TOPAZ updates Video Enhance AI: upscale and enhance videos up to 8K!

Topaz released a new major update on their Video Enhance AI software. You can buy it for $170 instead of the original $299 price if you use our checkout codeRUMOR

Press release:

Our Latest Update Improves Stability and Hardware Support
We’ve improved speed and stability so you can process longer videos with better performance. Check out the latest features and software updates:

✓ Upscale up to 600%
✓ GPU processing on Mac and Windows (New!)
✓ Improved speed (New!)
✓ Increased hardware support (New!)
✓ New AI Models with improved motion stability (New!)
✓ Custom processing refinements (New!)
✓ DeNoise/Deblock processing
✓ Custom output settings
✓ Keyboard shortcuts, zoom, and panning (New!)
✓ Batch processing with sync settings option

Here is a sample video enhanced with the new updated software:

Internet is already bitching about the EOS-R5 overheating…Max Yuryev explains why

We all know Sony became famous for the overheating issue. Canon was transparent enough to share the overheating info right from the start. This created a lot of buzz and discussion on the web. Thankfully Max Yuryev made a very informative video on this o make a clear point:

I guess that you really cannot use the EOS-R5 video features once you are outside under direct sunshine. And that yes may be a huge limitation for those who want to have a reliable video tool.

Now, I wonder how Sony will handle this on the soon to be announced A7sII successor. I already told you the camera will have a new kind of passive cooling system. My feeling is that Sony will not have the heavy EOS-R5 limitation. After all Sony had 5 years time to develop the camera from scratch to be a videographers beast tool. Something the EOS-R5 wasn’t really meant to be…the EOS-R5 main goal is mainly for Canon to say…hey look at me I am back :)

Thanks Max!

Competition news: Canon EOS-R5 announced…what about Image Quality???

Today Canon announced FIFTEEN!!! new cameras+lenses (see them all at BH). The most important product is the new EOS-R5 8K camera which is priced at $3899 (full spec list at BH). This camera is a sort of hybrid between the Sony As7 and A7r line. The soon to be announced A7sIII will be more purely video focused and likely not have that high resolution nor 8K30p (as professional 4K quality is the main goal of that cam).

Sony vs EOS-R5 interesting facts:

  • 20min 8K recording but files are huge. On a $700 1 TB card you record max 51min
  • Canon has 8stop stabilization vs the Sony 5 stop stabilization
  • Interesting, it uses the same EVF resolution of the Sony A7rIV….that EVF is actually made by Sony…which makes me think Canon bought it from Sony :)

I wonder if Sony has to somehow answer to this or if the A7rIV and future A7sIII will be enough…

Do you feel Sony has to make a sort of EOS-R5 8K camera too?

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via CameraSize

The big unanswered question:

The one caveat I have with Canon is this: Yes, on paper the specs are amazing but will it deliver in reality? We know that so far Canon sensors are really way behind Sony. So did they pull the white rabbit out of the hat or will the Image Quality still be inferior to the Sony?

None of the reviewers talked about this aspects and my feeling is that Canon will NOT have done that miracle…

More EOS-R5 videos:

Full coverage at CanonWatch.com

Sony 12-24mm GM officially announced

Preorders:
In USA at BHphoto. Adorama. FocusCamera.
In Europe at CalumetDE. WexUK.

Press coverage:
Product page at Sony UK. Review by Albert Dros. Handson and image samples at Explora. Review by Michael Schaake. Sample gallery at Dpreview. Preview by CameraLabs. Review by Photographyblog. Spanish review by Photolari. Thai review at Pantip.

Videos:

Images:

Image by Michael Schaake

Poll:

Will you buy the new Sony 12-24mm f/2.8 GM lens?

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Press text: Sony Electronics Grows Lens Line-up with Launch of 12-24mm G Master, the World’s Widest Full-frame Zoom with a Constant F2.8 Aperture

Preorders:
In USA at BHphoto. Adorama. FocusCamera.
In Europe at CalumetDE. WexUK.

Sony Electronics Grows Lens Line-up with Launch of 12-24mm G Master, the World’s Widest Full-frame Zoom with a Constant F2.8 Aperture

SAN DIEGO – July 7, 2020 – Sony Electronics Inc. today announced an exciting new addition to its full-frame lens line-up with the introduction of the FE 12-24mm F2.8 GM (model SEL1224GM) Large-aperture Ultra-wide Zoom lens. This compact and versatile lens is ideal for shooting landscapes, astrophotography and architecture while providing extra mobility for active sports shooters who want to capture ultra-wide perspectives. As part of Sony’s flagship G Master series lenses, users can be completely confident that it delivers outstanding image quality up to an ultra-wide 12mm angle of view with F2.8 constant aperture and beautiful bokeh effects.

The introduction of the FE 12-24mm F2.8 GM now extends the F2.8 range of Sony’s G Master series zoom lenses all the way from 12mm to 200mm[ii] and at 12mm, offers the world’s widest range of zoom at F2.8. At this focal length, it is possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye, opening the door to new avenues of creative expression.

“We are excited to introduce the new FE 12-24mm F2.8 GM as the 57th lens in Sony’s E-mount line-up”, said Neal Manowitz, deputy president of Imaging Products and Solutions Americas, Sony Electronics.  “It is important for us to continue to push boundaries in the industry to develop the best tools for our customers. By extending our range of G Master constant F2.8 zoom lenses out to 12mm, we are excited to see how these new innovations will help our customers create like never before.”

