with little effort. The PFPE based nano coating has a 110-degree static contact angle, one of the best in the industry.
The filter glass is protected by a high strength stainless steel frame. The filter frame makes the filter easier to handle and adds protection to the filter glass. Aerospace-grade 7051 aluminum alloy is used for the filter adapter. This material is practically twice as strong as the 6000 series aluminum alloy used in conventional lens filters.
Available Filters
3. PowerDuskTM, a light pollution reduction filter for astrophotography and for cityscape photography in blue hours by reducing artificial light pollution.
Supported Lenses
1. Canon EF Rear Mount
• EF 8-15mm f/4L Fisheye USM
• EF 11-24mm F4L USM
• EF 14mm f/2.8L USM & EF 14mm f/2.8L USM II
• EF 15mm f/2.8 Fisheye
• EF 16-35mm f/2.8L USM (EF 16-35mm f/2.8L II USM not supported) • EF 17-35mm f/2.8L USM
• EF 17-40mm f/4L USM
2. Nikon AF-S 14-24mm f/2.8G ED 3. Sigma EF Rear Mount
• Sigma 14-24mm F2.8 DG HSM Art
• Sigma 14mm F1.8 DG HSM Art 3. Sigma 14-24mm F2.8 DG DN Art
• Sony E mount
• L mount
5. Sony FE 12-24mm F4 G
Availability and Pricing
The Aurora Aperture next generation rear mount filters will be available through a Kickstarter crowdfunding campaign starting in May 2020. The general public and dealer availability is expected in September 2020. The price of filters will start from $43 and goes up to $113 per filter, depending on the type of filter. The price of lens adapters will be $35 to $41, depending on the supported lenses.
* except the PowerDuskTM (LPR) filter which is made with Neodymium based glass.
Tobias Rösli
Full moon behind “our” tree in Wolhusen, Switzerland.
700mm , a99ii, F/9, 1/250sec, iso 4000
(No photoshop, one shot) instagram.com/tobias.roesli/
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