Nikon D850 likely to use a new Sony 46 Megapixel FF sensor

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A source at Nikongear spilled out the possible Nikon D850 specs. And it really seems like it will NOT use the same Sony A7rII sensor. Instead it will feature a Sony made (and Nikon tweaked?) 46 megapixel Full Frame sensor. It is highly likely that the new Sony A7rIII which is probably going to be announced in early 2018 will feature an even higher resolution sensor (something between 60-70MP) and not this new 46MP sensor.

These are the other specs from the same source:

10 fps (without battery pack)
together with fast AF this will be a sports capable camera with 46 Megapixels resolution
(appears to adapt something of the D500 concept for FX)
NOT compatible with MB-D12, there will be a new dedicated battery-pack
They expect the first samples to be available in October
Pricing will be about 1000 Euros above the D810 which will remain available in parallel

Thanks Bill on Dpreview forum for this.

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An interesting Sony medium format development rumor…and a poll for Sony engineers and managers.

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Fuji GFX vs Sony A7rII

So far all past Sony medium format rumors from non-verified sources were incorrect. But never the less I am going to publish this because it sounds a bit more “reasonable” and I would like to kickstart a discussion on this:

Many cameras are tested and never brought to market, so this might be the case with this design. I have knowledge of a lens design that uses a new mount that will accommodate the 53×40 sensor and a shorter flange distance.
I would like this mount to come to market, so the more you can poll people on price and design, it will help management here to make the decision.

Of course this isn’t a rumor from our trusted verified sources and that’s why you shouldn’t get too excited about that info yet. But I am certain Sony is considering all options on the table. A couple of considerations:

  1. Sony is super busy with FE lens developement and has yet paused APS-C E-mount and A-mount lens development. A commitment to a new Medium Format system would certainly make not be a good news for those waiting to get new non-FE lenses…
  2. Image quality from Full Frame cameras are already terrific. Do we really need super expensive medium format cameras that are not even “real” medium formats? Note: The 44x33mm sensor used by the Fuji GFX and Hasselblad X1D are barely close to “real” classic medium format sensor size. The sensor is also “only” 1.7x times larger than FF.
  3. The 44x33mm medium format world is a very small niche and already crowded with options (Fuji GFX, Hasselblad X1D, Pentax 645Z, Leica S). So if at all Sony should really go for the much larger 54x40mm sensor?
  4. Probably a RX medium format camera with fixed lens and priced below the current GFX and X1D would be a more unique and sensible proposal?

Here are my two questions to SAR readers  (Discuss the matter below and think a bit before to vote):

Should Sony make a medium format camera of some sort (fixed lens or interchangeable mount?

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The medium format camera should be...

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Hopefully this can help Sony to get a clue about what has to be done…

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Photozone: Zeiss Batis 18mm f/2.8 is an “excellent ultra-wide prime lens”

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Batis 18mm FE lens at [shopcountry 56821].

The very sever folks of Photozone tested the new Zeiss Batis 18mm f/2.8 lens. And there is good news:

The Zeiss Batis 18mm f/2.8 is an excellent ultra-wide prime lens. Most of the image frame is already very sharp at fully open aperture although there is a bit of softness in the far corners. The corner softness is gone at f/4. The range between f/4 and f/5.6 is also the sweet spot where the quality is truly outstanding for a lens in this class. It may be a little surprising but you should stick to f/8 (if possible) instead of f/11 for the best quality in infinity DoF scenes because diffraction is a limiting factor already. Very low lateral CAs and marginal field curvature also contribute to the very high quality. Image distortions aren’t overly pronounced but complex (mustache-style). In critical situations you may prefer to enable image auto-correction for this. That also applies to vignetting which is on the very high side (typical for Zeiss). A real differentiator is the flare resistance. You can, of course, produce a few ghostings if you push it but the Zeiss is about as good as it gets in terms of contra-light performance in this segment.
The build quality is up to professional standards – a metal body, no wobbly parts, weather sealing – but at this price level we expected no less, of course. That being said, we are not a big fan of the slippery surface coating and the dismal quality of the lens cap. The AF speed is good albeit not extremely fast but that’s perfectly fine given the typical usage patterns with such a lens. Zeiss is quite proud of the new OLED display which shows you the focus distance and depth-of-field. Yes, it’s nice, it’s cool but the real killer argument is the image quality.

So should you buy one? We’ll do some more testing of ultra-wide lenses soon but we’d be surprised to see a lens that could outperform this Zeiss lens – therefore highly recommended!

Well done Tamron ehm… Zeiss!

Batis 18mm FE lens at [shopcountry 56821].

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Sony Tidbits…

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ND Filters & Long Exposures – The Definitive Guide

Choosing a nifty fifty (Tomang).
Going Camping with the Sony RX100IV (Movetomirrorless).
Sony FE 16-35mm f/4 ZA field curvature and aperture sweet spots (FredMiranda).
Rolling Shutter explained (MirrorlessRumors).
A Portrait Photography Study with Swords and Light (Adorama Learning Center)
General Tips for Online Security and Privacy (Explora).

Bert: “Just wanted to let you know that National Geographic ran an article about The Last Honey Hunter, which was photographed with an Sony A7R. See the news article of DPReview here, which contains a Behind the Scenes video that shows the Sony camera clearly at 1:43 and 7:10.”

Join the new Sony Alpha Camera Facebook group.
To get news from our Forum subscribe that RSS feed.
To write a guest post on SAR follow the instruction on that page
I kindly invite you all to follow our RSS feed, follow us on Facebook and Twitter to not miss news and rumors!

Ike:Introducing a new photographic tool that may be coming out in the fall from Sony! https://youtu.be/RJ5rYpU3XBI

 

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Sony 16-35mm f/2.8 GM review by Marc Alhadeff

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Marc Alhadeff posted his full Sony 16-35mm f/2.8 GM review. The conclusion:

The new Sony FE 16-35 F2.8 GM is a jewel that will be a must have for all landscape and architecture photographers
Its build quality is very  good , very light to handle , very fast and reliable AF
Compared to the FE 16-35 F4 Zeiss , quality is the center is roughly the same but borders and corners are way better
Using it at F2.8 is a pleasure with very nice 3D effect and beautiful blurry background, but sometimes quite nervous
So it is worth 2 times the 16-35 F4 Zeiss? With the added F2.8 creative possibility and very high quality of borders / corners : Yes

Lens store links: [shopcountry 60804]

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This week SAR readers photos selection

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Andreas-Joachim Lins
Driver
Sony A7rII // Zeiss Batis 85mm @F1.8 // ISO 100 // 1/2000s

1) Submit your picture with a message and picture here: facebook.com/sonyalpharumors or on the SonyAlphaForum image section.
2) Like and comment the pictures from other readers here: facebook.com/sonyalpharumors/photos_stream?tab=photos and on SonyAlphaForum.
3) A selection of most liked pictures by the community and by me SAR admin will be posted weekly on SAR.

Note: When sending a pic feel free to also add a link to your site to promote yourself!

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