World record? Biggest photo print by SALON IRIS, shot with Sony A7II

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Lazarus@Photo+Adventure1

Stefan Fiedler sent me this:

At the recent Photo+Adventure trade show in Vienna, Austria my photo and fine art printstudio SALON IRIS proudly presented the giant panoramic photo print “Twilight Light” by Brooklyn, NY photographer Lazarus Jean-Baptiste. It is what we believe is the biggest ever in one piece printed and mounted photo exhibition print.
http://www.photoadventure.at/
http://www.photoadventure.at/weltrekord-megaprint-by-salon-iris/

Lazarus@Photo+Adventure4

Printed by SALON IRIS with an HP L28500 latex printer at photographic quality with 1200dpi resolution at the gigantic dimensions of 8,2 x 31,8 feet and mounted in one piece we could impressively demonstrate state-of-the-art photo and printing capabilities.

Brooklyn, NY based photographer Lazarus Jean-Baptiste (a.k.a. LAZARUS2020) was born in Port-au-Prince, Haiti. He moved to NY at the age of 11 where he became a successful make-up artist. Over the past years the skyline of Manhattan has become his prefered “model”. He describes his photographs as “UHDR2” (Ultra High Dynamic Range and Resolution Cityscapes).
http://lazarus2020.com/
Please also see Lazarus´ bio attached.

Lazarus shot 26 individual photos with a Sony Alpha 7II at two rows of 13 images which were stitched for the giant panorama. The lens he used was a Canon EF 200mm F2.8L. He shot from from the New Jersey shores 1,5 miles away. Still individual persons can easily be identified in the windows of the Manhattan skyscrapers!

Interesting side note: Stefan Fiedler only met Lazarus Jean-Baptiste recently and by mere chance in front of the Photoplus Expo 2015 at the NY Javits Center when they started talking about the same Sony Alpha 7RII camera that they had both hanging around their necks. Over a cup of coffee Stefan discovered the incredible talent of the self-taught photographer Lazarus and they both decided to show Lazarus amazing work to the world – starting with the sensational panoramic print and more fascinating ChromaLuxe prints at Photo+Adventure.

——-

SALON IRIS (www.salon-iris.com) is a leading photo- and fine art print studio. It was founded 1996 by Stefan Fiedler in Vienna, Austria. The studios name refers to the legendary Iris inkjet printer that the studio used in the early days.

The highly successful Photo+Adventure trade show in Vienna, Austria attracts more than 20.000 photo and outdoor enthusiasts every two years.

Lazarus_Twilight Lights

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A comprehensive view on the Zeiss Milvus family tested on the Sony A7 (3D-Kraft).

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A7_Milvus

Milvus 50mm on the A7 (image courtesy: 3D-Kraft ).

The new Zeiss Milvus lens comes in native mounts for Canon and Nikon DSLR. Of course you can sue it on Sony FE cameras too. But how much sense does it make to use those lenses on a Sony? 3D-Kraft (Click here) posted a comprehensive view on the Zeiss Milvus family tested on the Sony A7. The conclusion is:

“As a mirrorless shooter always striving for highest achievable image quality with equipment as lightweight and compact as possible when on the move, I must concede that I am in a kind of conflict with the Milvus line. Their extraordinary solid mechanical quality in a wheather sealed metal housing comes for the price of size and weight. Most of the Milvus lenses seem to be better balanced when used on full frame DSLRs but on the other hand, manual focusing is far better supported by mirrorless systems with in-body stabilization working in live view mode with focusing aid by zoom magnification and peaking. For Sony Alpha with FE mount meanwhile you get many native and more compact pendants from Zeiss in the same price range like the Loxia line (a Loxia 21 review will follow soon, stay tuned!) or primes including AF support like the FE 1.8/55 and Batis 1.8/85.
However, the optical quality (sharpness, bokeh, micro contrast, flare resistance, distortion control) – especially of the new designed 1.4/50 and 1.4/85 – is very good, the only weak point is their lack of apochromatic correction so that you will see some axial CAs (“boke fringing”) at open aperture especially from the f/1.4 lenses. Usually this type of CA can be removed in post processing quite easily. If you look for “no compromise” apochromatic corrected lenses, you might consider lenses of the Otus line (Otus 1.4/28 review coming soon on this site!) but those do not have features like wheather sealing or declickable aperture ring, which you find in the Milvus line.”

Read the full detailed test at 3D-Kraft

Here are the detailed Lens info and preorder links:
Zeiss Milvus 100mm f/2M ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 100mm f/2M ZF.2 Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 21mm f/2.8 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 21mm f/2.8 ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 35mm f/2 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 35mm f/2 ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/1.4 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/1.4 ZF.2 Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/2M ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 50mm f/2M ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 85mm f/1.4 ZE Lens for Canon EF at BHPhoto (Click here), Adorama (Click here).
Zeiss Milvus 85mm f/1.4 ZE Lens for Nikon F at BHPhoto (Click here), Adorama (Click here).