The FE 12-24mm F2.8 GM benefits from innovative construction that delivers outstanding corner-to-corner image quality throughout the entire zoom range. It features three precise XA (extreme aspherical) elements including the largest XA element ever made for an α – Alpha brand lens. These XA elements, with an additional aspherical element, effectively suppress astigmatism, coma and field curvature right out to the image edges. Furthermore, three ED (Extra-low Dispersion) glass elements plus two Super ED glass elements, powerfully control chromatic aberration and combine to deliver corner-to-corner clarity while minimizing color fringing.

An extremely effective floating focus mechanism divides the lens’s focus group into two independently controllable groups, ensuring both outstanding close-up performance and maximum sharpness at any distance. The two independently controlled groups help realize a constant 11” (28 cm) minimum focusing distance throughout the zoom range, and because it is an internal focus lens, its length remains constant, so its center of gravity varies very little and is always optimally balanced in the hand.

The signature bokeh effects of Sony’s G Master series lens are achieved through the fine tuning of the lens’s spherical aberration characteristics during both the design and manufacturing process. At the same time, the extremely high surface precision of the lens’s XA elements effectively suppresses spherical aberration and, in combination with a 9-blade circular aperture, further enhances its exquisite bokeh.

The FE 12-24mm F2.8 GM employs four original high-speed, high-thrust XD (extreme dynamic) Linear Motors to ensure that it is compatible with the speed performance of both current and future camera bodies. With two XD Linear Motors for each of the lens’s focus groups, autofocus is fast and precise. New control algorithms maximize the response of the system while achieving flawless synchronization between the two focus groups. Further benefits include extremely quiet operation with minimal vibration and lower power consumption.

A brand-new Nano AR Coating II that can be evenly applied to large lens elements or highly curved element surfaces has been used for the first time on the FE 12-24mm F2.8 GM. It suppresses internal reflections, minimizes flare and ghosting for clear, crisp imagery and despite the lens’s wide angle of view, Nano AR Coating II maintains high clarity and contrast throughout the entire image, even in difficult light.

Moviemaking

The constant F2.8 maximum aperture at all focal lengths ensures that exposure is stable when zooming. As a result, this means that shutter speed and ISO sensitivity can remain constant while shooting movies. The creative opportunities afforded by shooting movies at a 12mm angle of view with F2.8 constant aperture in full-frame are boundless, and when used on an APS-C or Super 35 camera, the wide end of the zoom range becomes equivalent to 18mm, providing a useful zoom range for moviemaking.

Professional Control

Weighing only 1.87 lbs (847 g), the FE 12-24mm F2.8 GM offers numerous features for full professional control of shots. These include a customizable focus-hold button, focus-mode switch, zooming ring and focusing ring that are positioned for easy operation while shooting. The Linear Response MF ensures that the focus ring responds directly to the most subtle adjustments when focusing manually so control feels immediate and precise. It is dust and moisture resistant[iii] and the front lens element features a fluorine coating that repels water, oil, and other contaminants, making it easier to wipe off any fingerprints from the lens surface. The rear filter holder accommodates standard sheet-type ND, color correction and other filters for expanded expressive capability. A cutting template for sheet filters is supplied.

Pricing and Availability

The FE 12-24mm F2.8 GM is available in in August 2020 for a suggested retail price of $2,999.99 USD and $3,999.99 CAD.

Exclusive stories and exciting new content shot with the new lens and Sony’s other imaging products can be found at alphauniverse.com, a site created to educate and inspire all fans and customers of Sony’s α – Alpha brand.

For detailed product information, please visit:

(US) – FE 12-24mm F2.8 GM

(Canada) – FE 12-24mm F2.8 GM

A product video on the new FE 12-24mm F2.8 GM can be viewed on Sony’s YouTube channelhttps://youtu.be/NXzAZjZzjoI.

Sony Tidbits…


Sony 20mm F1.8 Full in Depth Review

Note: If you are interested in electric cars check out our new website Electric-fun.com
Sony 20mm F1.8 Featured in the Sony alpha universe blog
Voigtländer APO Lanthar 50mm F2 Review (Dustin Abbott).
The Long and the Short of It: Wide-Angle and Telephoto Macro Lenses (Explora).
Sony gives additional details on Xperia 1 II’s Photo Pro app (Sony Reconsidered).
Sony FE 20mm F1.8 G | Weitwinkel-Objektiv im Test & Vergleich (ValueTech).
The Best (and Worst) Ways To Clean Camera Lenses (DpreviewTV).

Personal photos and tests from SAR Admin Andrea on Instagram, Twitter, Facebook, Flickr and 500px.

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@angelmorenophoto⁠ ——————-⁠ Soviet projector lens 16KP-1.2/50 adapted to Sony E-mount cameras (NEX). It works perfectly in APSC mode being at a 75mm focal length. The circular bokeh is very beautiful and as an objective it is ideal for portraiture. It has good sharpness in the central area to be such a large opening. The test images confirm the approach to infinity and other distances thanks to the adapter I designed. This has been a commission for a client.⁠ ⁠ #sonya7 #sonya7ii #camerageek #oldlens #oldlens_tokyo #oldlens_japan #oldlenses #vintagelens #vintagelenses⁠ #mirrorlessgeeks #mirrorlesscamera #camerasetup #cameragear #sonyalphasclub #sonymirrorless #sonyalphaclub⁠ #oldlenslife #cameraporn #retrolens

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