Sony FX6 Is Now Approved For Netflix

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Sony FX6 FF E-mount camcorder at BHphoto, FocusCamera and Adorama.

Via Alphauniverse:

The Sony FX6 has been added to the Netflix Approved Camera List, making it officially approved to be used for productions by the popular content platform. For all final Netflix productions, 90% of the total runtime is required to be captured on approved cameras. Only a select group of highly-capable cameras make the Netflix Approved Camera List. The FX6 had to meet minimum resolution and capture requirements, and other attributes like dynamic range, form factor, stability and workflow compatibility were also taken into consideration.

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Superdeal on the new Luminar AI is ending soon. Top youtuber Peter McKinnon tests the software and is impressed!

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You save around 80 Dollars/Euro on this Luminar AI superpack bundle (save additional $10 using our checkout code “SAR). If you don’t need this full pack get the software alone here: Luminar AI ($10 discount with our code “SAR”). All features with interactive slider can be found on that official Luminar AI page.

Top youtuber (5.2 million followers) Peter McKinnon just tested the software and is impressed:

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First curved sensor goes into mass production: When will Sony announce their patented RX Full Frame curved sensor camera?

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The first curved sensor made it now officially into mass production. It’s from a French company named “Curve-One“. Here are some quick info about the sensor advantages

 

The interesting thing about this tech is that starting from 2015 Sony patented multiple sensors:

  1. An RX styled Full Frame curved sensor camera with 35mm f/1.8 (article here)
  2. A medium format system camera with curved sensor (article here).

It would make no sense for Sony to make an E-mount camera with curved sensor as all the existing lenses are not designed for this. An RX would certainly be a cool option while I think the medium format curved sensor system is definitely too expensive to make.

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First worldwide review of the Tamron 17-70mm f/2.8 for APSC by Marc Alhadeff

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New Tamron 17-70mm f/2.8 are now open at BHphoto, Adorama, Focuscamera.Calumet Germany and Wex UK.

Marc Alhadeff from Sonyalpha.blog tested the new

The Tamron 17-70mm F2.8 Di III A-VC RXD (900 euros) is a very good lens for all Sony APSC bodies and can produce high quality photos. It delivers very good to excellent sharpness, with a reliable AF, soft background blur, very good color rendering and optical stabilization that will be particularly useful in video.
Its only weaknesses are its shaprness wide open art 70mm (only good) and the Bokeh balls that exhibits strong onion rings

The choice between the Tamron and the Sony E 16-55mm F2.8 G (1300 euros) is not obvious. The Sony can now be found at 1170 euros and benefit often from 100 euros Sony cash back. So price will be quite close. Performances in term of sharpness , background blur, AF, color rendition are not a differentiating factor neither so the choice will be more in favor of the

  • Sony for its more compact form factor and better bokeh balls , specially if you have the A6500 or A6600 (with sensor stabilisation), better sunstars and flare resistance
  • Tamron if video is important for you and you have a body without sensor stabilisation like the A6000, 6100, 6300, 6400 and if the bokeh balls with onion rings do not matter to you

Highly recommended

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Sony Tidbits…

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My Long Term Thoughts On The Sony A7S III…

Kerlee 35mm F1.2 review at SonyAlpha.Blog.
The Best Tough Cameras (Explora).
Fujifilm X-S10 First Look and Comparison with Sony A7C (Fujirumors).
Sony A7S III vs. Canon R5: Stabilization Test on Manfrotto Gimbals (Fstoppers).
Sigma 45mm f/2.8 test at Capa.
Tamron 17-28mm FE image samples by Photozone.
TTArtisan 11mm f2.8 Fisheye Lens Review by Scott Dumas.

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

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