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Interview with Christophe Casenave from ZEISS: “Sony Alpha is in a phase of professionalization”

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Zeiss

Lenspire posted the content of an interview with Zeiss product manager Christophe Casenave. Here are a couple of interetsing informations:

1) Sony Alpha is in a phase of professionalization:Sony Alpha is one of the most rapidly evolving system, the one in which most innovation is brought at the moment and it is a system in a phase of professionalization. We believe that we can help making this system appealing to professional photographers by providing pro-grade lenses.

2) Reason for the Sony A7 success:Many people like to provide old lenses they owned, or sometimes their parents owned, a second life. Even if these lenses are not ‘up-to-date’ or modern in terms of quality, they provide some kind of nostalgic look. Only this system allows to adapt so many older lenses.”

3) Why they launched the Loxia series:We remarked that many people were adapting our ZM lenses, even if they are not all optimal for the digital sensor. In addition, we figured out that the AF lenses, while still quite compact, compared to DSLR lenses, still tend to get bigger on this system. The combination of these three factors gave us the idea to develop a new family of very compact, very high craftsmanship manual lenses

4) Why the Loxia 21mm has a complete new design (not borrowed from the ZM series):We could not do a symmetrical design, because we needed to ensure that the ray angle is low enough to avoid any kind of aberrations in the corners. As such, we chose a Distagon, with a very light retro-focus.

Personal note: “Sony Alpha is in a phase of professionalization”…can’t wait to see that coming true at Photokina 2016!

Links to all Zeiss made FE Loxia and Batis lenses:
Zeiss Batis 85mm f/1.8 lens in US at Amazon, Adorama, Bhphoto. In Eu at Amazon DE, WexUK. In Asia at Digitalrev.
Zeiss Batis 25mm f/2.0 lens at Amazon, Adorama, Bhphoto. In EU at Amazon DE, WexUK. In Asia at Digitalrev.
Zeiss Loxia 50mm f/2 Planar T* Lens for Sony E Mount at Amazon, BHphoto, Adorama., WexUK, CameraPro.
Zeiss Loxia 35mm f/2 Biogon T* Lens for Sony E Mount at Amazon, BHphoto, Adorama, WexUK, CameraPro.
Zeiss Loxia 21mm f/2.8 FE lens at BHphoto and Adorama. In Europe at WexUK.

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FS5 now shipping. Review by Newsshooter.

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The new FS5 4K E-mount camera is now in Stock and shipping at Adorama (Click here) and BHphoto (Click here).

And Newsshooter reviewed the FS5 with Kai from Digitalrev:

As a B-camera on larger productions the FS5 should work well in places where you might previously have used a DSLR, GH4 or Sony a7S. Obvious uses include on brushless gimbals and in-car rigs, although you will probably want to record externally.

Newsshooter also tested the camera at anti-war protests:


Unboxing a Sony PXW-FS5 | Sony | 4K Creators

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Today only: Super A5100 deal in France. A77II deal in Germany.

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Sony

Our readers from France should be aware that they have a terrific good deal today:

A5100 double lens kit for 479 Euro only at Amazon France (Click here). It runs today only!

And while we are here: German readers do have a A77II Gold Box deal at Amazon Germany (start at 15:30 for prime members). UK readers have some SD card and bag Gold Box deals at Amazon UK (Click here).

Editors note: Sorry made a Freudian Lapsus and wrote A6000 instead of A5100. Now corrected.

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Sony Tidbits…

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Interbee 2015: Want more lens flare? Try Technical Farm’s see-through lens adapter (Newsshooter).

Shooting a Video with a 1950 Plastic Camera Lens by Stern Mathieu on Youtube.
Spanish A7sII test at DSLRmagazine.
Sony Alpha QX1 (ILCE-QX1) Review (ePhotozine).
Sigma 20mm F1.4 DG HSM A Canon mount review: Tempting new addition (DxOmark).
Minolta APO 100-300mm + Sony A7II Video REVIEW (SonyAlphaForum).
TEST / Sony RX1R II : dites oui au viseur pop-up, non au capteur 42 Mpx (Lesnumeriques).
I’m really thinking of selling off Canon Gear (SonyAlphaForum).
A7rII Fashion Portraits W 55mm 1.8 (SonyAlphaForum).

Brad:One of the main reasons I upgraded to the a7s ii was for the slo-motion capabilities in full HD. I recently had the chance to document a brother/sister team who create unique and fun artwork out of metal junk.  This was a fun opportunity to really push the 120 f/second feature.  Shot entirely on a Sony a7s ii with the Loxia 35mm lens. https://vimeo.com/147804423

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